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Gertie the Dinosaur

  • 1914
  • Not Rated
  • 12min
NOTE IMDb
7,1/10
3,9 k
MA NOTE
Gertie the Dinosaur (1914)
AnimationComedyFamilyFantasyShort

Ajouter une intrigue dans votre langueThe cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.

  • Réalisation
    • Winsor McCay
  • Scénario
    • Winsor McCay
  • Casting principal
    • Winsor McCay
    • George McManus
    • Roy L. McCardell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    3,9 k
    MA NOTE
    • Réalisation
      • Winsor McCay
    • Scénario
      • Winsor McCay
    • Casting principal
      • Winsor McCay
      • George McManus
      • Roy L. McCardell
    • 26avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux5

    Modifier
    Winsor McCay
    Winsor McCay
    • Winsor McCay
    George McManus
    George McManus
    • George McManus
    Roy L. McCardell
    Roy L. McCardell
    • Roy McCardell
    Thomas A. 'Tad' Dorgan
    • Thomas A. 'Tad' Dorgan
    Tom Powers
    Tom Powers
    • Clumsy Copy Boy
    • (non crédité)
    • Réalisation
      • Winsor McCay
    • Scénario
      • Winsor McCay
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    7,13.8K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    10kamerad

    A Key Film in Animation History

    Winsor McCay's "Gertie the Dinosaur", is an early animation masterpiece that I believe can be enjoyed by both extreme animation buffs, and the average casual viewer. On different levels of course. The average viewer would see a pleasant little film about a baby like dinosaur showing off for us. An animation fanatic like me would see a lot more. For the time it was made, the animation is fantastic. It's leaps and bounds ahead of anything else I have seen from that time. The detail is sharp, the movements are smooth, and the backgrounds, all hand drawn frame by frame, are vivid and hardly shake at all. I overheard someone mentioning during the class break that he could see an early use of rotoscoping when "McCay" walks onto the screen. The guy was mistaken. Rotoscoping wasn't invented until the 1930's. This is a testament to McCay's artistry: to make characters so life-like that people still think today that they are real.

    That previous statement was in reference to McCay's realistic drawing style. However, it could also be applied to the character of Gertie. She is very believable as a real "person." We come to like Gertie and her child-like antics, understanding her needs to be the focus of attention. I liked the way Gertie tried to hog the screen from Jumbo, first by throwing him into the lake, then by hurtling a rock at him. This of course shows us Gertie's infantile character, but, going back to the artwork, is also a perfect example of McKay's mastery of smooth animated movement. All said, this is probably one of the key films in the transition from cartoon characters just being moving drawings to being characters that we can understand and care about.
    Snow Leopard

    A Enchanting Piece of Animation History

    Winsor McCay's skill, wit, and creativity are all quite apparent when watching his pioneering animation feature "Gertie the Dinosaur", which is also an enjoyable and sometimes enchanting little movie in its own right.

    The format is similar to an earlier feature in which McCay introduced his animated versions of the Little Nemo characters. The footage featuring "Gertie" is prefaced by a mini-story suggesting how the idea for her arose, and then comes the highlight, the animation starring the engaging dinosaur herself. The combination of McCay's imaginative images, and the fascination of dinosaurs in themselves, makes it quite enjoyable.

    The animation is extremely good for such an early effort. McCay already had the knack for drawing interesting figures, and in moving pictures such as this one he made sure to include little details that add extra interest. This feature also shows some good story-telling, as a number of times Gertie's antics effectively play off of audience expectations. Her interaction with McCay also works very well, and the whole feature is a very enjoyable piece of cinema and animation history.
    10llltdesq

    Almost 90 years later, it still works.

    Winsor McCay did a great many things of which he could be justifiably proud, but I think Gertie the Dinosaur ranks at the top of that lengthy list of accomplishments and I suspect McCay may have felt the same way, for it is still remarkable all these years later. Gertie is more life-like than some people I know! Funny, believable, touching and fascinating, sometimes all at once. This is one of the cornerstones of modern animation and also succeeds on its own terms and merits as both art and entertainment. Winsor McCay grew unhappy and somewhat disgruntled and disillusioned as animation became, in his eyes, more commercial and less artistically inclined. I've often wondered what McCay would have made of the independents, such as Will Vinton and Bill Plympton, among others, and the different forms, like Claymation and the stop-motion work of George Pal and others. I hope he would be pleased with at least some of the work done in the last 90 or so years. An absolute gem. If you haven't seen Gertie, I envy you for the treat you have in store. She's a delight. Well worth getting. Most highly recommended.
    deickemeyer

    Will create mirth

    Another unique offering which will create mirth wherever it is exhibited. In this film George McManus bets Windsor McCay on a trip which they take through the Museum of Natural History, that he cannot, as per McCay's boast, draw a picture of the mammoth Dinosarus and make it live again. McCay wins the bet, and the result of his work as presented by the Box Office Attraction Co. is one of the most entertaining examples of the animated cartoon ever presented. - The Moving Picture World, January 9, 1915
    10planktonrules

    Super-important film that features some very early animation as well as odd insights into the creator of the cartoon

    This is an odd little film featuring Winsor McCay--the creator of Gertie the Dinosaur and Little Nemo. And, just as in his first Little Nemo film, much of this film features Winsor McCay with his friends (all animators and lovers of animation) and only in the second half do you get to see Gertie. Ostensively, the film is about a bet Winsor made with his friends that he can make a dinosaur come to life--and he does in the form of a short cartoon featuring the lovable character "Gertie". While Gertie is very crude and simple compared to later color cartoons, there is still a lot of charm in the character and the film is a wonderful time capsule. Of great importance to Cinephiles and lovers of early animation.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Some film histories erroneously cite this as the first animated cartoon, ignoring not only Humorous Phases of Funny Faces (1906) (probably the first true animated cartoon), but even Winsor McCay's own earlier work, Le dernier cri des dessins animés (1911) and How a Mosquito Operates (1912).
    • Citations

      Winsor McCay: [Gertie swallows a large stump, later on, Gertie is thrilled to see a small mastodon] Gertie, don't hurt Jumbo.

    • Connexions
      Edited into Los comienzos de la animación (1995)

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    Détails

    Modifier
    • Date de sortie
      • 28 décembre 1914 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Library Of Congress Catalogue
    • Langues
      • Aucun
      • Anglais
    • Aussi connu sous le nom de
      • Gertie
    • Lieux de tournage
      • American Museum of Natural History - Central Park West at 79th Street, Manhattan, Ville de New York, New York, États-Unis(exterior and interior with dinosaur skeleton)
    • Sociétés de production
      • McCay
      • Vitagraph Company of America
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      12 minutes
    • Couleur
      • Black and White
      • Black and White
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

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    By what name was Gertie the Dinosaur (1914) officially released in Canada in English?
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