NOTE IMDb
6,9/10
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MA NOTE
Timide et intello, Ellie aide Paul, un jeune sportif adorable mais maladroit, à faire chavirer le coeur d'une élève populaire - Quand Ellie découvre qu'elle aussi a des sentiments pour cette... Tout lireTimide et intello, Ellie aide Paul, un jeune sportif adorable mais maladroit, à faire chavirer le coeur d'une élève populaire - Quand Ellie découvre qu'elle aussi a des sentiments pour cette jeune fille.Timide et intello, Ellie aide Paul, un jeune sportif adorable mais maladroit, à faire chavirer le coeur d'une élève populaire - Quand Ellie découvre qu'elle aussi a des sentiments pour cette jeune fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 10 nominations au total
MacIntyre Dixon
- Father Shanley
- (as Macintyre Dixon)
Gabi Samels
- Quaddie Girl #1 (Amber)
- (as Gabrielle Samels)
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I'm really liking this recent trend of teen romances that take an insightful look at the nature of love. Following on from the likes of To All The Boys I've Loved Before, Every Day, and Love, Simon, The Half Of It is an earnest and perceptive high school romantic drama.
Saying that, however, it's nowhere near as clever as it thinks it is. While its focus on the nature of love is engrossing at times, the film regularly attempts to deconstruct romantic tropes, yet falls into the trap of using them itself.
And that's a real shame, because there are things about The Half Of It that are a real breath of fresh air in this genre. I love the way that it shies away from a generic story about the high school social ladder, and I absolutely love the lead performance by Leah Lewis.
But this film just doesn't hit home on the deeper level it really needs to. It undermines its often genuinely insightful perspective on love with either cheesy or predictable plot twists and narrative devices.
There are times when the film forges its own path a little more, particularly in a wonderful aside in the early third act where Lewis and her crush, played by Alexxis Lemire, spend time together. However, as a part of the film's overarching romantic narrative, it doesn't hit home quite as strongly.
That's why I found The Half Of It such a disappointing watch. It has some wonderful moments that should stand among the best in modern teen romances, while Leah Lewis' assured and charismatic yet strikingly vulnerable performance is enormously memorable.
But in the midst of a story that doesn't really work, and a perspective on love that's not quite as clever as it thinks it is, the film really doesn't have the resonance and insight it's aiming for.
Saying that, however, it's nowhere near as clever as it thinks it is. While its focus on the nature of love is engrossing at times, the film regularly attempts to deconstruct romantic tropes, yet falls into the trap of using them itself.
And that's a real shame, because there are things about The Half Of It that are a real breath of fresh air in this genre. I love the way that it shies away from a generic story about the high school social ladder, and I absolutely love the lead performance by Leah Lewis.
But this film just doesn't hit home on the deeper level it really needs to. It undermines its often genuinely insightful perspective on love with either cheesy or predictable plot twists and narrative devices.
There are times when the film forges its own path a little more, particularly in a wonderful aside in the early third act where Lewis and her crush, played by Alexxis Lemire, spend time together. However, as a part of the film's overarching romantic narrative, it doesn't hit home quite as strongly.
That's why I found The Half Of It such a disappointing watch. It has some wonderful moments that should stand among the best in modern teen romances, while Leah Lewis' assured and charismatic yet strikingly vulnerable performance is enormously memorable.
But in the midst of a story that doesn't really work, and a perspective on love that's not quite as clever as it thinks it is, the film really doesn't have the resonance and insight it's aiming for.
Shy, straight-A student Ellie (Leah Lewis - Nancy Drew) is hired by sweet but inarticulate jock Paul (Daniel Diemer - Sacred Lies), who needs help winning over a popular girl. But their new and unlikely friendship gets complicated when Ellie discovers she has feelings for the same girl. You'd probably think, "oh, so this is another Netflix high school romcom, but they have a little gay love triangle".. Guess again!
The Half of It opens with an animated sequence, while Ellie tells us about longing for the other half of our soul-unity. This is all based on the beliefs of ancient Greece, but those guys obviously never went to high school. Ellie was born in China, but moved to remote, backwater town Squahamish (or as Ellie's English teacher likes to call it - "Hell-quamish"), where she's busy making some much-needed extra cash penning homework papers for her fellow high school students. Goofy jock Paul is so desperate to woo the undeniably beautiful Aster Flores (Alexxis Lemire - The Art of Murder). The only problem is, he has no idea how to do so and Ellie reluctantly agrees to help him write love letters. Oh btw, this isn't a love story.
Through the use of social media notifications popping unannounced on screen, we get to understand the importance of literature in any way or form. This also becomes clear in the way director/writer Alice Wu incorporates legendary writer's quotes as title cards throughout the film. Oscar Wilde and Santre's life lessons are necessary elements in Ellie's coming of age story, which she also uses to connect with Aster. Not only through the means of repressed British literature and abstract art does she find a comfortable voice, but it also makes for some compellingly awkward situations in which she's basically an ear piece telling Paul when to make a move.
Wu really crafts a beautiful piece of visualised poetry with her newest film. Making a romantic film set at a high school, can easily become something sappy or overly cliché, but the director of Saving Face knows how to balance it all and keep it as raw as possible. Without ever pointing a finger at anyone's background or beliefs, she dares to open up the conversation on religion and existentialism.
Casting talent can make or break your film, and that's just why The Half of It works so well. Lewis carries this film with natural ease. Her voice is so important, since she basically narrates the entire story, but it's the emotion that comes with it that truly lifts up her own physical performance which has been presented very basic in contrast to the classic beauty of Lemire's character, Aster. Lemire doesn't really get a lot to do until about a quarter into the film, but then gets her own moments to shine and delve deeper in what at first seems like a picture perfect world. Male lead Paul, played by Daniel Diemer, looks the part, but because he's not your typical jock - dumb, self-centred, bully - he gets to grow as a character and show a vulnerable side you don't easily get to witness in this sort of protagonist. A talented and promising young cast is an understatement.
The Half of It deserves to be up there with indie coming of age films, such as 'The Edge of Seventeen' and 'Lady Bird'. Not only is Asian representation a necessity, the unforced LGBTQ+ story in the middle of it all is invigorating and from the heart. Like the movie states at the start, this was never supposed to be a love story - it's about friendships and new beginnings. What is love anyway?
The Half of It opens with an animated sequence, while Ellie tells us about longing for the other half of our soul-unity. This is all based on the beliefs of ancient Greece, but those guys obviously never went to high school. Ellie was born in China, but moved to remote, backwater town Squahamish (or as Ellie's English teacher likes to call it - "Hell-quamish"), where she's busy making some much-needed extra cash penning homework papers for her fellow high school students. Goofy jock Paul is so desperate to woo the undeniably beautiful Aster Flores (Alexxis Lemire - The Art of Murder). The only problem is, he has no idea how to do so and Ellie reluctantly agrees to help him write love letters. Oh btw, this isn't a love story.
Through the use of social media notifications popping unannounced on screen, we get to understand the importance of literature in any way or form. This also becomes clear in the way director/writer Alice Wu incorporates legendary writer's quotes as title cards throughout the film. Oscar Wilde and Santre's life lessons are necessary elements in Ellie's coming of age story, which she also uses to connect with Aster. Not only through the means of repressed British literature and abstract art does she find a comfortable voice, but it also makes for some compellingly awkward situations in which she's basically an ear piece telling Paul when to make a move.
Wu really crafts a beautiful piece of visualised poetry with her newest film. Making a romantic film set at a high school, can easily become something sappy or overly cliché, but the director of Saving Face knows how to balance it all and keep it as raw as possible. Without ever pointing a finger at anyone's background or beliefs, she dares to open up the conversation on religion and existentialism.
Casting talent can make or break your film, and that's just why The Half of It works so well. Lewis carries this film with natural ease. Her voice is so important, since she basically narrates the entire story, but it's the emotion that comes with it that truly lifts up her own physical performance which has been presented very basic in contrast to the classic beauty of Lemire's character, Aster. Lemire doesn't really get a lot to do until about a quarter into the film, but then gets her own moments to shine and delve deeper in what at first seems like a picture perfect world. Male lead Paul, played by Daniel Diemer, looks the part, but because he's not your typical jock - dumb, self-centred, bully - he gets to grow as a character and show a vulnerable side you don't easily get to witness in this sort of protagonist. A talented and promising young cast is an understatement.
The Half of It deserves to be up there with indie coming of age films, such as 'The Edge of Seventeen' and 'Lady Bird'. Not only is Asian representation a necessity, the unforced LGBTQ+ story in the middle of it all is invigorating and from the heart. Like the movie states at the start, this was never supposed to be a love story - it's about friendships and new beginnings. What is love anyway?
I'm in tears. I went into this movie expecting a lesbian love story after seeing the trailer. One might even say, the romances in the story were the least important. This is a love story, no doubt, but not what you would expect. It is a beautiful story about an unexpected friendship.
What I think the movie did especially well was that there was a really limited number of main characters and they had really put effort into creating the personalities for these characters. Usually characters like Aster (the beautiful love interest) are really vain and the viewer rarely gets to no them. The premise is also amazing in its simplicity - a senior year of high school in a small town.
Moreover, acting, directing, sound music was amazing. There is really nothing I would change. I kept trying to guess the plot subconsiously, but I never guessed right. I think the story wrapped up beautifully, maybe not in the traditional sense of happy ending but in its own way.
What I think the movie did especially well was that there was a really limited number of main characters and they had really put effort into creating the personalities for these characters. Usually characters like Aster (the beautiful love interest) are really vain and the viewer rarely gets to no them. The premise is also amazing in its simplicity - a senior year of high school in a small town.
Moreover, acting, directing, sound music was amazing. There is really nothing I would change. I kept trying to guess the plot subconsiously, but I never guessed right. I think the story wrapped up beautifully, maybe not in the traditional sense of happy ending but in its own way.
The Half of It started with most common storyline, a high school falling in love with a high school pretty girl. But eventually the story starts telling you the true meaning of love and how love is different for everyone. Till end you will start thinking what's is love for you. The film story is shown very sweetly and with 100% emotion which makes you sit till the end. The story tells us to not stop loving someone and not to change someone if they are different. It also questions that aren't we all different in a similar way. One time watch for a refreshing weekend start!!!
Not every gay person has to go through the "self-identification"stage, and I was impressed that the film didn't exaggerate at this point. Because this is just a story about...love...
Le saviez-vous
- AnecdotesThe opening monologue is the story told by Aristophanes in Plato's Symposium. Aristophanes was a comedic playwright at the time of Socrates and Plato and is considered the greatest Greek comedic writer. The Symposium is a dialogue about a dinner that Socrates attends. During dinner Socrates, in typical fashion, begins to ask questions of his host and the other guests. The dialogue centers on the topic of love, each interlocutor attempts to answer the question what is love? Aristophanes' story tells of how humans use to be whole and the gods got jealous and split us apart. We spend our lives searching for that other half. According to Aristophanes, our other half could be someone of the same or opposite gender.
- GaffesAs Mrs. Geselschap first talks to Ellie, the distance between Geselschap's drinking mug and her face keeps changing between cameras.
- ConnexionsFeatured in WatchMojo: Top 10 Movies of 2020 (So Far) (2020)
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- How long is The Half of It?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Si supieras
- Lieux de tournage
- Piermont, New York, États-Unis(Last scene, outside restaurant where Aster works)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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