Bait
- 2019
- 1h 29min
Ajouter une intrigue dans votre langueMartin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the est... Tout lireMartin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the estate above the harbour.Martin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the estate above the harbour.
- Réalisation
- Scénario
- Casting principal
- Victoire aux 1 BAFTA Award
- 9 victoires et 15 nominations au total
Avis à la une
Brilliantly shot, cut, interesting and occasionally surprising juxtapositions of scenes keep the interest in a relentless, slow burning story that could erupt into violence almost anywhere in the 89 minutes.
We had great sympathy with the Cornish characters, you feel this film, you know it is the truth. In this respect, in addition to the incredible noir, graininess it is a real triumph.
A subtle story with a huge message. As a coastal Floridian USA, I know exactly what this film is talking about, only this film says it much better. I'm not even sure I have the intellect or the vocabulary to offer a satisfactory review or critique of this film.
A simple story with complex characters. Dialog is sparse but adequate and spoken visually with few words. The old time black and white ambiance is the perfect foil to portray the flawed nature of character.
A love story shown from many perspectives. A one time fishing village now in flux and weathering out the new reality. A fisherman unwavering and unwilling to change with the times. I widowed father doing what he needs to survive for his son. The city folk looking for peace and quiet weekend. The Inn keepers building a summer business. Teenagers coming to age and looking for relationships and purpose. The bar, and owner at the center of town serving her patrons and trying to stay afloat. They all revolve each other as each character reaches for what they believe is most important. Tragedy strikes and we see what's truly the most important.
This is a must see film and direction, location, content, casting, script, audio, visual, media, production, editing, etc, etc....were all well defined and executed. I rated a 9, excellent, although this type of film might not be everyone's cup of tea.
'Bait' is the cinematographic equivalent of this imaginary album. It's a movie set in the present, but made with the equipment and filming technique from a century ago. The result is that we see a modern story on grainy celluloid with lot of white flecks, and an image sometimes suddenly becoming darker or lighter. Even the sound is special: everything is dubbed, resulting in a certain stiffness we know from movies made in the 1930's.
It's a gimmick, and it's brilliantly done. 'Bait' is different from all other films you will see this year. And that in itself is a great quality. But is is the only one. The film is worthwile because of the gimmick. Take it away, and imagine the same story, filmed on an ordinary digital camera with great colours and good, natural sound, and it would be nothing special.
That's why the film didn't really appeal to me. It's not that I didn't appreciate the effort to make something out of the ordinary. I did, but halfway I wanted more than juist the gimmick. Also I had sometimes trouble following the logic of the story, and in my opinion the quick cross cutting scenes were a bit too much. If the 1930's style of the film would have served a purpose, for example in flash-backs or found footage, it would have been different. But now I was left with mixed feelings. I admire the audacity of the experiment, but I wasn't carried away by the overall cinematic experience.
Le saviez-vous
- AnecdotesSince the film was shot on a clockwork Bolex camera, sound couldn't be recorded on location. All the dialogue and sound effects were then dubbed in post.
- Citations
Tim Leigh: Why don't you go home?
Martin Ward: Was gonna say the same to you, you prancin' Lycra cunt!
- Bandes originalesThe New Tin Drum
Written by Thea Gilmore and Nigel Stonier
Performed by Thea Gilmore
Used by permission.
Meilleurs choix
- How long is Bait?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 740 158 $US
- Durée
- 1h 29min(89 min)
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1