Mademoiselle Charlot

This is one of the most interesting firsts film of Chaplin. In reality, the plot is similar to all the other short films of the great Charlot, with a narrative construction that's just a pretext to generate all kind of gags, mostly based on body and slapstick sketches. But here we can see also Chaplin act as a woman and his ability to understand all the movements and cliché of a comedian mask: if you have never seen this movie and you watch just the scene of woman version Chaplin, you can't recognize him, that looks also really cute! One of the proves of Chaplin acting abilities.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

From his Essanay period after leaving Keystone, 'A Woman' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'A Woman'.

'A Woman' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repeition.

On the other hand, 'A Woman' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

While not one of his funniest or original, 'A Woman' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight, it's also very charming and sweet without being cloying.

Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well.

In conclusion, pretty good. 7/10 Bethany Cox

The Essanay short pictures were for the most part a period of development and experimentation for Charlie Chaplin, but every now and then he just liked to do a bit of old fashioned mucking about. A Woman, his ninth film at this studio, begins with a mischievous, Keystone-ish farce-in-the-park, followed by a sequence based around one simple but very memorable gimmick.

In spite of its basic outline, A Woman does show the advances Chaplin had made and the professionalism with which he now crafted his pictures. He sets up the location and the main characters in a couple of economic introductory shots before having his tramp character invade the scene. Charlie himself then appears in the distance, his now-familiar silhouette all that is needed to announce that the mayhem can now begin. Throughout, Chaplin uses a lot of close-ups of faces, something he was doing a fair bit around this time, which perhaps shows a lack of confidence in the impact his gags had in full body shot. Here however I feel all these close-ups act as a build up to that startling (and I must say absolutely gorgeous) shot of "Nora's" feminised face.

Because of the set-up, we see the tramp at his cheekiest, perhaps a step back for the character, but an enjoyable step back. A Woman lacks the pathos and commentary of the more story-orientated Chaplin shorts that were starting to appear around this time, but it shows how much fun and funniness Charlie could create out of the simplest of elements.

… which brings us to that all-important statistic –

Number of kicks up the arse: 3 (1 for, 2 against)

'A Woman' is a simplistic but not a simple movie. An easy premise whose only purpose is for Chaplin to dress up as a woman. He makes a quite convincing and gorgeous one (I couldn't help but notice how much Geraldine Chaplin looked and smiled like her father). The plot is simple and it can't hold much criticism - it can raise some serious questions when to think about it too deep. The physical stunts played in the park are clever. The build-ups are as amusing as the punchlines. Of course, when Charlie finally gets dressed as a woman, the jokes become a little bit riskier (but not less clever). It's easy to see why this film was forbidden in some countries.

Some other reviewer wrote: not a perfect Chaplin short - to which I want to replay: how many perfect Chaplin shorts are there? Anyway, 'A Woman' is worthy to see because of cleverly staged physical comedy (and gorgeous Charlie). Although, I agree, far from Chaplin's greatest, it is a joyous watch.

He is a such good actor.He make you laugh till got tears in your eyes for laugh so hard.Take sip of a guy drink and spit it out. Take the father from his cane push in the water and the other guy is in the water. When he goes with the ladies goes outside with no pants and try to find a place to get away goes upstairs put on a dress,shave his moustache and prissy around and the father pull the skirt off of Charlie. You can see what Charlie look like without his moustache and he look handsome without the moustache.That all of I knew of Charlie with his moustache big shoes and baggy pants, derby hat.The way he run and try to turn the corner he hop on one foot the other one is up.