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La grande parade

Titre original : The Big Parade
  • 1925
  • Tous publics
  • 2h 31min
NOTE IMDb
7,9/10
7,6 k
MA NOTE
La grande parade (1925)
A young American soldier witnesses the horrors of the Great War.
Lire trailer2:26
1 Video
88 photos
Coming-of-AgeEpicRomantic EpicWar EpicDramaRomanceWar

Un jeune soldat américain est témoin des horreurs de la Grande Guerre.Un jeune soldat américain est témoin des horreurs de la Grande Guerre.Un jeune soldat américain est témoin des horreurs de la Grande Guerre.

  • Réalisation
    • King Vidor
    • George W. Hill
  • Scénario
    • Laurence Stallings
    • Harry Behn
    • Joseph Farnham
  • Casting principal
    • John Gilbert
    • Renée Adorée
    • Hobart Bosworth
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    7,6 k
    MA NOTE
    • Réalisation
      • King Vidor
      • George W. Hill
    • Scénario
      • Laurence Stallings
      • Harry Behn
      • Joseph Farnham
    • Casting principal
      • John Gilbert
      • Renée Adorée
      • Hobart Bosworth
    • 75avis d'utilisateurs
    • 47avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires au total

    Vidéos1

    Trailer
    Trailer 2:26
    Trailer

    Photos87

    Voir l'affiche
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    + 81
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    Rôles principaux17

    Modifier
    John Gilbert
    John Gilbert
    • James Apperson
    Renée Adorée
    Renée Adorée
    • Melisande
    • (as Renee Adoree)
    Hobart Bosworth
    Hobart Bosworth
    • Mr. Apperson
    Claire McDowell
    Claire McDowell
    • Mrs. Apperson
    Claire Adams
    Claire Adams
    • Justyn Reed
    Robert Ober
    Robert Ober
    • Harry
    Tom O'Brien
    Tom O'Brien
    • Bull
    Karl Dane
    Karl Dane
    • Slim
    Rosita Marstini
    Rosita Marstini
    • French Mother
    Arthur H. Allen
    • Dying German
    • (non crédité)
    George Beranger
    George Beranger
    • Patriotic Letter Reader
    • (non crédité)
    Harry Crocker
    • Doughboy
    • (non crédité)
    Julanne Johnston
    Julanne Johnston
    • Justine Devereux
    • (non crédité)
    Kathleen Key
    Kathleen Key
    • Miss Apperson
    • (non crédité)
    Dan Mason
    Dan Mason
    • Second Patriotic Letter Reader
    • (non crédité)
    Carl 'Major' Roup
    Carl 'Major' Roup
    • Doughboy
    • (non crédité)
    Carl Voss
    • Officer
    • (non crédité)
    • Réalisation
      • King Vidor
      • George W. Hill
    • Scénario
      • Laurence Stallings
      • Harry Behn
      • Joseph Farnham
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs75

    7,97.6K
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    Avis à la une

    9TheLittleSongbird

    Powerful parade

    There are a lot of great silent films that surprisingly for so long ago do not show their age and aren't as creaky. Am not saying anything negative about silent films in general, or trying to generalise if it comes over that way, quite the contrary (appreciate them hugely actually, though some don't hold up as well as others). There are also a lot of great WW1 films that still hold up in emotional power and are of vast historical significance, a strong primary example being 'All Quiet on the Western Front'.

    Whether 'The Big Parade' is the best WW1 film there is very up for debate when there are many contenders for that title. For me though, it is definitely up there with the best (certainly of the "anti-war" ones) and still stands as a beautiful and powerful film that surprisingly pulls no punches and doesn't play safe. Wholly deserving of its lauded status, and for anybody that loves silents, war films and classic film (the case with me on all counts) in general 'The Big Parade' is a must watch.

    It does start a little slow and some of the humour, especially that from Karl Dane, is overdone.

    Everything else is on the money and obliterate any faults. It's beautifully and atmospherically shot, the editing flowing smoothly. Regarding the music, both William Axt and Carl Davis' scores are well worth listening to. With a personal preference for the truly haunting one of Davis. King Vidor's direction is masterful, some of his best. He clearly connected with the subject and does so in a very artistic and human way, the drama hitting hard and not being over-idealised.

    Slow start aside, 'The Big Parade' is one powerful emotional wallop of a film. The love story is truly beautiful and the comradeship is similarly poignantly handled and where one particularly cares for the characters and what happens to them. The battle sequences were an achievement back then and are still astonishing now, having a full sense of horror in a pull-no-punches way. As others have said, the parting of the lovers is unforgettable and truly touching. Don't know many that are this moving actually.

    Pretty much all the acting is excellent, apart from some over-doing at times with Dane. Especially understated John Gilbert, whose eyes tell so much. Renee Adoree is lovely too, but acting-wise this is Gilbert's film.

    All in all, truly fabulous. 9/10
    7marcslope

    Great, up to a point

    King Vidor's World War I drama, from a story by WWI vet and distinguished playwright Laurence Stallings, was made for only $250,000 and looks like a zillion, with huge battle sequences, an enormous cast, and expressive art direction. The extended battle is great, capturing the terrifying immediacy of war nearly as well as "All Quiet on the Western Front" (but the latter must be counted as the greater achievement, what with hauling all that primitive sound equipment around the set). John Gilbert is quite good here, with expressive but not overemoting eyes, and Renee Adoree is a spirited, pretty love interest. But Stallings--who wrote another terrific WWI story, "What Price Glory"--makes some simple mistakes that wouldn't have been difficult to repair. When we first meet Gilbert, he's a spoiled rich boy, uninterested in defending his country ("I already have enough of a war on my hands with Dad," goes a title card). He enlists solely to impress his uninteresting girlfriend. Then, in France, he forgets her instantly and falls in love with Adoree, despite his lack of French and her lack of English. I'm always annoyed at simple lust being passed off as The Real Thing in movies. Then, having created a love triangle, Stallings introduces a third-act resolution I won't spoil here, but is a mighty contrived way of clearing the path so that Gilbert can have his true love at fadeout. His two war buddies, The Regular Guy (Tom O'Brien) and The Lovable Gap-Toothed Idiot (Karl Dane), are so straitjacketed by their simple personas that they quickly wear out their welcome, and the comedy among these three brothers in battle (oddly, they practically never seem to interact with anyone else in their unit) is feeble. This was the most successful silent film to come out of Hollywood, and plenty of it is impressive, but it's encumbered by elementary screen writing mistakes.
    drednm

    The Superb John Gilbert

    One of the great films of all time. John Gilbert stars as a callow lad from a wealthy family who joins up at the start of World War I. The film follows him through his early days in the army, his days in rural France, and then his time at the front, and finally his return home.

    King Vidor directs this amazing film, one of the best war films ever made, with touches of humor and irony, but never losing sight of the horrors and stupidity of war.

    John Gilbert would have won the Oscar for 1925 if the awards had started then. He's simply superb as Jack. You watch his eyes as this films goes on. In the beginning his eyes twinkle with glee and delight as he makes friends, finds love, and grows into manhood. Then his eyes change and go dead as he experiences war. This is one of the great silent film performances.

    But the film also boasts great work from Renee Adoree as Melisande and Karl Dane as the Swede. Co-stars are Tom O'Brien as Bull, Hobart Bosworth and Claire McDowell as the parents.

    The TCM copy I have has a incredible score by Carl Davis. There is one scene when Gilbert is off to the front and he can't find Adoree. The music is a discordant mishmash of previously heard tunes, and the music grows louder and louder until they find each other. The scene that follows is heartbreaking and unforgettable.

    But this film is full of great scenes, including the one where Gilbert teaches Adoree to chew gum. So simple yet so charming. Then there's the shower scene where Gilbert has gotten a wine barrel (hilarious) so the guys can have a shower.

    There is a great title card that reads simple: IT HAD BEGUN..... So few words and yet so full of meaning. The battle images are among the best and bring the full horror of war home. Vidor assembles amazing scenes of men marching in line to death, of men trapped in shell holes, of planes swooping over the bombed-out fields. This is an incredible movie.

    TCM host Robert Osborne mentions that THE BIG PARADE played for an astounding 95 consecutive weeks in New York and that it rivalled THE BIRTH OF A NATION and GONE WITH THE WIND as the biggest money-making film of all time. This is the film that, along with THE MERRY WIDOW, made John Gilbert the king of Hollywood in 1925. And his crown was well deserved; he is magnificent.
    Snow Leopard

    One of the Finest Movies of Its Own or Any Other Era

    A fine silent classic that has held up very well, "The Big Parade" is one of the very best films of its era and of its genre. It has a nice blend of drama, action, and lighter moments, with plenty of good photography and settings. The characters are simple, believable, and unpretentious, and they are brought to life well by the cast. Its commentary on the war is to the point, yet in a thoughtful way, without the heavy-handed cinematic ranting that mars so many films about war.

    The early scenes work very well in introducing some of the characters and themes. Its portrayal of the USA's entry into the war is intelligently done, while holding nothing back in its perspective. By not assigning blame or responsibility to any specific persons or countries, it enhances its portrayal of the kind of mentality that so often prevails in such situations. It is a believable, and sometimes subtle, sequence that works quite well.

    Once the movie gets into the main story, it uses the "parade" imagery well, and combines it effectively with the personal development of the characters.

    John Gilbert and Renée Adorée work quite well together, and Gilbert's army pals are both used effectively. There are quite a few memorable scenes as it depicts a full variety of wartime experiences. The lighter sequences are used particularly well, not as raucous humor but as moments of the more sensitive side of human nature that is still there somewhere amidst all of the turmoil.

    There's much more that could be said about such an absorbing film, but watching the movie is more rewarding than reading about it. It's neither an action-heavy war film nor a superficial, easily understood movie contrived to prove a particular point; it's something much better that fully repays careful attention and appreciation.
    7gavin6942

    An Early Epic War Story

    A young American soldier (John Gilbert) witnesses the horrors of the Great War.

    The film was groundbreaking for not glorifying the war or ignoring its human costs, exemplified by the lead character's loss of a leg from battle wounds. It heavily influenced a great many subsequent war films, especially "All Quiet on the Western Front" (1930).

    What really stands out is the new score from Carl Davis. While the film itself is powerful (and has held up very well over the past century), Davis has made it even more engaging and triumphant with his music. I have not heard the old score and cannot compare, but surely it never had the power it does now.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The famous scene in which Jim (John Gilbert) teaches Melisande (Renée Adorée) to chew gum was improvised on the spot during filming. Director King Vidor observed a crew member chewing gum and later recalled, "Here was my inspiration. French girls didn't chew or understand gum; American doughboys did...Gilbert's efforts to explain would endear him to her and she would kiss him...[It was] one of the best love scenes I ever directed." Gilbert also claimed that he did not expect Adorée to swallow the gum, which proved to be the scene's comic highlight.
    • Gaffes
      When Jim is getting dressed in the hayloft for his date, Slim jokingly refers to him as "Mr. Hemingway". When the film was being made in 1924-25 Ernest Hemingway was becoming famous, but in the movie's time frame of 1917, he was still unknown.
    • Citations

      James Apperson: [to Melisande, who speaks French] French is Greek to me.

    • Crédits fous
      Metro-Goldwyn-Mayer gratefully acknowledges the splendid co-operation of the Second Division, United States Army and Air Service Units, Kelly Field.
    • Versions alternatives
      There is an Italian edition of this film on DVD, distributed by DNA srl, "LA FOLLA (1928) + LA GRANDE PARATA (1925)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
    • Connexions
      Edited into Marianne (1929)

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    FAQ18

    • How long is The Big Parade?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 décembre 1926 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Aucun
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • El gran desfile
    • Lieux de tournage
      • Griffith Park - 4730 Crystal Springs Drive, Los Angeles, Californie, États-Unis(Belleau Wood)
    • Société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 245 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 31 minutes
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

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