Pauvre Pierrot

J. Stuart Blackton's 'Humorous Phases of Funny Faces (1906)' is generally held as the first animated film. Indeed, it was the first animated film made on motion-picture film, but such history is nevertheless unfair to Émile Reynaud, who, fourteen years earlier, was projecting moving animated images to delighted audiences. 'Pauvre Pierrot (1892)' is one of the director's few surviving works (most were, in a fit of frustration, discarded into the Seine by the director himself), and such a colourful and charming curio remains a delight to behold.

Reynaud animated each frame himself – 500 in total (36 metres long) – and extended the film to 12-15 minutes by personally manipulating the picture-bands during the projection. The story told is a simple one: Pierrot and Arlequin compete for the romantic attention of Colombine, a beautiful maiden. One potential suitor attempts to charm the good lady with a lute performance, but his competitor goes one better with a baton or sword of some sort.

Reynaud's moving picture show, billed as "Théâtre Optique" or "Pantomimes Lumineuses," included a triple-bill of three films: 'Pauvre Pierrot,' 'Un bon bock (1892),' and 'Le Clown et ses chiens (1892).' One contemporary newspaper reported that Reynaud "creates characters with expressions and movements so perfect that they give the complete illusion of life." The show was initially a great success, but, in 1918, Reynaud died a poor man. His delicate work, prone to rapid degradation, could not compete with the Lumière brothers' cinematograph, which depicted real-life, and not merely an animated approximation.

It's cheating a little to list this as a film as strictly speaking it's not one, though its maker Émile Reynaud pushed pre-cinema technology as far as it could go to achieve an experience practically indistinguishable from that of watching a theatrical presentation of an animated cartoon film. His Théâtre Optique featured his Praxinoscope, a radical development of old-established animation toys like the Zoetrope. This used rotating faceted mirrors and lenses that could project a succession of hand-drawn images from a paper strip with sprocket holes, allowing much longer sequences of continuous action than the short loops hitherto used in such devices. These images were then superimposed on a static background projected from a conventional magic lantern slide, prefiguring later cel animation techniques in which the image is broken down into a succession of layers with the minimum of movement in each one. The exhibition was completed with live narration and music.

Some of Reynaud's original elements survive (others he later threw in the Seine) and their affinity with film is demonstrated by the ease with which they can be reconstructed on modern film or video. Pauvre Pierrot was the first such production and is among the most charming, a simple tale featuring the traditional characters Pierrot, Arlequin and Colombine acting out their ancient love triangle. Some reconstructions replicate the translucent, slightly ghostly quality the characters would have had at the time. Sadly Reynaud's work was overtaken by the arrival of the cinema proper and he died a poor and unhappy man.

Pauvre Pierrot (1892)

This French film is considered one of the first animated movies ever made. From original reports it seems that the movie lasted longer than what's available in its current version but even at just four-minutes you can't help but be somewhat amazed at what great quality the film actually is. The plot is quite simple and deals with two men and a woman that they both want.

I will just leave the story at that but the main reason to watch this is for the beautiful animation. Now, it should go without saying but this movie was made in 1892 so one really shouldn't be expecting the work of Walt Disney. The film has a very fresh look to it and I must say that the colorful background is certainly the highlight.

"Pauvre Pierrot" is apparently the first animated film and you probably want to read IMDB's trivia section on how the film was made. All I know is that the copy floating about YouTube is gorgeous and looks nothing like you'd expect a film that is 127 years old!

The story is very simple...something I'd expect from 1892 since films were just invented and complex stories were still not made for several years to come. The animation is very jerky (due to a low cel count) but speeding up the film could correct this...so if you find a copy and play it on Media Player Classic (for example), you can double the speed and it would look better.

As for the story, it's very, very simple and involves the classic Commedia dell'arte character, Pierrot, moving about on the screen with a girl. Not exactly thrilling today...but remember...it was 1892 and for that time, this is a really amazing piece of art.

This is a very, very, very, very impressive movie for 1892. Yes, 1892! Edison was still experimenting with his Kinetoscope in America, Etienne-Jules Marey was using his Chronophotographic Gun to shoot film experiments, and films were, like, 3 seconds! Charles-Emile Reynaud's "Pauve Pierrot" originally ran 15 minutes, is in painted color by Reynaud himself, and (drum-roll, please) is animated! 1892, and this is the first cartoon! It consists of 500 images, tells a story, and is something you'd think came much, much later than this!

That's not to say it doesn't have any flaws. It definitely does. For one thing, while this is animation, it is very, very primitive looking by today's standards. The figures' movements are jerky, and at times they don't move at all. One particularly poorly animated spot is when Colombine comes out to meet Harlequin, as well as when she opens the door for Pierrot. Also, while sometimes there is some cutting closer to the figures, we mostly view what's going on from a single vantage point. If you decide to see this, bear in mind that, while ground-breaking, the animation isn't anything like what you'd see nowadays.

It's so sad. So much of Reynaud's work is lost today. The only other available cartoon from him is "Autour d'un Cabine" from 1894. His other two cartoons, "Le Clown et ses Chiens" and "Un Bon Bock" were both thrown into the Seine by Reynaud himself. Luckily, he spared these two movies so they could be seen and appreciated today.