NOTE IMDb
5,6/10
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Ajouter une intrigue dans votre langueCharlie attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.Charlie attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.Charlie attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.
- Réalisation
- Scénario
- Casting principal
Dan Albert
- Audience Member
- (non crédité)
Hampton Del Ruth
- Lead Actor
- (non crédité)
Minta Durfee
- Self
- (non crédité)
- …
Billy Gilbert
- Theatre Usher
- (non crédité)
William Hauber
- Audience Member
- (non crédité)
Bert Hunn
- Audience Member
- (non crédité)
George Jeske
- Prop Boy in White Shirt
- (non crédité)
Edgar Kennedy
- Director
- (non crédité)
Sadie Lampe
- Audience Member
- (non crédité)
Henry Lehrman
- Self
- (non crédité)
Hank Mann
- Prop Boy in Overalls
- (non crédité)
Harry McCoy
- Fireman
- (non crédité)
- …
George Nichols
- Older Actor on Screen
- (non crédité)
Avis à la une
Shot very early in Chaplin's film career, A Film Johnny (I have no idea what the title means) is a short, but fascinating look at how movies were made in the earliest days of Hollywood.
Unfortunately, the DVD version I saw was a 1930s reissue edit that, for some reason, omits the prologue in which Chaplin decides to visit a movie studio after falling for a girl on the screen. But what remains is a fast-paced, sometimes confusing montage of scenes in which the Little Tramp (fast developing into the character the world would come to love) basically causes havoc at the real-life Keystone Studios.
Reportedly, Mack Sennett and Fatty Arbuckle and even Mabel Normand appear in the film. I think I spotted Sennett, but I have no idea what role Arbuckle played, while Normand was nowhere to be seen (though she might be the girl seen laughing at Charlie at the end). But as I saw a shortened version, it's possible their scenes were simply cut out.
What does survive is a very funny (and innovative) gag in which Chaplin lights a cigarette by firing a gun loaded with blanks at it. That, plus a fleeting glimpse of the Keystone Studios mere weeks after Chaplin began his movie career, makes this worthwhile. Chaplin's later film, Behind the Screen, another movie lot comedy, is a much better film, however.
Unfortunately, the DVD version I saw was a 1930s reissue edit that, for some reason, omits the prologue in which Chaplin decides to visit a movie studio after falling for a girl on the screen. But what remains is a fast-paced, sometimes confusing montage of scenes in which the Little Tramp (fast developing into the character the world would come to love) basically causes havoc at the real-life Keystone Studios.
Reportedly, Mack Sennett and Fatty Arbuckle and even Mabel Normand appear in the film. I think I spotted Sennett, but I have no idea what role Arbuckle played, while Normand was nowhere to be seen (though she might be the girl seen laughing at Charlie at the end). But as I saw a shortened version, it's possible their scenes were simply cut out.
What does survive is a very funny (and innovative) gag in which Chaplin lights a cigarette by firing a gun loaded with blanks at it. That, plus a fleeting glimpse of the Keystone Studios mere weeks after Chaplin began his movie career, makes this worthwhile. Chaplin's later film, Behind the Screen, another movie lot comedy, is a much better film, however.
7tavm
Just watched on the Internet Archive site 8 minutes of what this site states was a 15 minute short made by Mack Sennett's Keystone Studios. It stars Charlie Chaplin in another of his early appearances in which he's at that studio, as a civilian in his Tramp costume, wreaking havoc. If I didn't read the synopsis here beforehand, I would have been partly confused as to what was going on but because of that, I laughed at the part where he came to the "rescue" of his lady crush when she was being "attacked" and when he used the gun to kill her "attacker". Also, was that the first time that gun was used to light a cigarette? Was marred a bit by blurry titles and, once again, missing beginning context. Still, I was quite fascinated by what I saw of A Film Johnnie. Update-6/14/11: I just watched the entire thing on YouTube with the original Keystone titles intact. It's now a bit funnier so I'm now upping the rating from 5 to 7.
Short (about 7 minutes) comedy featuring Charlie Chaplin as a movie fan on the set of a movie. Charlie is unable to see the difference between on screen acting and the real life, so when his favorite actress gets 'attacked' he tries to rescue her.
Then there's a great scene in which he lights his cigarette with his gun, but unfortunately he's starting a fire with it. The movie executives try to make the best of it by shooting another scene, until Charlie is standing in the way yet again...
Amusing little flick and a must-see for every Charlie fan, although not among his best or most important shorts from that era. 6/10.
Then there's a great scene in which he lights his cigarette with his gun, but unfortunately he's starting a fire with it. The movie executives try to make the best of it by shooting another scene, until Charlie is standing in the way yet again...
Amusing little flick and a must-see for every Charlie fan, although not among his best or most important shorts from that era. 6/10.
Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.
He did do better than 'A Film Johnnie', still made very early on in his career where he was still finding his feet and not fully formed what he became famous for. Can understand why the Keystone period suffered from not being as best remembered or highly remembered than his later efforts, but they are mainly decent and important in their own right. 'A Film Johnnie' is a long way from a career high, but has a lot of nice things about it.
'A Film Johnnie' is not as hilarious, charming or touching as his later work and some other shorts in the same period. The story is flimsy and the production values not as audacious. Occasionally, things feel a little scrappy and confused.
For someone who was still relatively new to the film industry and had literally just moved on from their stage background, 'A Film Johnnie' is not bad at all.
While not audacious, the film hardly looks ugly, is more than competently directed and is appealingly played. Chaplin looks comfortable for so early on and shows his stage expertise while opening it up that it doesn't become stagy or repetitive shtick. The Tramp did become more likeable later but again he was still evolving.
Although the humour, charm and emotion was done even better and became more refined later, 'A Film Johnnie' is humorous, sweet and easy to like, though the emotion is not quite there. It moves quickly and doesn't feel too long or short.
Overall, far from one of Chaplin's best but pretty good and perhaps one of his better efforts from the early Keystone period. 7/10 Bethany Cox
He did do better than 'A Film Johnnie', still made very early on in his career where he was still finding his feet and not fully formed what he became famous for. Can understand why the Keystone period suffered from not being as best remembered or highly remembered than his later efforts, but they are mainly decent and important in their own right. 'A Film Johnnie' is a long way from a career high, but has a lot of nice things about it.
'A Film Johnnie' is not as hilarious, charming or touching as his later work and some other shorts in the same period. The story is flimsy and the production values not as audacious. Occasionally, things feel a little scrappy and confused.
For someone who was still relatively new to the film industry and had literally just moved on from their stage background, 'A Film Johnnie' is not bad at all.
While not audacious, the film hardly looks ugly, is more than competently directed and is appealingly played. Chaplin looks comfortable for so early on and shows his stage expertise while opening it up that it doesn't become stagy or repetitive shtick. The Tramp did become more likeable later but again he was still evolving.
Although the humour, charm and emotion was done even better and became more refined later, 'A Film Johnnie' is humorous, sweet and easy to like, though the emotion is not quite there. It moves quickly and doesn't feel too long or short.
Overall, far from one of Chaplin's best but pretty good and perhaps one of his better efforts from the early Keystone period. 7/10 Bethany Cox
I love these early short comedies from Chaplin because, much more than most other directors early in their career, these early short films are such clear depictions of reality, there is always so much history to be seen in them. In Film Johnny, Charlie plays himself, basically, a newcomer to film, trying to get into the pictures and get noticed. But of course, in true Chaplin form, the only thing he manages to do is create havoc, botch an unnecessary rescue attempt and a make a mess of the studio.
My understanding is that "film Johnny" refers to the guys that would hang around film studios, hoping to get inside and get a job (it should be noted that Steven Spielberg used to do this). Chaplin starts out in this film as one of those guys, and then we see a clear escalation of the gags that they put together, culminating in a priceless scene where he gets his hands on a gun and gives in to the feeling of power and invincibility it gives him, and he goes around shooting up the place, famously lighting a cigarette by shooting it with the gun and then firing shots at random around the studio, eventually catching it on fire and inadvertently providing the perfect ending for the film that they had been trying to shoot while he was messing everything up.
It is also interesting, as I have noticed some other IMDb users have pointed out, that in this film you get a glimpse of the Keystone Studios lot only weeks after Chaplin began his film career. A must see for any fan.
My understanding is that "film Johnny" refers to the guys that would hang around film studios, hoping to get inside and get a job (it should be noted that Steven Spielberg used to do this). Chaplin starts out in this film as one of those guys, and then we see a clear escalation of the gags that they put together, culminating in a priceless scene where he gets his hands on a gun and gives in to the feeling of power and invincibility it gives him, and he goes around shooting up the place, famously lighting a cigarette by shooting it with the gun and then firing shots at random around the studio, eventually catching it on fire and inadvertently providing the perfect ending for the film that they had been trying to shoot while he was messing everything up.
It is also interesting, as I have noticed some other IMDb users have pointed out, that in this film you get a glimpse of the Keystone Studios lot only weeks after Chaplin began his film career. A must see for any fan.
Le saviez-vous
- AnecdotesAlthough some sources credit Mack Sennett with playing himself, the film director, the role is actually played by Edgar Kennedy--who, besides being a comic actor, was also a respected director.
- GaffesMembers of the audience behind Charlie Chaplin change - for example, Minta Durfee is sitting behind Chaplin in some shots, but a different actress is seated behind him in others.
- Versions alternatives1930s reissue version, entitled Film Johnny, (released on DVD) omits the opening sequence in the movie theater.
- ConnexionsFeatured in Crazy Days (1962)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- A Film Johnnie
- Lieux de tournage
- Bryson Apartments, 2701 Wilshire Blvd., Los Angeles, Californie, États-Unis(Apartment Building)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée15 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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