Black Flies

Sean Penn is great in this dark New York City drama. The film is centered around two paramedics one seasoned and one new to the game that then become partners. They work the overnight shift in New York City as paramedics, so they see some crazy intense stuff along the way. Either I am missing it or I am not properly following it, but the film does not seem to have much of a plot other than to shoe how gritty the city is to these paramedics and it shows two men young and older on how they deal with it. I don't think the plot was there until about the last 30 minutes which is a huge flaw of this film.

Ollie Cross (Tye Sheridan) is a rookie paramedic in the chaotic New York City. Gene Rutkovsky (Sean Penn) is his world-weary veteran partner. Lafontaine (Michael Pitt) is another paramedic and Chief Burroughs (Mike Tyson) is their commander.

Tye Sheridan is a great young actor. Sean Penn is solid. I can't see Mike Tyson as anything other than Mike Tyson. I want a real actor in that role. Why not have Mike Tyson play Mike Tyson in one of the emergencies instead. He could be punching out a guy.

This is a lot of crazy emergencies all jammed into a two hour movie. I would have preferred a single-night story. Single-night stories can have the intensity of time. This is going for hyper dynamic story telling. I get it. I'm not generally against it but it does seem over the top. One can excuse it since the story is told over a long time. All this craziness wears me out in a two hour movie. Otherwise, it's fine.

"You can't save everyone."

That's the most important lesson that rookie FDNY paramedic Ollie Cross (Tye Sheridan) needs to learn from his veteran partner Gene Rutkovsky (Sean Penn) in the dark and edgy new film, Asphalt City.

The pressure of knowing you're the only thing that might be keeping a victim from turning into a fatality haunts the duo as they drive the overnight shift on the mean streets of East New York.

Gunshot victims, heart attacks, premature births, dog bites, gang violence, and schizophrenics are just a sample of the people who we briefly meet and are just as quickly dismissed and disguarded in Director Jean-Stephane Sauvaire's new film. Like the EMT crew, we're never given time to care about these people, especially those who may be one short push from the grave.

And that's the point that Rutkovsky continually tries to impress on his new partner. Do what you can, in the time that you have, and move on. Don't remember their faces. Don't remember their families. Because to carry that with you will drive you insane. Above all, don't feel responsible because you didn't put them on the ground with a fatal gunshot wound in their femoral artery.

Unfortunately, as the movie unfolds, "Rut" has a change in his personal circumstances and takes one case too much to heart. Meanwhile, Cross is struggling to keep his head above water. Between the low pay, his horrible living situation, and the lack of friends or family, Cross feel he is continually drowning in unending tragedies. He has zero confidence in his ability to save anything - not a gunshot victim, not even a dog.

One has to wonder, are the people who seek these jobs craving the absolute psychosis that comes with it, or are they made psychotic by the stream of crazy?

Cross does have a goal: to pass the MCAT and leave this dark, depressing world behind for the more regulated system of a hospital. But it's obvious that he's learning far more with his on-the-job training than he'll learn in any study guide.

Mike Tyson pops up as Cross and Rut's superior officer. Michael C. Pitt is cast as the EMT who's chiefly entertained by picking on the new guy. Every one of the EMT's seems to be walking PTSD victims.

Gritty. There's no better word for Asphalt City. It's a film as gritty as the city it portrays. You'll be exhausted, but go for the rush.

Some excellent acting all round (even Mike Tyson was believable), and not enough props given to the actor that played Lafontaine, Michael Pitt.

While I don't need a film neatly served up to me, there was just a little too much flip-flopping around, including things that are brought up and never explained- eg. Swapping Cross and Rutkovsky around with who took the baby, so you are uncertain for a while, who did what.

The misery is relentless- the hostility from the patients with mental illness or other issues I sort of get (the amount of gang members they pick up, and have to deal with abuse from their friends is unreal), but constant harassment/bullying from their own team not to mention some of the police. Is it really this dysfunctional?

Still, enjoyed the film nonetheless, always good to see something original about a role we don't see on the silver screen that often.

Nice to see Gbenga Akinnagbe (Chris Partlow from The Wire), albeit in a small role.

It's atmospheric, slow, dark. All the things that a good and bloody drama should be.

Perfectly cast with some great acting and not too over the top. Even the legendary Mike Tyson makes an appearance which, even though questionable as a casting, he pulls it off perfectly.

Thrown in at the deep end, the main protagonist, a rookie paramedic is on the verge of madness. The film shows exactly what emergency workers have to attend to, day in, day out, and how it affects them, bustling on the verge of madness and faced with the adversity of violence.

It certainly packs a punch. Known as 'Black Flies' in the UK. Give it a watch.