On n'entre pas

The young couple have decided to marry and it is time to ask the father for the hand of his daughter. Problem is, the father does not want to give the daughter away. So every time he goes to the office to ask the father, he is tossed out.

There are some amusing incidental things here, such as an old Coca-Cola advertisement saying it cures fatigue. I also liked the midget an the secretary being referred to as "corn-fed".

This short film as a whole is pretty strong, and I would say among Lloyd's best work. Definitely better than the "Eastern Westerner". Maybe not as good as "Safety Last", but for how short this was, they really packed a lot into it.

Three suitors, one of who is Harold, are wooing a rich girl. Each time one of them asks to marry her, she replies "Ask father." So Harold tries to do so. The problem is, the father will see no one without an appointment – and he won't make appointments! The crux of the plot is Harold, using various stratagems and disguises, tries to get to see the father. He is repeatedly thrown out. One of the on-going gags is having Bebe Daniels place a cushion where Lloyd is likely to land after being thrown out. That was my favorite gag but I also liked Lloyd's climb up the side of the building. To me, the moving floor bit was pretty weak. Snub Pollard doesn't have much to do in this film and is thus forgettable. Bebe Daniels, however, is effervescent and has quite a screen presence. Seeing this reminded me of seeing her in the Zorro spoof "Senorita" many years ago at a film festival – she was marvelous and the movie was really funny.

This one-reel Harold Lloyd comedy packs a lot of good gag ideas into its short running time. There is a good variety of slapstick, sight gags, running jokes, and gadgetry, and even a brief version of the 'human fly' routine that Lloyd later made so memorable in "Safety Last". Lloyd, Bebe Daniels, and the rest of the cast all do a good job with the material.

Lloyd plays a young suitor for the hand of a rich and very preoccupied businessman, the kind of person who has a legion of assistants whose purpose is to keep everyone else away from him. Lloyd's ever-hopeful character, determined to see him to ask for his daughter's hand, is helped in his efforts by Daniels, who plays an upbeat office worker amidst all of the drudges. It's impressive how much material they squeezed out of this fairly simple setup. After a somewhat slow start, there are non-stop funny moments the rest of the way.

There are a lot of imaginative gags, and a number of them are also tied together in clever ways. The cushion gag by Daniels's character, the treadmill gadget, and the confrontations with the two tough guys who guard the entrance are all repeated in a variety of different and creative ways. It's enjoyable both for the comedy and for the ingenuity that it reveals.

Film historians who have studied Harold Lloyd movies cite the year 1919 as being pivotal to the comedian. He began to balance delicately on a fine line between sentiment and sentimentality. There is no finer example of this transition than in his February 1919's "Ask Father."

The ritual of asking a girlfriend's dad for his daughter's hand has always been a high tension, nerve racking ritual for the prospective son-in-law. Lloyd puts the formality to the test when his girlfriend says she won't marry him without her father's permission. The hitch is her dad is almost impossible to see during his working hours, the only time he can be seen.

Witnessing several people being physically kicked out of the father's office, Lloyd knows this won't be easy. Fortunately, he has two things going for him. Next door to the office is a costume shop. And secondly, the office's secretary, Bebe Daniels, has a pillow she sets up strategically to cushion his fall whenever he gets thrown out. "Ask Father" is also one of Lloyd's first movies he's shown scaling a building's wall, something he exaggerates in his most famous film, "Safety Last!"

A Hal Roach HAROLD LLOYD Comedy Short Subject.

Infatuated with the daughter of a bullying millionaire, Harold must first ASK FATHER for permission to marry the girl.

The main attraction in this very short & funny little film is watching Harold attempt to sneak into the fierce old man's office. Movie mavens will notice that this film was made shortly before the studio accident which blew off half of Harold's right hand.

Bebe Daniels plays a sympathetic switchboard operator; Snub Pollard appears as an eccentric private secretary.

Robert Israel has composed an excellent film score which perfectly complements Harold's antics on the screen.