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Ajouter une intrigue dans votre langueThe photographers who need to participate in the congress of Lyon get off a boat in Neuville-sur-Saône, dividing to the right and left.The photographers who need to participate in the congress of Lyon get off a boat in Neuville-sur-Saône, dividing to the right and left.The photographers who need to participate in the congress of Lyon get off a boat in Neuville-sur-Saône, dividing to the right and left.
- Réalisation
- Casting principal
P.J.C. Janssen
- Self
- (non crédité)
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From a boat descend the photographers who must participate in the congress of Lyone dividing in two diagonals to the right and left. After, someone greets the film operator. So the illusion of the dimension of the cinema is broken.
Louis Lumiere sets his camera's sight on other filmmakers. As they exit the boat at Lyon, the attendees greet the camera. August Lumiere is one of the people filmed. As the people filmed were attending the Photographical Congress, they must have appreciated the camera set up before them. Some greet it, while others duck quickly out of the way.
The Lumieres were keen on filming everyday life. They wanted to record everyday moments in normal life. We are able to witness the styles of dress as well as the mannerisms of the people in the late nineteen hundreds.
YOU WILL LIKE THIS FILM, IF YOU LOVED: "Employees Leaving the Lumiere Factory" IF YOU HATED: "The Execution of Mary, Queen of Scots"
The Lumieres were keen on filming everyday life. They wanted to record everyday moments in normal life. We are able to witness the styles of dress as well as the mannerisms of the people in the late nineteen hundreds.
YOU WILL LIKE THIS FILM, IF YOU LOVED: "Employees Leaving the Lumiere Factory" IF YOU HATED: "The Execution of Mary, Queen of Scots"
This interesting footage is particularly worth seeing as a companion piece to, and as a comparison with, the Lumière classic, "La Sortie des usines Lumière". The two features have much in common, and they are interesting for many of the same reasons.
In both movies, there is a rather sizable crowd moving towards the camera, knowing that they are being filmed. The main difference is that this movie features professional photographers, as they arrive to attend a congress of a photographic society. Their reactions are largely the same as were those of the factory workers, but many of the "professionals" seem more determined to hide their curiosity. On the other hand, a number of them show their interest even more eagerly, tipping their hats in a particularly jaunty fashion, demonstrating a bit of showmanship of their own.
As with the footage of the factory workers, the motion towards the camera is effective, and here the background scenery also has some interesting details. This film is also self-referential in one interesting respect, since the subjects of the film were also its initial audience. It's all rather interesting to take in.
In both movies, there is a rather sizable crowd moving towards the camera, knowing that they are being filmed. The main difference is that this movie features professional photographers, as they arrive to attend a congress of a photographic society. Their reactions are largely the same as were those of the factory workers, but many of the "professionals" seem more determined to hide their curiosity. On the other hand, a number of them show their interest even more eagerly, tipping their hats in a particularly jaunty fashion, demonstrating a bit of showmanship of their own.
As with the footage of the factory workers, the motion towards the camera is effective, and here the background scenery also has some interesting details. This film is also self-referential in one interesting respect, since the subjects of the film were also its initial audience. It's all rather interesting to take in.
I watched this film on a DVD that was rammed with short films from the period. I didn't watch all of them as the main problem with these type of things that their value is more in their historical novelty value rather than entertainment. So to watch them you do need to be put in the correct context so that you can keep this in mind and not watch it with modern eyes. With the Primitives & Pioneers DVD collection though you get nothing to help you out, literally the films are played one after the other (the main menu option is "play all") for several hours. With this it is hard to understand their relevance and as an educational tool it falls down as it leaves the viewer to fend for themselves, which I'm sure is fine for some viewers but certainly not the majority. What it means is that the DVD saves you searching the web for the films individually by putting them all in one place but that's about it.
Anyway onto this film which is as the title suggests, lots of people getting off a boat. This is essentially a rerun of the Lumière film that saw lots of people leaving a factory and it is as exciting. The only thing that did make it interesting to me was the people in question react differently from those leaving the works in the other film. Maybe it is to do with their class, or maybe they are more savvy about cameras or maybe they are just told to do this but some wave, smile etc a reaction you would get today but interesting to see it then when such a thing was very much a novelty.
Other than this point of interest though, I found the film to be what it now is a historical novelty that can only be seen as such.
Anyway onto this film which is as the title suggests, lots of people getting off a boat. This is essentially a rerun of the Lumière film that saw lots of people leaving a factory and it is as exciting. The only thing that did make it interesting to me was the people in question react differently from those leaving the works in the other film. Maybe it is to do with their class, or maybe they are more savvy about cameras or maybe they are just told to do this but some wave, smile etc a reaction you would get today but interesting to see it then when such a thing was very much a novelty.
Other than this point of interest though, I found the film to be what it now is a historical novelty that can only be seen as such.
Neuville-sur-Saône: Débarquement du congrès des photographes à Lyon (1895)
The title of this Lumiere Brothers film pretty much tells you what you're looking at. We see a group of people walking off a riverboat and coming close to the camera who catches their every move. There's certainly nothing ground-breaking about this early "actuality" movie but if you're a fan of these then you're bound to enjoy this one. I always enjoy watching these because it gives you a great chance to see how things were so many years ago. This one here features a lot of people so you get a terrific idea of the type of clothing that was worn during this period as well as a chance to see the various other things going on. This here is well worth watching if you enjoy these movies.
The title of this Lumiere Brothers film pretty much tells you what you're looking at. We see a group of people walking off a riverboat and coming close to the camera who catches their every move. There's certainly nothing ground-breaking about this early "actuality" movie but if you're a fan of these then you're bound to enjoy this one. I always enjoy watching these because it gives you a great chance to see how things were so many years ago. This one here features a lot of people so you get a terrific idea of the type of clothing that was worn during this period as well as a chance to see the various other things going on. This here is well worth watching if you enjoy these movies.
Le saviez-vous
- ConnexionsEdited into The Lumière Brothers' First Films (1996)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Arrivée des congressistes à Neuville-sur-Saône
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1min
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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