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Scaramouche

  • 1923
  • Tous publics
  • 2h 4min
NOTE IMDb
7,1/10
731
MA NOTE
Ramon Novarro, Lewis Stone, and Alice Terry in Scaramouche (1923)
ActionDramaRomance

Ajouter une intrigue dans votre langueWhen a nobleman murders his best friend, a lawyer becomes a revolutionary with his heart set on vengeance.When a nobleman murders his best friend, a lawyer becomes a revolutionary with his heart set on vengeance.When a nobleman murders his best friend, a lawyer becomes a revolutionary with his heart set on vengeance.

  • Réalisation
    • Rex Ingram
  • Scénario
    • Rafael Sabatini
    • Willis Goldbeck
  • Casting principal
    • Lloyd Ingraham
    • Alice Terry
    • Ramon Novarro
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    731
    MA NOTE
    • Réalisation
      • Rex Ingram
    • Scénario
      • Rafael Sabatini
      • Willis Goldbeck
    • Casting principal
      • Lloyd Ingraham
      • Alice Terry
      • Ramon Novarro
    • 19avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Photos24

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    Rôles principaux45

    Modifier
    Lloyd Ingraham
    Lloyd Ingraham
    • Quintin de Kercadiou
    Alice Terry
    Alice Terry
    • Aline de Kercadiou
    Ramon Novarro
    Ramon Novarro
    • André-Louis Moreau
    Lewis Stone
    Lewis Stone
    • The Marquis de la Tour d'Azyr
    Julia Swayne Gordon
    Julia Swayne Gordon
    • The Countess de Plougastel
    William Humphrey
    William Humphrey
    • The Chevalier de Chabrillane
    Otto Matieson
    Otto Matieson
    • Philippe de Vilmorin
    • (as Otto Matiesen)
    George Siegmann
    George Siegmann
    • Danton
    • (as George Siegman)
    Bowditch M. Turner
    • Chapelier
    • (as Bowditch Turner)
    James A. Marcus
    James A. Marcus
    • Challefou Binet
    • (as James Marcus)
    Edith Allen
    Edith Allen
    • Climène Binet
    John George
    John George
    • Polichinelle - Member of the Troupe
    Willard Lee Hall
    • The King's Lieutenant
    Rose Dione
    Rose Dione
    • La Révolte
    Edwin Argus
    Edwin Argus
    • King Louis XVI
    • (non crédité)
    Sibylla Blei
    • Maid of Honor
    • (non crédité)
    J. Edwin Brown
    • Monsieur Benoît
    • (non crédité)
    Louise Carver
    Louise Carver
    • Member of Theatre Audience
    • (non crédité)
    • Réalisation
      • Rex Ingram
    • Scénario
      • Rafael Sabatini
      • Willis Goldbeck
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    7,1731
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    Avis à la une

    8springfieldrental

    The Movie That Made Ramon Novarro as Star

    Actor Ramon Novarro was coming off his biggest role yet in his young acting career as a villain in 1922's 'The Prisoner of Zelda,' when friend and director Rex Ingram offered him the lead as the hero in February 1923's "Scaramouche." The French Revolution swashbuckler proved to be Novarro's breakout role, catapulting him to become one of Hollywood's most popular screen performers in the early 1920's.

    "Scaramouche," based on the 1921 Rafael Sabatini best seller, was a massive undertaking for its production studio, Metro Pictures. Ingram, also the producer, spent several months assisting in adapting the unwieldy novel's plot into a cohesive two-hour movie. He also oversaw elaborate sets duplicating late 18th-century Paris and hiring 1,500 extras, expenses that caused delays and over budgeted costs .

    Metro's marketing publicity department saved the day. Knowing the box office appeal of rival sex-symbol actor Rudolph Valentino, the studio recognized that in its very own Mexican actor Novarro, it had an equally handsome male counterpart. Casting him as the hero in "Scaramouche," Metro benefited from his screen charisma. Ingram's multiple close-ups on his actors, especially with Novarro, highlighted Hollywood's new Latin lover's distinctive facial lines, guaranteed to send female fans swooning. The sword fights adapted from the novel, highlighted by Novarro's one with his arch nemesis, Marquis de la Tour d'Azyr (Lewis Stone), has been cited as one of cinema's first realistically-performed fencing duels. The lush sets, especially in the second half with teeming crowds hungry for revolution, created a movie rivaling the year's best epics.

    "Scaramouche," with a prodigious roadshow, eventually recouped it's enormous outlays. The movie was 1923's fourth highest box office hit in the United States, and it broke ticket sale records in Paris and London. The lavish film was benefited by having one of Hollywood's sexiest male actors in Novarro driving scores of women to the movie theaters to view his eye-catching close-ups.
    8zpzjones

    marvelous historical piece from Rex Ingram

    This is a well known film to most silent film buffs. Rex Ingram films his scenes like a painter. Ingram uses his camera like a paint brush. Indeed some of the scenes look like paintings come to life. This film is based on the novel by Rafael Sabatini and stars Ramon Novarro, one of Ingram's favorite actors. It costars Ingram's wife Alice Terry. This film boasts a cast of many well-known silent film supporting actors. An historical subject, Ingram gives great care to accuracy of costumes & history. The score for the film is adequate but tends to drone a bit. Surprisingly Ingrams camera can still be quite static which reminds one of DW Griffith's "Orphans of the Storm"(1921). Both 'Orphans' and 'Scaramouche' take place at the same tiime so a similarity is logical. The picture was made at Metro Studios just prior to the famous merger with Goldwyn & Mayer. Luckily this film survives today to be enjoyed. Rex Ingram, Metro Pictures.
    8planktonrules

    An excellent adventure film, but not up to the standards of the sound remake

    Had I never read the original novel "Scaramouche" by Rafael Sabatini and had I never seen the amazing Stewart Granger film of the 1950s, then I probably would have loved this silent movie. However, the book was so good and the Granger film so perfect that I found myself forever comparing this silent epic to the others and it usually came up short. In a way, that's sad, because it IS a very good film--especially compared to other films of the day.

    The basic plot is set in the days just following the French Revolution of 1789. For a few short years, the country had still not slipped into radicalism and the country was ruled by a coalition of the old elite and young upstarts. Eventually, of course, most of the elite would be executed or run off to exile, but this film is set during the last gasps of the nobles--who STILL exercised some of their old clout.

    Andre (Ramon Novarro) is an orphan who hobnobs with the upper crust but is definitely not one of them. When his best friend is murdered by an evil nobleman (Lewis Stone), he vows revenge and soon becomes a very outspoken critic of the rich. However, because of his outspokenness, he is marked for death and so he hides with a traveling theater company. He becomes very successful for the plays he writes as well as his rendition of the classic "Scaramouche" character. During this time, he also practices with the sword in the hopes of one day killing Stone. Eventually, his fame on stage increases so much that he is invited to serve in the Parlement. Plus, they want him because his swordsmanship is so good they figure he'll be able to protect himself--as the nobles are always dueling with their opponents killing them (a great way to deplete the non-elite class in Parlement).

    All this leads to the expected ultimate showdown with Stone, though it ends differently than the Granger film and more like the original novel. In some ways, this isn't bad, but what is missing is the great sword fight between Novarro and Stone--it ends almost as soon as it begins! In the Granger version, the fight is the longest and best sword fight in film history and something you can't miss.

    Apart from the fight that just fizzled, the film does have excellent sets, cinematography and musical score (something many silents do NOT have when shown today). It's good,...but I just can't help but prefer the sumptuous and more entertaining remake. This is one of the few cases when I do prefer a remake--so it just goes to show you how wonderful Stewart Granger's version is. If you only want to see one version of the film, see that one.
    8mukava991

    Another Impressive Ingram Epic

    Hats off to Rex Ingram. Scaramouche, like his other gorgeously mounted adventure sagas The Four Horsemen of the Apocalypse, The Prisoner of Zenda, or Ben-Hur (which he co-directed) illustrate clearly how the art of cinema took a body blow with the coming of sound, recovery from which took several years. The kinds of stunning compositions and environmental detail that were possible before the soundtrack era had to be jettisoned just for the sake of miking, so we lost much of this intensive artistry. Visually this film is every bit as impressive as Selznick's A Tale of Two Cities, or Korda's The Scarlet Pimpernel, both made well into the sound era over a decade later. Ingram was a visionary, right up there with Griffith, Stroheim and early DeMille. This film is beautiful right down to the title cards.

    In this tale of the French Revolution we are treated to large doses of "The Masses," as in the later Selznick Tale of Two Cities. In fact, these masses are so vividly presented that one suspects that Selznick borrowed some of his imagery from Ingram. Like The Scarlet Pimpernel, Scaramouche is a participant in the events of the era. But whereas the Pimpernel used ingenious disguises and impersonations to save selected aristocrats from the guillotine, Scaramouche uses his position as popular comedic stage actor and skilled swordsman to rouse the masses to revolutionary action and successfully duel to the death with reactionary members of the National Assembly. Ramon Novarro, who plays the title character, was second only to Valentino as a heartthrob of the silent era but his countenance and manner were gentler. Lewis Stone, best known for his stern but benign elder patriarch roles in talkies, was once the dashing, chiselled-featured leading man on display here. Alice Terry as the love interest reminds us of how cinematic standards of beauty have changed. Her costuming and coiffure notwithstanding, there is a pre-20th-century quality to her, as if she stepped out of a painting or daguerrotype.
    10preppy-3

    Just great silent costume drama

    In the late 1700s France, Andre-Louis Moreau (Ramon Novarro) becomes a rebel against aristocracy after his friend is killed by the evil de la Tour d'Azy (Lewis Stone). Unfortunately the woman he loves Aline (Alice Terry) is part of the aristocracy.

    Elaborate, well-directed with a cast of (seemingly) thousands this is a superb drama--it's just now getting its due on a stunning brand-new print showing on TCM. Alice Terry is just gorgeous as Aline--she's breath-takingly beautiful (that comes as no surprise--director Rex Ingram was her husband) and also one heck of an actress; Lewis Stone is convincingly slimy and cruel as the villain; best of all is Novarro. Easily one of the best-looking men ever it's easy to see why he was the top box office draw of his day. Looks aside, his acting was superb--he doesn't over emote (like some silent screen actors did) and was believable every step of the way. Sadly his career was destroyed because he was gay and homophobia was riding high at MGM. This man's acting and movies deserve some overdue recognition.

    The movie moves at a brisk pace, there's never a dull moment and has a very moving finale (although I had guessed the two twists at the end). A definite must-see!

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      An army of workmen built a whole French village that covered sixty acres and was faithfully reproduced down to cobblestone streets and shop windows filled with actual wares. Hundreds of thousands of yards of muslin, satin, brocade, and velvet were required in the making of the gorgeous costumes worn by the cast.
    • Versions alternatives
      On 5 December 2000, Turner Classic Movies broadcast a 124-minute version with a new musical score written by Jeff Silverman and played by the Janacek Philharmonic Orchestra, Ostravia, Czech Republic, conducted by Hugh Munro Neely. It was the first time the film was shown on television.
    • Connexions
      Featured in Hollywood (1980)

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    Détails

    Modifier
    • Date de sortie
      • 5 septembre 1924 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Aucun
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Скарамуш
    • Lieux de tournage
      • Ren-Mar Studios - 846 N. Cahuenga Blvd., Hollywood, Los Angeles, Californie, États-Unis
    • Société de production
      • Metro Pictures Corporation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 858 723 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      2 heures 4 minutes
    • Couleur
      • Black and White
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

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    Ramon Novarro, Lewis Stone, and Alice Terry in Scaramouche (1923)
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    By what name was Scaramouche (1923) officially released in India in English?
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