Tarzan chez les singes

Whenever I watch a silent film, I try to view it in the proper context (time it was made, technology, etc.). I got a kick out of this film. I imagined what wonder there was in viewing giraffes, rhinos, elephants, pythons, and a host of jungle life. I particularly enjoyed the young man who played Tarzan as a child. His face was continually full of wonder and life. For me, the movie took a downturn when Elmo Lincoln showed up. For a guy who obviously spent his time running through the jungle, climbing trees, wrestling critters ten times his size, he looked like one of the guys that used to sit next to my father at his favorite watering hole. He has that huge paunch and those fleshy white legs. I was very aware that this Tarzan was in continual danger of falling off a branch (possibly breaking it) and doing himself harm. Let's face it: he also wasn't exactly going to win any beauty contests. If Jane hadn't had a bad experience with he fiancé, would she have given him a second look. Jane, no great prize herself, gets together with him, but I couldn't help but wonder what they would be doing, other than the obvious. All that aside, it was fun seeing this. I had heard about the film for years and decided to purchase a copy for myself. It was worth it for the novelty.

This is the first and oldest Tarzan movie ever made, as far as I know. Interesting mainly for that point. For the rest, I will always prefer Johnny Weissmuller as the Tarzan character, and I suppose I am not the only one to think like this. Elmo Lincoln could have been replaced by a more convincing actor, more athletic. OK, it tries to speak of the true, genuine story of Tarzan, according to the Edgard Rice Burrough's novel, as Hugh Hudson did in 1984. This is a good point that can justify to watch this rare item, xanks to TCM. This is also a shame that so many features fromt he silent era are now lost forever.

...because of his already established reputation as a Hollywood strong man (e.g. his role as the Mighty Man of Valor in the 1916 DW Griffith classic "Intolerance").

Also, the image of Tarzan in 1918 was not that of a lithe gymnast like Christopher Lambert in "Greystoke", but of a man powerful enough to wrestle lions. Strength equalled bulk.

There's an interesting piece of trivia attached to that movie and Uganda (that's in East Africa) where I'm now based. There's a popular myth around here that the 1918 version of "Tarzan of the Apes" was filmed on the northern shores of Lake Victoria. In fact it was shot, I believe, in Louisiana.

Cinema's first adaptation of Edgar Rice Burrough's famous novel sees screen strongman Elmo Lincoln claiming a place in cinematic history in the title role. With his bulging eyes and crazed grin, he's a strangely unhinged version of the ape man, but Lincoln's eccentric portrayal somehow makes him all the more convincing. Although only a 60 minute version of the original 2-hour film survives, the plot remains both coherent and remarkably faithful to Burrough's famous novel, and the swamplands of Louisiana provide a convincing substitute for the African jungle.

This original silent version of the Lord of the Apes is perhaps the truest screen representation of the way Tarzan is envisioned in the books by Edgar Rice Burroughs. It is seems very crude but really isn't. It follows the first story (in as much as it can in the limited time of the feature) very closely. Elmo Lincoln, while no Adonis, is very adequate in the role. He's not Johnny Weissmuller...but then Johnny didn't really look all too much like Tarzan should have either.