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IMDbPro

Cabiria

  • 1914
  • Not Rated
  • 2h 28min
NOTE IMDb
7,1/10
4,2 k
MA NOTE
Cabiria (1914)
EpicAdventureDramaHistoryWar

Ajouter une intrigue dans votre langueCabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rom... Tout lireCabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rome and Carthage can only lead to war.Cabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rome and Carthage can only lead to war.

  • Réalisation
    • Giovanni Pastrone
  • Scénario
    • Gabriele D'Annunzio
    • Titus Livius
    • Giovanni Pastrone
  • Casting principal
    • Italia Almirante-Manzini
    • Lidia Quaranta
    • Bartolomeo Pagano
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    4,2 k
    MA NOTE
    • Réalisation
      • Giovanni Pastrone
    • Scénario
      • Gabriele D'Annunzio
      • Titus Livius
      • Giovanni Pastrone
    • Casting principal
      • Italia Almirante-Manzini
      • Lidia Quaranta
      • Bartolomeo Pagano
    • 43avis d'utilisateurs
    • 26avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos38

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    + 31
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    Rôles principaux23

    Modifier
    Italia Almirante-Manzini
    Italia Almirante-Manzini
    • Sophonisba - Hasdrubal's Daughter
    Lidia Quaranta
    Lidia Quaranta
    • Cabiria - also called Elissa
    Bartolomeo Pagano
    Bartolomeo Pagano
    • Maciste - Axilla's Slave
    Carolina Catena
    • Cabiria da piccola
    • (as Catena)
    • …
    Teresa Marangoni
    Teresa Marangoni
    • Croessa - Cabiria's Nurse
    • (as Gina Marangoni)
    Dante Testa
    Dante Testa
    • Karthalo - the High Priest
    Umberto Mozzato
    • Fulvio 'Fulvius' Axilla
    Raffaele di Napoli
    • Bodastoret - the Innkeeper
    Emilio Vardannes
    • Hannibal
    Edoardo Davesnes
    • Hasdrubal
    Alex Bernard
    Alex Bernard
    • Siface 'Syphax' - King of Cirta
    • (as Alessandro Bernard)
    Luigi Chellini
    • Scipione 'Scipio' - the Consul
    Vitale Di Stefano
    • Massinissa - the Numidian King
    Enrico Gemelli
    • Archimede
    Ignazio Lupi
    Ignazio Lupi
    • Arbace
    Francesca Bertini
    Francesca Bertini
    Giuseppe Ferrari
    Soava Gallone
    Soava Gallone
    • Réalisation
      • Giovanni Pastrone
    • Scénario
      • Gabriele D'Annunzio
      • Titus Livius
      • Giovanni Pastrone
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs43

    7,14.1K
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    Avis à la une

    8Boba_Fett1138

    Early epic's visuals makes up for the movie its flaws and weaker points.

    This is one grand looking and made movie, with plenty of mass sequences, impressive sets and costumes and a story that just screams epic.

    It's pretty nice to see how some early film-makers got influenced by this movie. Film-makers such as Fritz Lang, D.W. Griffith, who were also all pioneers by themselves. They were obviously inspired by some of the sequences, its scale, sets and compositions, since this movie in some of its sequences show some definite similarities to some sequences in movies such as "Metropolis" and "Intolerance: Love's Struggle Throughout the Ages". Only in that regard you can already call this movie an innovative and important movie. Its sets, compositions and just overall way of story-telling were all quite new and innovating for its time. It's also the first ever movie to use a dolly-track system, which provides the movie with a couple of nice moments as well.

    The movie its story is very epic, since it's set at many different locations, with also many different characters. It features historical well known figures such as Hannibal, Hasdrubal, Scipio, Archimede, Massinissa, which makes the movie real interesting but is also one of its weaker points, since it makes the movie and its story-telling a bit disjointed at parts.

    It perhaps also makes the movie feel overlong in parts, even though the movie is only about 2 hours long (well, depending on which version you'll watch), which is actually quite short for an epic movie, especially for one that got made early in the 20th century. 4 hour epics from the same time period are no rarity. The movie just goes on for a bit too long with some of its sequences. After a while you get the point but the scene will just go on and on. It doesn't always makes this an easy but pleasant movie to watch.

    But overall the movie of course is pleasant as well as impressive, not only because of its visuals but also because of its story that is actually quite adventurous, as long as it knows to focus on the movie its key players. It's adventurous in the same way as a movie like "Ben-Hur" for instance.

    Also especially when you realize that this is an 1914 movie, it's a real excellent, innovative and interesting, fun movie to watch.

    8/10

    http://bobafett1138.blogspot.com/
    7arneblaze

    Fascinating early feature film epic worth a look

    It is a little known fact that the feature film was born in Italy - that is, a film longer than the standard one or two reels in length -ten to twenty minutes. It is the crop of early Italian features, all epics, birthed in 1914, that influenced America's Griffith and DeMille. The length of CABIRIA is staggering - originally 2-1/2 hours in Italy and just over two hours here - considering most audiences were used to sitting and concentrating on a plot for only twenty minutes at most.

    Were there Oscars then, the extraordinary art direction and special effects would have garnered noms - they are outstanding. The cinematography is unique in using early scanning and dollying techniques heretofore unknown in film. The plot becomes very hard to follow because the title cards are history lessons of alliances and battles that have little meaning for us and often we are aware of the cut 22 minutes in the surviving USA version as symbols and relationships which have great dramatic meaning for the players leave us baffled.

    The print used by Kino and Grapevine video as well as Turner Classic Movies is impeccable - crystal clear and sharp.

    For all fans of epic movies and for all film historians, this is a must see.
    8richardchatten

    The Template for the Historical Epic for the Next Half-Century

    Without Gabriele D'Annunzio's florid commentary this film would have been substantially shorter, while the hammy "silent film" acting and melodramatic storytelling lags far behind Scandinavian cinema of this period. But technically this super-production from Italy otherwise blazes a colossal trail that plainly led the way for the silent spectacles of Griffith, DeMille and Lang; while the sense of fun of the action scenes (particularly a scene depicting the formation of a human pyramid to scale a wall) anticipates Fairbanks at his jauntiest.

    Beginning with the eruption of Mount Etna (and a lot of toppling pillars) the pace never lets up. Next comes a truly hair-raising scene depicting infants cast into the flaming maw of a statue of Moloch (whose Temple - with three round windows that make it's façade resemble the face of an enormous spider - is one of the many deliriously stylised designs that obviously later inspired Lang and others during the early twenties); while later we see Archimedes gleefully incinerating the Roman fleet with history's first death ray during the Siege of Syracuse. Throw in the boisterous crowd scenes and graceful tracking shots director Pastrone innovatively employs throughout (far more elegant than Griffith's work of the same period) and we have the template for the historical epic as it existed for the next half-century.

    'Cabiria' also displays a major advance in the use of special effects that marks a decisive break with the trick films of Georges Méliès. Skillful use is made throughout of double exposures to make the action and the locations look even grander in scale than they already are (such as Hannibal crossing the Alps). And there is an additional bonus in the form of an extraordinary dream sequence that anticipates by ten years Walter Ruttmann's 'Falkentraum' sequence in Lang's 'Die Nibelungen'.
    7Wiebke

    Tremendously influential over-the-top spectacle

    Silent films don't have much of an audience these days. Be that as it may, I would like to recommend this film as a hugely influential costume epic that had great influence over the likes of D.W. Griffith (who did Intolerence right after!), Cecil B. DeMille, and even Fritz Lang (when he did Metropolis). Sure, it's long and it's got one of those convuluted plotlines typical of the period and historically it's crap, but the sets and costumes have to be seen to be believed! The scale of things is just fantastic, with giant temples and houses, all sorts of huge rooms and decoration all over anything, and hundreds and hundreds of extras with fabulous costumes, all done in pastiche of styles that range from Egyptian to Babylonian to this whole weird Indian look, although it's all set in North Africa. Then there's the melodramatic acting, which really can't be judged by today's standards, as there are few subtitles of dialogue, only very grand and wordy intertitles summarzing the plot and offering odes to gods and goddesses. This movie is a must-see if you're studying the history of epic films, early full-length movie, Griffith, etc., and even if you're not, it's a hoot (at least until half-way through, at which point you may decide you've had enough of the plot and can guess the rest.)
    lee_eisenberg

    whole lotta lava

    1914 was quite a year. Charlie Chaplin made his film debut, WWI began -- and set the stage for a lot of what happened in the 20th century -- and my great-grandparents immigrated to the United States (sorry, I couldn't resist adding that last one).

    But that year also saw the release of Giovanni Pastrone's "Cabiria". This epic depicts the kidnapping of a Sicilian girl following an eruption of Mt. Etna, her sale into slavery in Carthage, and a Roman nobleman's quest to rescue her. It's like nothing that you've ever seen before.

    The movie has drawn controversy due to its depiction of the Romans as pure and the Carthaginians as monstrous (thereby glorifying the idea of Italian supremacy). To be certain, producer Gabriele d'Annunzio's ideology influenced Benito Mussolini, although d'Annunzio had no actual association with Il Duce.

    Regardless of that, the movie is still a fun -- and visually breathtaking -- romp. Maciste got his own series of movies. The ones immediately after "Cabiria" starred Bartolomeo Pagano, and then there was a new series in the 1960s.

    Anyway, really cool!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was the first film to use a dolly-track system, the effects of which were pegged "Cabiria movements" in the industry.
    • Versions alternatives
      Eighteen Frame, Inc. copyrighted a version in 1990 with a piano music score based on the original score by Manlio Mazza, and performed by Jacques Gauthier. Intertitles were translated by Charles Affron and Mirella Jona Affron. It was distributed by Kino Video and runs 125 minutes, but there is also a two-minute introduction.
    • Connexions
      Edited into Bellissimo: Immagini del cinema italiano (1985)

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    FAQ13

    • How long is Cabiria?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 novembre 1915 (France)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • Cabiria I: Cabirias ring
    • Lieux de tournage
      • FERT Studios, Turin, Piémont, Italie(interiors)
    • Société de production
      • Itala Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 000 000 ₤IT (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 28 minutes
    • Mixage
      • Silent
    • Rapport de forme
      • 1.20 : 1

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