Dans un futur proche, les prisonniers se portent volontaires comme cobayes médicaux pour écourter leur peine. Un des cobayes pour un médicament créant des sentiments d'amour commence à remet... Tout lireDans un futur proche, les prisonniers se portent volontaires comme cobayes médicaux pour écourter leur peine. Un des cobayes pour un médicament créant des sentiments d'amour commence à remettre en question la réalité de ses émotions.Dans un futur proche, les prisonniers se portent volontaires comme cobayes médicaux pour écourter leur peine. Un des cobayes pour un médicament créant des sentiments d'amour commence à remettre en question la réalité de ses émotions.
- Réalisation
- Scénaristes
- Stars
Daniel Booko
- Air Traffic Controller
- (non crédité)
Elliot Chenery
- Inmate
- (non crédité)
Jordyn Curet
- Vocalist - Youth Choir
- (non crédité)
Michaela Da Costa
- Inmate
- (non crédité)
Avis à la une
Spiderhead banks heavily on its lead performers, and both Hemsworth and Teller deliver the goods when the plot struggles to. Very early on, you smell a lighter version of Ex-Machina (replace the robot with mind-control drugs), with several random tonal shifts. The writers (Rhett Rheese & Paul Wernick) are known for tickling the funny bone, but I think this film would have benefited from a more serious, psychological approach - which, credit where it's due - it did to some extent. The romantic subplot, while nice to see, ended up being exploited (such a cliché) as expected. The conclusion isn't all that exciting, because by then, Spiderhead has fully embraced its weirdness and is unfortunately stuck between making viewers care and giving closure to the plot.
Firstly, flawless acting performances from the main cast, you can see the emotions switch with the most subtle of facial changes. This film was just, okay. Not terrible, not amazing, just okay for Friday night viewing. But the makers seemingly didn't know what genre of film they were creating. It starts off all light hearted and you're lured into believing its a comedy, then you're fixed within a drama/thriller through the middle, only for it to end as a light hearted comedy in its climax?
It was a good premise but it was executed in the wrong genre. I feel that this should have been a psychological horror.
It felt like the idea and the tone of the movie weren't pulling in the same direction.
The actors' performances were ... Fine. They did the job but this wasn't a career defining role for anyone.
The final confrontation was emotionally lacking, I didn't feel danger for the "heroes" or any menace from the "villain". Maybe if the bad guy had any menacing vibes it would have elevated that third act .
I'm sad to see this movie, I'm sad to see the huge potential of the premise, the star power, the great production go to waste. It was a fun 2 hours but it left me with no desire to watch it again. It would have been a great black mirror episode.
It felt like the idea and the tone of the movie weren't pulling in the same direction.
The actors' performances were ... Fine. They did the job but this wasn't a career defining role for anyone.
The final confrontation was emotionally lacking, I didn't feel danger for the "heroes" or any menace from the "villain". Maybe if the bad guy had any menacing vibes it would have elevated that third act .
I'm sad to see this movie, I'm sad to see the huge potential of the premise, the star power, the great production go to waste. It was a fun 2 hours but it left me with no desire to watch it again. It would have been a great black mirror episode.
I can say it is worth a watch. I do like Chris Hemsworth's charismatic personality and it's nice to see him do something other than Thor outside of the Marvel comic book films. I almost didn't recognize Miles Teller. Although I think this was a missed opportunity to have these two guys work together in a much better film. But the film wasn't remarkable, and I don't think anyone will remember it a year from now. As for a sci-fi film, it wasn't a good one. It could have been, but it wasn't.
Colorful cinematography and spirited editing contrast with the characters' tragic backstories. In the end its a morality tale, one that goes too far and too fast.
Le saviez-vous
- AnecdotesRogan (played by Nathan Jones) is reading a book titled "Tenth of December" by George Saunders and first published in book-form on January the 8th, 2013, by Random House. It contains the short story "Escape from Spiderhead" on which this movie is based.
- GaffesThe 1969 Mercury Cougar had a windshield made from laminated glass (as mandated by FMVSS) and side windows from tempered glass . The laminated glass prevents the occupants from being thrown out of the vehicle in a frontal collision.
During the frontal collision with a tree, the windshield shattered into small pieces, and Jeff is thrown out of the car through the windshield. Jeff's face, arms, and shirt did not have any scratches. When Jeff was trying to rescue his girlfriend from the rear seat, he easily broke the rear side window, and the glass did not shatter into small pieces as the tempered glass was designed to do so.
- ConnexionsFeatures Joust (1982)
- Bandes originalesThe Logical Song
Written by Roger Hodgson and Rick Davies (as Richard Davies)
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises
Meilleurs choix
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- How long is Spiderhead?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La cabeza de la araña
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Durée
- 1h 46min(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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