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Ajouter une intrigue dans votre langueA bitter clown endeavors to rescue the young woman he loves from the lecherous baron who once betrayed him.A bitter clown endeavors to rescue the young woman he loves from the lecherous baron who once betrayed him.A bitter clown endeavors to rescue the young woman he loves from the lecherous baron who once betrayed him.
- Récompenses
- 4 victoires au total
Alice Belcher
- Woman in Circus Audience
- (non crédité)
Bartine Burkett
- Bareback Rider
- (non crédité)
Harvey Clark
- Briquet
- (non crédité)
Clyde Cook
- A Clown
- (non crédité)
Carrie Daumery
- Extra
- (non crédité)
George Davis
- A Clown
- (non crédité)
Paulette Duval
- Zinida
- (non crédité)
F.F. Guenste
- Waiter bringing Champagne
- (non crédité)
Joseph Hazelton
- Professor in Audience of Academy
- (non crédité)
Brandon Hurst
- A Clown
- (non crédité)
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- AnecdotesThe first film to feature Leo the Lion roaring as MGM's logo. Designed by Howard Dietz, the logo was first used for the Goldwyn Pictures Corporation film Polly of the Circus (1917) and passed to MGM when Goldwyn merged with two other companies to form MGM. Fittingly, a real lion plays a key plot point in the film's story.
- GaffesDuring part of the scene where the lion is loose in the room, Beaumont is seen with no, or hardly any, black makeup around his right eye. Before and after this scene, both eyes are made up.
- Citations
Title Card: A strange thing, the heart of a man - that loves, suffers, and despairs - yet has courage to hope, believe - and love - again.
- Crédits fousIn the version aired on Turner Classic Movies (TCM) on April 29, 2020, just after the Leo (the MGM Lion) shot and prior to the credits intertitle, there was an approval stamp within a toroidal circle: Approved by Kansas State Board of Review Serial Number C8806; below that was a rectangular text box: KANSAS GROWS THE BEST WHEAT IN THE WORLD
- Versions alternativesThis silent film was originally shot at 18 fps, which gives a proper running time of 95 minutes. Most copies that circulate today, including the Warner Bros. "Archive" DVD release and the TCM television version, as well as "public domain" versions like the copy on archive.org, incorrectly play at 24 fps with an added music soundtrack, rattling in at a speedup of 71 minutes.
- ConnexionsFeatured in Twenty Years After (1944)
Commentaire à la une
We really are lucky he spent so much time at MGM since the survival rate of their silents is better than any of the other studios. This is one of the few silent films that my husband enjoys, and I think all of the credit goes to Lon Chaney. He demonstrates such genuine emotion. I really believe that if the Academy Awards had started a few years before they did, Chaney would have won at least one Best Actor award.
Scientist Paul Beaumont (Lon Chaney) makes a great discovery - in what field it is never said - only to have his benefactor, The Baron Regnard, steal his findings and his wife. In what is supposed to be his big day before the academy - of what field it is never said - Regnard claims the findings are his own. When Beaumont claims the ideas are stolen, Regnard slaps Beaumont and the whole academy laughs at him.
Having lost his work and his wife, Beaumont becomes a clown in a circus. A clown that gets laughs by getting slapped, and takes the name "He" as in "He Who Gets Slapped". Now personally, I don't see what is so funny about a clown being slapped, and how do you get such a job with no resume anyways? But I digress.
"He" has an unrequited love for a bareback rider (Norma Shearer as Consuelo), who is from a formerly wealthy family that has lost all of its money. This is OK by Consuelo, but her dad wants to marry her off to the evil Baron, who really wants the girl as a mistress since he prefers disposable people, but her father convinces the Baron that marriage is the only way he can have her, and - by the way - there will be a not so small fee/loan involved for Consuelo's dad in exchange for the girl.
Now "He" is in a good position. The Baron has been hanging around the circus because of Consuelo, and "He" recognizes the Baron and knows that he can only bring unhappiness to Consuelo, but the Baron has no idea "He" is Beaumont, with all of that clown makeup.
How does this all work out? I'll just say there is not your typical MGM sappy happy ending like you get starting in the late 20s, and Leo The Lion finally gets his big break in the movies.
Why is this film taking place in France yet half the people have Italian names? I really have no idea, but I love the change between scenes with the laughing clown spinning the globe. In 1924 films did not yet have soundtracks, yet there was a score composed for this film by William Axt. Did MGM just distribute this score to theatres for the orchestras to play?
This film has a very experimental feel about it, Chaney is always worth watching, and it is interesting to see Norma Shearer and John Gilbert so early in their careers. Highly recommended.
Scientist Paul Beaumont (Lon Chaney) makes a great discovery - in what field it is never said - only to have his benefactor, The Baron Regnard, steal his findings and his wife. In what is supposed to be his big day before the academy - of what field it is never said - Regnard claims the findings are his own. When Beaumont claims the ideas are stolen, Regnard slaps Beaumont and the whole academy laughs at him.
Having lost his work and his wife, Beaumont becomes a clown in a circus. A clown that gets laughs by getting slapped, and takes the name "He" as in "He Who Gets Slapped". Now personally, I don't see what is so funny about a clown being slapped, and how do you get such a job with no resume anyways? But I digress.
"He" has an unrequited love for a bareback rider (Norma Shearer as Consuelo), who is from a formerly wealthy family that has lost all of its money. This is OK by Consuelo, but her dad wants to marry her off to the evil Baron, who really wants the girl as a mistress since he prefers disposable people, but her father convinces the Baron that marriage is the only way he can have her, and - by the way - there will be a not so small fee/loan involved for Consuelo's dad in exchange for the girl.
Now "He" is in a good position. The Baron has been hanging around the circus because of Consuelo, and "He" recognizes the Baron and knows that he can only bring unhappiness to Consuelo, but the Baron has no idea "He" is Beaumont, with all of that clown makeup.
How does this all work out? I'll just say there is not your typical MGM sappy happy ending like you get starting in the late 20s, and Leo The Lion finally gets his big break in the movies.
Why is this film taking place in France yet half the people have Italian names? I really have no idea, but I love the change between scenes with the laughing clown spinning the globe. In 1924 films did not yet have soundtracks, yet there was a score composed for this film by William Axt. Did MGM just distribute this score to theatres for the orchestras to play?
This film has a very experimental feel about it, Chaney is always worth watching, and it is interesting to see Norma Shearer and John Gilbert so early in their careers. Highly recommended.
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Détails
Box-office
- Budget
- 172 000 $US (estimé)
- Durée1 heure 35 minutes
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was Larmes de clown (1924) officially released in India in English?
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