Villain

I like gangster films. I thought this was an ok gangster film. If you have seen Carlitos Way then you have pretty much seen this film, albeit in a more glossy American setting.

There are so many British crime films and many of them are quite poor, bad acting, violence for the sake of violence with little plot or character investment

Villain is a bit of surprise, the acting from everyone here is really strong, in fact this film may have discovered a couple of stars. Craig Fairbass' character is not just a straight forward "villain", he carries some real leverage with him, you get invested, he wants to make amends for his mistakes, he wants to be there for his family and is dragged back into violence against his better judgment.

Yes there is some silly and unrealistic violence but all in all this was a really pleasant surprise, I tend to watch tv series as you have more time to invest in plot & characters, I would've been happy to watch a series on these characters.

Also the actress that plays chloe could be a star.

I've worked on a set with Craig before, and I found him entirely unpleasant to be around with how he was talking to the crew. I was just an extra so quietly backed away. But it was enough of a lasting impression to make me actively avoid anything he is a part of.

Bored, surfing Netflix, the streaming service started playing a scene from Villain and I rolled my eyes hard. Here we go, another "Craig is a hard-man" film but... Watching the scene play out, his acting was decent. It wasn't the same old, same old we have come to expect from him. Sure there are scenes where we get the same Craig we see in every other production he is in but there's enough "new" acting from him that it keeps you pulled along.

And just as well because, as much as it pains me to say it, it IS Craig who carries this film. The other actors are good, don't get me wrong, but they're screen time is considerably shorter. They are all believable and flesh out the small part of the world we're shown but, they don't hang around for long. Then we are left with the story; something we have seen a million times before.

In summary: guy gets out of prison, vowing to never go back. His brother is in trouble with local criminals and, so, Craig is pulled back into the seedier side of life. That it is. Nothing original here but it is, at least, done well. Shots are nice, colour grading gritty, sound decent enough and Craig really pulls it all along.

Will I watch it again? No. Does it make me change my mind about what I've seen of Craig? Not a chance. But it did at least show me that while he might be hot-headed on set, at least there is some range there.

We've seem it before but this one has a little more emotion around family values, bad life decisions and the darkside of the culture.

It's not dressed up as badass look at me leading role but more of a man that genuinely wants out of the game but just can't.

The name Philip Barantini means squat to me: I do not recall watching anything directed by him before. In VILLAIN, Barantini extracts high grade performances from the entire cast, right down to the smaller parts, with older sibling Craig Fairbrass and George Russo playing the shady Franks brothers. Set in the UK, the former is completing his jail term, the latter has been left to take care of the pub owned by the two, but he is a sniffer and a suspected grasser with the town's heavies supplying and then stealing a drug consignment, for which they want immediate payment on pain of death... and they do a Russian roulette demo to drive their point home.

Of course, the ex-jailbird knows the UK crime scene backwards and he picks up very quickly that his brother has received a beating, that his estranged daughter's boyfriend has given her a fat lip, and that the baddies want the pub in lieu of payment. The older Franks gets so miffed over that demand that he proceeds to ice the baddies, and dispose of them with fire after some less than tidy quartering with his retching brother's disgusted help.

In the best moralistic film noir vein, the older Franks sibling must not expect to come out on top...

Good cinematography by Matthew Lewis, gripping dialogue from George Russo and Greg Hall. Very watchable until the end, which struck me as eminently predictable and a let down. 6/10.