Charlot à l'hôtel

Mabel's Strange Predicament (1914)

** (out of 4)

A woman (Mabel Normand) is walking her dog through a hotel lobby when a Tramp (Charles Chaplin) takes notice and begins to follow her around. The woman escapes to her room to get into her pajamas but soon she finds herself locked out with the Tramp following her some more. This is an interesting short as we see Mabel at the height of her popularity just as an unknown Chaplin is starting to weave what would become the best known character in film history. Sadly the film isn't that good but there are a few nice scenes to be had. I found the opening sequence in the hotel lobby to be pretty funny in large part to Mabel's reactions to the Tramp. The middle sequence with Mabel running around in her pajamas aren't as funny as they should have been and this is where the movie wonders off. Chaplin doesn't quite have his Tramp character working here but it is a starting point.

This is a short featuring the Divine Madcap Mabel (Normand) and her newest protégé, a young British vaudeville comedian by the name of Charles Chaplin. Chaplin does an early version of his little tramp character, but he's just a supporting actor. Mabel is the star here.

Mabel is playing with her dog in her hotel room, and gets locked out in the hallway in her pajamas. Chaplin's drunken buffoon sees her, and begins to chase her around. She runs into the room across the hall occupied by an old couple. She hides under the bed, avoiding the old man. Enter the old lady, Mabel's lover, and the drunken buffoon, add plenty of mix ups, and things get hairy. The ending is classic Mabel, with everyone frantically beating the snot out of each other while she comes out on top in the end, as she always does.

She's just adorable here, only 19 years old, fresh from modeling for Charles Dana Gibson (Yes, Madcap Mabel was a Gibson Girl. Who'da thunk?) with her saucer like eyes and expressive face. Unfortunately, this is not one of her best shorts. It's a bit amusing in parts, but not laugh out loud funny. If you want to catch Mabel in all her madcap glory, check out her shorts with Fatty Arbuckle; the two of them worked together wonderfully. Or her full length movies: Tillie's Punctured Romance, Mickey, and The Extra Girl.

... and that's illustrated here in this first short that was filmed with Chaplin versus the first short released which was "Kid Auto Races at Venice".

Here, Chaplin's Tramp is not some basically good-hearted character with an endearing amount of mischief, which is who the Tramp evolved into. Instead he is publicly drunk and harassing women he finds attractive as he loiters in the lobby of what appears to be an upscale hotel.

Separately, Mabel Normand is a guest at the hotel, awaiting the arrival of her sweetheart. Once in her room, she changes into her pajamas and begins to play with her dog. When the ball she is using to play with her dog bounces into the hall, she goes to retrieve it, but her hotel room door shuts behind her. The Tramp, who has wandered into this part of the hotel, sees Mabel in this state of undress and decides to take chase. Complications ensue.

You can see why audiences responded immediately to Chaplin. In these first film appearances he is, as Walter Kerr perfectly stated, "elbowing his way into immortality." With inebriation he can dictate a deliberate, slower tempo while retaining his dignity and show off his brilliant mime, while still getting laughs. His performance easily steals the show from Mabel Normand, Chester Conklin, and the rest.

Mabel's Strange Predicament is the second film in which Charlie Chaplin dresses in costume as The Little Tramp (the first being Kid Auto Races in Venice). In here, he's just a drunk who's infatuated with the title character played by Ms. Normand. She's a lady who has a dog that she takes with her to the hotel room where, after dressing in her pajamas, gets locked out of with dog still inside. After Charlie chases her upstairs, she goes to another room where an elderly man lives and hides under his bed. Also mixed up in this are her suitor and the elderly man's wife. Most of the highlights are from Mabel's under-bed hiding and the slapstick that ensues when she's found out as well as some of Chaplin's falls from either being hit or just simply staggering. Should be amusing enough for fans of early silent comedy and the two stars especially very curious Chaplin enthusiasts.

Mabel's Strange Predicament marked several firsts in Charlie Chaplin's career. It was the first major short to feature his Little Tramp character (after a debut in the brief Kid Races at Venice), and it was the first of several films he made co-starring with Mabel Normand, who was the Cameron Diaz/Julia Roberts of her day in terms of comedy films. Reportedly, this was also the first of several Chaplin films that would also feature Fatty Arbuckle, though I'm not sure where he appears in the film (he might be the actor playing Mabel's boyfriend in this film, but I can't be sure).

Chaplin was still developing his character at this early stage (this was only his third or fourth film). The idea of the Tramp being a kind-hearted, heroic character had not yet been established. In this film, he's a drunk, a jerk, and a womanizer (if this were not a Chaplin film, one might even add would-be rapist to this list of "qualities"). In fact, Chaplin's character here is little different than the bad guy he played in his debut, Making a Living.

All this makes for somewhat uncomfortable viewing for those used to the Tramp being a good guy. He certainly has some funny scenes, though most involve him doing little more than falling down and menacing Mabel. There's no pathos to be found here.

He's also very much a secondary character in this film, since at the time, Mabel Normand was the big star. She spends most of the film running around in pajamas and hiding under a bed. In 1914, the sight of Mabel in her full length underwear was probably as shocking as American Pie is today, and indeed the film was banned in Sweden for being too suggestive. But these days, it's laughable in and of itself.

Normand was a fair-to-middling talent who is more famous for what she represented than for her actual on-screen efforts. She was the first woman to become a major movie star in America, and one of the very first to actually direct a film. But if it weren't for her lucky association with Charlie Chaplin in the early months of his film career, odds are very little of her work would have been preserved nearly a century later. Unfortunately, Mabel's Strange Predicament can hardly be included among her's or Chaplin's best efforts.