Le Menu

I waited months for this film thinking it would be so much better than it was. There is nothing quite like the let down of expecting something great, and it turning out to be just good.

While the plot is pretty original (which normally scores high points with me) and while the film is at times quite beautiful to look at, it missed some of the main point: sweet gratification and satiation.

Scares are not included on the menu; what there is of comedic value is presented as filling; it is unsatisfyingly light on gore; hints of interesting dialogue exist, but they are only scantily peppered throughout; the build-up of characters and backstory is distinctly and unpalatably in short supply, as well as somewhat bland; intentions are nondescript; it wore on and became progressively less, instead of more enjoyable; and, the main course was both 'cheesy' and a bit less than fulfilling. Yes, I greedily took it all in, but by the time dessert was to be served, the previous dishes laid still undigested and leaden.

I'd like to speak to the manager, please.

I thought this movie was original, entertaining and very interesting. It has a deeper message about how the world looks today. The constant stress and pressure of performing and pleasing hard-to-please people. People who are spoiled, people who only care about money, people who take life for granted, and so on. This is what the characters in the film, the chef and the guests, represent. The guests represent the worst of us. Constantly feeling pressured about something that you actually think is fun, is no longer fun. That is why the chef has invited these very people to the restaurant. It is such people who have destroyed his passion, meaning and joy in life. If you understand the premise and concept of this movie, you will really like it. The film is dark and exciting, with a chaotic and funny ending, which I liked.

The Menu isn't the first to satirise the rich and their incompetence and isn't saying anything new but that definitely doesn't prevent it from being a great satire that pokes fun at everything it can in ways that are often consistently funny, playful and extremely stylish.

Ralph Fiennes gives a terrific performance full of awkward unease that only enhances his commanding screen presence. Anya Taylor-Joy is a perfect audience surrogate amongst a sea of deliberately unlikeable characters of which the best is Nicholas Hoult whose almost too good at making his character hilariously pathetic.

Mark Mylod's direction is excellent, the film has more than enough visual style to match the pretentiousness of its characters and is really good at building tension. The music by Colin Stetson is fantastic, striking a unusual balance between beautiful and unnerving.

The mix between horror and satire seems undecided or bland, the backstory was lacking and the plot presents itself as something grander than it really is. The same hollowness of the dishes carries onto the essence of the movie. Satirizing something that is hollow and giving the final product value is a difficult task, this movie really tries to do that, but given its nature, it didn't quite stick the landing with me.

The cast is simply great, full of recognizable faces and good acting. The cinematography was good, nothing out of this world but enjoyable.

Overall its entertaining, but the delivery of its message is not strong. Even if this flavor of satire wasn't the best suited for me, it kept me intrigued and while not fully satisfied, I enjoyed it.

"The Menu" offers a trailer spectacular enough to entice me to set foot in a physical movie theater for the first time in 3 years. Packed with both veteran and burgeoning actors and directed by Mark Mylod of "Succession" fame, this movie has all the goodies to entertain you and make you think at the same time, supposedly. It starts out well enough, introducing quirky mysterious characters starting with Elsa played by Hong Chau. I find her really captivating in this role, a perfect combo of politeness and menace. Why is she dressed like that? Then we meet the Chef who has an agenda that unravels through the perspective of Margot, played by the always-awesome Anya Taylor-Joy. Margot is us, wanting to expose the ridiculousness of it all. Yet herein lies the problem with the movie. Its effort as a biting satire turns into a confusing mess at the end. "The Menu" could have given us something to chew on, instead I walk out of the movie theater scratching my head.