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Les aventures de Dollie

Titre original : Adventures of Dollie
  • 1908
  • Not Rated
  • 12min
NOTE IMDb
5,7/10
1 k
MA NOTE
Les aventures de Dollie (1908)
ActionCourt-métrage

Ajouter une intrigue dans votre langueOn a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing. A gypsy basket peddler happens along, and is angered when the mother refuses to ... Tout lireOn a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing. A gypsy basket peddler happens along, and is angered when the mother refuses to buy his wares. He attacks mother and daughter but is driven off by the father. Later the g... Tout lireOn a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing. A gypsy basket peddler happens along, and is angered when the mother refuses to buy his wares. He attacks mother and daughter but is driven off by the father. Later the gypsy sneaks back and kidnaps the girl. A rescue party is organized but the gypsy conceals ... Tout lire

  • Réalisation
    • D.W. Griffith
    • G.W. Bitzer
  • Scénario
    • Stanner E.V. Taylor
  • Casting principal
    • Arthur V. Johnson
    • Linda Arvidson
    • Gladys Egan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    1 k
    MA NOTE
    • Réalisation
      • D.W. Griffith
      • G.W. Bitzer
    • Scénario
      • Stanner E.V. Taylor
    • Casting principal
      • Arthur V. Johnson
      • Linda Arvidson
      • Gladys Egan
    • 14avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux5

    Modifier
    Arthur V. Johnson
    Arthur V. Johnson
    • Father
    Linda Arvidson
    Linda Arvidson
    • Mother
    Gladys Egan
    Gladys Egan
    • Dollie
    Charles Inslee
    Charles Inslee
    • Gypsy
    Mrs. George Gebhardt
    • Gypsy's Wife
    • (as Madeline West)
    • Réalisation
      • D.W. Griffith
      • G.W. Bitzer
    • Scénario
      • Stanner E.V. Taylor
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    5,71K
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    10

    Avis à la une

    7SAMTHEBESTEST

    This is where the Legacy of The Father Of The Cinema Begun. A quintessential human drama of historical importance.

    The Adventures of Dollie (1908) : Brief Review -

    This is where the Legacy of The Father Of The Cinema Begun. A quintessential human drama of historical importance. D W Griffith, the father of cinema, who established so many dramatic genres and sub-genres in Cinema World begin his unbeatable career with this short. In the same year he shot 48 shorts for a studio but for historical notes, The Adventures of Dollie stands as a highly important film. The film tells the story of a young girl who, after being kidnapped by a gypsy peddler, ends up trapped in a barrel as it floats downriver toward a waterfall. Within 13 minutes, Griffiths closes on deal with so many substances such as family, emotions, gypsy, thrill and happy ending. That scene when the gypsy tries to rob the woman, he does, the woman fights back, the small girl also throws her hand at him and the husband comes from behind and beats the bad guy. This all happens within 15 Seconds, yes that's the thing to notice. Its not the end but even the later part builds a strong story of commonalty, which, certainly wasn't common for 1908. Griffith's editing also packs a great punch while telling this quintessential storyline in thrilling manners. Well, 1908 wasn't the time where one would have given solid acting performance as the motion pictures were just started learning to take a breath so let's not talk about that and to be frank i couldn't even recognise their faces as there were no close-up shots. It is hard to rate the films made before 'Birth Of A Nation' (1915) because everything was at learning stage then. So, don't take the rating much seriously as i just had to rate it something, somehow. It's a primary schooling for us Movie Buffs where acknowledging and understanding cinema matters more than the Grades.

    RATING - 7/10*

    By - #samthebestest.
    Tornado_Sam

    Griffith's Debut

    It's not anything new to say the early works of D. W. Griffith weren't anything spectacular. In fact, films like "The Adventures of Dollie" are what the majority of his output consists of: short, 10-15 minute film dramas often featuring a simple story that is told through the standard monotonous long shots that each film consisted of back in the day. This early on, there's absolutely no hint whatsoever of the suspenseful sort of storytelling later films, such as the brilliant "Birth of a Nation" and "Intolerance" would feature. However, considering the rest of the movies during this time looked the exact same in technique as this one, there's really no reason to complain.

    "The Adventures of Dollie" is about a little girl who is kidnapped by gypsies and ends up going on a crazy ride in a barrel. There's really little else to it than that, although there is some nice cinematography involved and the story works for what it is. That being said, the film is really only worth seeing for historical reasons as it doesn't contain the excitement and buildup of his later material, and it would take until 1912 or so before Griffith would begin shooting more advanced, better crafted shorts.
    9mfnmbvp

    The Adventures Of Dollie (1908)

    D.W. Griffith's inaugural voyage into filmmaking, after he approached Biograph Company searching for a job as an actor. One can definitely see how Griffith's skills as a director progressed in such a short period of time, but 'The Adventures Of Dollie' still appears thrilling to me, by modern standards, although the story is extremely simple-minded.

    There is a public domain version of this film, along with many others by Griffith, available to view over at the Internet Archive. I am going to vote a 9 out of 10 for this one, partly due to it's historical value as the first film by one of the greatest directors of the silent era, and also because I thought it was really great! =)

    THE ADVENTURES OF DOLLIE ----- 9/10.
    Snow Leopard

    Certainly of Historical Interest

    As the first movie directed by D.W. Griffith, this is certainly of historical interest, both in itself and in comparison with his later, far better efforts. Although "The Adventures of Dollie" is just fair in itself, you can see the director's potential and, even more obviously, the kind of material that he liked to work with.

    The setup is one that Griffith would use many times with various modifications, contrasting a conventional American family with a person or persons of whom Griffith disapproved, and bringing them into conflict. In this case, it is a pair of gypsy vagabonds who are responsible for pulling a young girl out of her seemingly idyllic family situation and placing her in a series of perils. Much of the time, the story looks forced or contrived. Yet only a few years later, Griffith would tell very similar stories in such a way that you could hardly help being moved to whatever emotions he wanted you to feel.

    Although Griffith is often given too much credit for inventing new techniques, he certainly deserves credit for taking many of the rudimentary techniques of the era and systematically figuring out how to use them to maximum effect. A few years later, he would have added a couple of very brief moments at the beginning to maximize audience sympathy for Dollie, he would have provided a more believable motivation for the vagabonds' actions, and he would have found a way to make the audience feel a stronger sense of danger during Dollie's trip down the river.

    Even here, though, his story-telling skills are evident. The print in one of Kino's excellent historical collections is missing all of the inter-titles, and yet there is never a moment when the action is not perfectly clear.

    Dollie's 'adventures' are actually rather frightening, when you think about them for a while. But Griffith soon learned how to save his audiences this effort, by devising a wealth of resourceful ways to make sure that viewers did not miss the points he wanted to make.
    4Steffi_P

    The Adventures of D.W.

    This is where it began: The first picture of arguably the most important director – if not the most important single figure – in cinema history. Is it any good? Well, no, of course not. No genius ever arrived on a scene fully formed. Considered in itself and of its time it is much like anything else an inexperienced director might have produced for the Biograph company in 1908. But with hindsight… DW Griffith's background was in theatre, which set him apart because many of the earliest film pioneers were essentially technicians. This is in part the reason why a lot of visual effects were perfected before narrative and acting style. Silent cinema as it was then however differed little from stagecraft, especially since mime was then a lot more common, and with this crudely melodramatic tale Griffith is essentially directing broad pantomime, full of exaggerated gesture to overcompensate for the lack of speech.

    However, Griffith appears to acknowledge one difference between cinema and theatre, one that was to become key to his style ever after, and that is the use of depth. Virtually all the movement in The Adventures of Dollie is towards or away from the camera, as oppose to across it. The long static takes particularly highlight this approach. This is before editing within a scene or using inserts were common methods, and this means we get some odd-looking (and very theatrical) set-ups, as in the scene where Dollie is kidnapped, the father walks away and the gypsy approaches all within the same shot, meaning our sense of logic tells us that the father can't be more than a dozen paces away when his girl is snatched. Griffith is still using the concept of stage wings for entrances and exits, imagining that once someone has walked out of sight they are out of the scene, which looks unnatural for cinema. However, rather than having them at left and right as on a stage, the father exits walking straight into the foreground, while the gypsy emerges from the bushes in the background. It still looks illogical, but it shows a willingness to work on solutions towards a non-theatrical style.

    In doing this, Griffith is showing nothing entirely new and certainly nothing exceptional, but he is showing a certain tendency, a particular way of thinking about the medium that would later lead to amazing things. And Griffith also displays his quality as an ideas man that transcends all technique and experience. For example, when the father searches through the gypsy caravan, the gypsy is resting his foot on the barrel in which Dollie is hidden, cockily flaunting the secret before his enemy. It's little touches like this, giving a scene that little bit of character, that separate the great directors from the merely good ones.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Directorial debut of D.W. Griffith.
    • Connexions
      Edited into Spisok korabley (2008)

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    Détails

    Modifier
    • Date de sortie
      • 14 juillet 1908 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Aucun
      • Anglais
    • Aussi connu sous le nom de
      • The Adventures of Dollie
    • Lieux de tournage
      • Sound Beach, Connecticut, États-Unis
    • Société de production
      • American Mutoscope & Biograph
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 1 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 12min
    • Couleur
      • Black and White
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

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