Charlot est trop galant

In 1914, Charlie Chaplin began making pictures. These were made for Mack Sennett (also known as "Keystone Studios") and were literally churned out in very rapid succession. The short comedies had very little structure and were completely ad libbed. As a result, the films, though popular in their day, were just awful by today's standards. Many of them bear a strong similarity to home movies featuring obnoxious relatives mugging for the camera. Many others show the characters wander in front of the camera and do pretty much nothing. And, regardless of the outcome, Keystone sent them straight to theaters. My assumption is that all movies at this time must have been pretty bad, as the Keystone films with Chaplin were very successful.

The Charlie Chaplin we know and love today only began to evolve later in Chaplin's career with Keystone. By 1915, he signed a new lucrative contract with Essenay Studios and the films improved dramatically with Chaplin as director. However, at times these films were still very rough and not especially memorable. No, Chaplin as the cute Little Tramp was still evolving. In 1916, when he switched to Mutual Studios, his films once again improved and he became the more recognizable nice guy--in many of the previous films he was just a jerk (either getting drunk a lot, beating up women, provoking fights with innocent people, etc.). The final evolution of his Little Tramp to classic status occurred in the 1920s as a result of his full-length films.

This short featured Chaplin and Fatty Arbuckle. Both were major early comedy stars. Unfortunately, neither comedian looked terribly funny or interesting in this short about jealousy. Too bad, as I had hoped for so much more from these stars.

His Favorite Pastime (1914)

* 1/2 (out of 4)

Charles Chaplin plays the town drunk who walks into a local bar and starts throwing them down. Soon he can't walk straight but that doesn't stop him from getting on everyone's nerves. The annoying drunk had been done to death by 1914 and it had been done to death by Chaplin even though this was only his seventh movie. I'm really not sure what Chaplin thought of these films but this one here is pretty darn weak from start to finish with very few laughs. Once again we get to see Chaplin stumble around, pick fights and flirt with women who belong to other men. None of this is funny and what's worse is that it appears Chaplin is just sleepwalking through the film. You certainly can't blame here because I didn't see a single attempt at anything even trying to be funny. Roscoe 'Fatty' Arbuckle has a small role at the start of the film but just stumbles around as another drunk. Even if laughs could come from drunks, this one here features rather mean drunks, which again just isn't funny.

Although Charles Chaplin played the alcoholic convincingly and there were a couple of funny and clever moments (when the drunkard falls over the railing, lands on the couch and so very elegantly lights his cigarette), 'His Favorite Pastime' wasn't my favorite at all. There are loveable drunkards and then there are those annoying creepy ones. Chaplin, unfortunately, managed to be the latter one. I never felt sympathy towards his character and was waiting when he gets the proper beating as the bully deserved. This is actually quite a pity because 'His Favorite Pastime' is one of the best structured and logical of the early Chaplin's movies. 'Fatty' Arbuckle's appearance at the beginning was quite joyous though.

In another disappointing short comedy, Charlie Chaplin once again plays the standard, belligerent drunk, drinking himself into oblivion and then stumbling around this run-of-the-mill slapstick comedy. There are some mildly interesting items, such as the fact that the altogether unamusing but watchable opening scene features Chaplin and Keystone colleague Fatty Arbuckle as fellow drinkers in the pub, taking beers away from each other and gradually getting drunker and drunker, as well as the fact that this is one of the earliest, maybe even the origin, of one of Chaplin's gags that he would later perfect and use with great success, the lighting of the match on the seat of his pants. Other than that, there is not much else of note here.

The comedy of the film is really nonexistent, which is not to say that it is entirely bad, just a failed experiment. The obnoxious drunk has long since lost its appeal, if it ever had any, and I imagine even audiences back in 1914 must have been getting tired of it. The film features some of the most blatant racism of any of his films, although certainly not the last (remember the three minds with but a single thought from A Day's Pleasure?). At one point late in the film, Charlie follows a woman right into her home and hits on her, and is then horrified when he realizes that she is black. He also drops a lighted match into a black man's hand when he holds it out for a tip, which is exactly the kind of thing that makes this drunken character so dislikable.

Most of the rest of the film is composed of people pushing and shoving other people around and hitting each other, and ultimately it seems that Chaplin simply uses drunkenness in the film to serve as a reason to stagger around and hit people and get in fights with swinging doors and fall over stairway banisters and such. The plot outline on the IMDb says "A very plastered fella follows a pretty woman home, and proceeds to make a nuisance of himself." And sadly, there's not much difference between watching the film and reading that one line.

This Charlie Chaplin short was the first I watched on the 2 DVD collection of his courtesy of the Platinum Disc Corporation. In this one, he's the familiar Tramp character who's drunk the whole time so anything he does here is the result of his inebriation. As a result, I actually found most of it funny especially early on when one of the people he encounters is fellow comic Roscoe "Fatty" Arbuckle as a fellow bar patron who tries to get his drink without Chaplin looking. Since Arbuckle wasn't yet a star, that's all we see of him though he makes a good impression here. Most of the time, it's just Charlie as he stumbles through missing punches or getting punched, going into someone's house and getting the residents' reactions, or scaring some dark-skinned servants (obviously caricatured by Caucasian humans though not as offensively portrayed since there's no white lips or other stereotypical characteristics). Quite funny for an early effort so on that note, I recommend His Favorite Pastime.