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5,9/10
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MA NOTE
Un couple séparé se retrouve dans un commissariat de Floride afin de retrouver leur fils adolescent disparu.Un couple séparé se retrouve dans un commissariat de Floride afin de retrouver leur fils adolescent disparu.Un couple séparé se retrouve dans un commissariat de Floride afin de retrouver leur fils adolescent disparu.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Primetime Emmy
- 7 nominations au total
Avis à la une
What do we make of a movie that has love it or hate it reviews? Possibly reviewers are judging two different aspects: content and portrayal. American Son raises many important issues that society is struggling with. And the film does show that these issues are not as clear-cut as we might think. It encourages the viewer to see the other person's perspective. If these elements of the film were instead those of an article or a non-fiction book, they would be top-notch.
But this is a film, one adapted from a play. And as a film, it languishes beneath its interesting premise. The most glaring fault lies in the conversation between the parents. Although they were married for many years, they now speak about race issues as if the topic was something new. Is the viewer meant to believe that a biracial couple never explored their views of racial relations? They do not have a credible conversation, but instead make statements for the benefit of the viewer. Rather than believable character dialogue, we get parallel monologues. It is of no surprise, then, that the writer uses amateur contrivances such as that used to bring up the shameful history of segregated water fountains. 'Can I get you anything?' 'Water' 'There's a water fountain down the hall, well actually there are two...' And so on. Such clumsy attempts to invite a soapbox moment is just bad film. Indeed the bulk of the screenplay is replete with such contrived moments. It is the type of faux pas made by Creative Writing students. If it were a fluffy action movie, it could get by with inconsistent, superficial stock characters--the viewer would still enjoy the exciting car chases. But this is meant to be serious drama. It is not the acting that is the problem, but the writing. Sadly, a missed opportunity to prompt a meaningful discussion on the issues it reduces to cliché.
But this is a film, one adapted from a play. And as a film, it languishes beneath its interesting premise. The most glaring fault lies in the conversation between the parents. Although they were married for many years, they now speak about race issues as if the topic was something new. Is the viewer meant to believe that a biracial couple never explored their views of racial relations? They do not have a credible conversation, but instead make statements for the benefit of the viewer. Rather than believable character dialogue, we get parallel monologues. It is of no surprise, then, that the writer uses amateur contrivances such as that used to bring up the shameful history of segregated water fountains. 'Can I get you anything?' 'Water' 'There's a water fountain down the hall, well actually there are two...' And so on. Such clumsy attempts to invite a soapbox moment is just bad film. Indeed the bulk of the screenplay is replete with such contrived moments. It is the type of faux pas made by Creative Writing students. If it were a fluffy action movie, it could get by with inconsistent, superficial stock characters--the viewer would still enjoy the exciting car chases. But this is meant to be serious drama. It is not the acting that is the problem, but the writing. Sadly, a missed opportunity to prompt a meaningful discussion on the issues it reduces to cliché.
I have to disagree with many of the reviews for this movie. I wasn't great but it wasn't unnecessary. This was a Broadway play, which explains why the story seems without depth. The lack of perspective adds to the tension. You only know what you bring with you to the room and what the police slowly tell you.
What I did notice is that many reviewers hate racially charged topics. This is why we cannot seem to heal from them in this county. We've got to be able to face the ugly little truths.
I totally get the point the director tried to make, but after some time the whole "I'm black, you're white, you don't get it" thing got annoying. This story could've been told with a different dialogue. More educational, and less defensive.
Who green lit this? I don't usually leave reviews but i have to...
Every single character was annoying AF! The name of this should be American Extra cuz some of the arguments was just extra as hell.
As a young black dude I can appreciate what the movie was trying to do/say but it was just a Little much. Kerry Washington was the most annoying and it pains me to say that cuz I really like her. Like they went so overboard wit the black/white dynamic that she has to make a a disgusted sound cuz her husband ordered black coffee?!!! Cut that s*** all the way out! That was corny and just one of the many times I smh cuz of the stupid way theses arguments came about.
Overly dramatic trash forreal and i can honestly tell y'all that after I saw about 40 mins of this and saw the set up I put in my headphones and listened to it like an audio book at work. That's The only reason I gave it an extra star (3) is cuz that made it a little more tolerable!
Every single character was annoying AF! The name of this should be American Extra cuz some of the arguments was just extra as hell.
As a young black dude I can appreciate what the movie was trying to do/say but it was just a Little much. Kerry Washington was the most annoying and it pains me to say that cuz I really like her. Like they went so overboard wit the black/white dynamic that she has to make a a disgusted sound cuz her husband ordered black coffee?!!! Cut that s*** all the way out! That was corny and just one of the many times I smh cuz of the stupid way theses arguments came about.
Overly dramatic trash forreal and i can honestly tell y'all that after I saw about 40 mins of this and saw the set up I put in my headphones and listened to it like an audio book at work. That's The only reason I gave it an extra star (3) is cuz that made it a little more tolerable!
This is adapted from a Broadway play, and it plays out like one as well. One setting, four characters, if that's not your thing then maybe avoid it. A mixed-race couple at a police station await word on their son's involvement in a police incident. It gets intense and you will be angry and annoyed and more.
It's a little too timely and it cuts deep. It gives you a slight window into the reality of black America. Maybe it will open your minds or make you see things from another angle.
It's a little too timely and it cuts deep. It gives you a slight window into the reality of black America. Maybe it will open your minds or make you see things from another angle.
Le saviez-vous
- AnecdotesThis film is an adaptation of a Broadway play, of the same name, with the same cast.
- Citations
Paul Larkin: Ma'am, I have kids too.
Kendra: Any of them black?
- ConnexionsFeatured in The 2020 Primetime Creative Arts Emmy Awards (2020)
- Bandes originalesIdea
Written by Maceo Vidal-Haymes, Nicholas Hennessey, Chance the Rapper (as Chancelor Bennett), Boyang Matsapola and Noam Wallenberg
Performed by The O'My's feat. Chance the Rapper
Courtesy of Bleed101 and Chance the Rapper LLC
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- How long is American Son?Alimenté par Alexa
Détails
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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