Hernán
- Série télévisée
- 2019–
NOTE IMDb
7,4/10
1,5 k
MA NOTE
Le « Conquistador » espagnol, Hernán Cortés, arrive sur la côte de ce qui est aujourd'hui le Mexique et doit faire face aux démons locaux et à ceux avec qui il a traversé l'Atlantique.Le « Conquistador » espagnol, Hernán Cortés, arrive sur la côte de ce qui est aujourd'hui le Mexique et doit faire face aux démons locaux et à ceux avec qui il a traversé l'Atlantique.Le « Conquistador » espagnol, Hernán Cortés, arrive sur la côte de ce qui est aujourd'hui le Mexique et doit faire face aux démons locaux et à ceux avec qui il a traversé l'Atlantique.
- Récompenses
- 1 victoire et 1 nomination au total
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One star for the Mexicans and three others for the fact they speak Spanish, Maya and Nahuatl. Sadly, that's as generous I can be. Who in heaven's sake starts a conquest this epic in the Aztec capital Tenochtitlan?! If there's one thing you can build up to! As entering the capital should be more like the season's final. It soon became clear why they thought they could begin the story in the capital: Flashbacks. Someone seemed to think it would be a very clever idea to use lots of flashbacks. However, these flashbacks bring nothing to the table but are just a way to masquerade the fact that they have no clue how to tell a story. If they can't use flashbacks properly they should just shoot the story in chronological order. About 9 minutes in they commit the capital error nr 1 in filmmaking: "Don't say it, show it". When one of the conquistadors starts whining about some vision he had blablabla. Again it didn't bring anything to the table, it was rather annoying and as I can't stress enough it broke a capital rule in filmmaking. But I guess same with the flashbacks someone thought it would be a great idea to have a character in the story who has a vision of some sort. Nope. It's the main problem with this series: the script. More specifically the poor quality of it. There's just nothing - not one line of dialogue or storyline - that is salvageable if you would start afresh, say if for example you had more budget and you had a second chance to redeem yourself. Actually, they showed so much in just the first episode that they practically told all the different aspects of the real story, the conquest that is. They showed so much I wonder (as I only saw the first episode) what the hell are they going to talk about in the rest of the season? Oooh yeah, I forgot: flashbacks!! I really wanted this to be good but if they knew beforehand that they only have the talent to shoot a telenovela than they should've left the story alone.
A beautiful series totally vtuined by the frequent change in timeline.
It just doesn't let you connect and stay with the storyline.
Whoever decided to use this timeline jump is responsible for killing the story.
I was impressed by the historical accuracy of 'Hernán' in spite of what I thought were too many flash-backs and flash-forwards. The series presents what I think is a balanced approach to the Conquest (or Invasion) of México. The Spaniards are neither heroes nor villains, but men in search of wealth, and the Mexica (not 'Aztecs', thank God) are neither savages nor victims, but men defending their homes against superior fire power. I particularly liked the appropriate use of the Nahuatl and Mayas languages in addition to Spanish, even though all three must have changed significantly in the last 500 years (about the same period of time that English has evolved from Shakespeare)
NOTE: the word 'Aztec' was not used by anyone at the time of the Conquest, but came into use almost 300 years later, ina history of México published in Italy by a Franciscan who had be expelled from México.
Very much worth a binge. I watched it in Prime in two 4 episode nights.
At home, my mother was an avid reader of history and as a High Schooler she made me read the epic book "The True Story of The Conquest of New Spain" by Bernal Díaz del Castillo (2 volumes, written in XVI Century "Castellano", the term Spain hadn't been created yet).
As far as I know, the Aztec culture, as well as the events leading to the "Noche Triste" (Sad Night, the first defeat of Cortés by the rebellious Mexicas) are very well portrayed. Some parts of the series are made up and romanticized but nevertheless are fitting to the plot. Modern archeology and history scholars have also contributed much to our present day knowledge of the times, that the original Díaz del Castillo obligedly omitted from his much redacted revisions.
The series as historic entertainment is not only dramatic and gripping but also very much humane. It emphasizes the clash of two cultures with a crudeness that permeates any attempt of smoothing the tension the arrival of Cortés' group created among the nations then populating the area.
For people not familiar with Mexico's hirtory, it will show how far from "savages" were the people. Human sacrifices was a horrific custom that was accepted by all the nations of Mezzoamerica and in a way not much more shocking than Roman practices of crucifictions, circus and roman candles (tarred Christians set on fire to lit Roman streets). Yet, Romans are considered a great civilization while Aztecs are deemed savages.
The only reason that kept me from giving it a ten star rating is the casting of the main character, Hernán Cortés. From Bernal Díaz we know he was fair skinned and probably brown haired, as natives thought of him as Quetzalcoatl. Not as nordic as Pedro de Alvarado who was called Tonathiu (the sun) by the Mexica but certainly not as dark as Oscar Jaenada is. We must remember Moors had just been expelled from Southern Spain and Cortés was a Castillian, thus of Celt ancestry. The rest of the cast is perfect and comprised of great actors.
Script, direction, special effects, sound, acting --even Spanish accent- are all exquisitely delivered.
I cannot wait for the second season to be delivered.
At home, my mother was an avid reader of history and as a High Schooler she made me read the epic book "The True Story of The Conquest of New Spain" by Bernal Díaz del Castillo (2 volumes, written in XVI Century "Castellano", the term Spain hadn't been created yet).
As far as I know, the Aztec culture, as well as the events leading to the "Noche Triste" (Sad Night, the first defeat of Cortés by the rebellious Mexicas) are very well portrayed. Some parts of the series are made up and romanticized but nevertheless are fitting to the plot. Modern archeology and history scholars have also contributed much to our present day knowledge of the times, that the original Díaz del Castillo obligedly omitted from his much redacted revisions.
The series as historic entertainment is not only dramatic and gripping but also very much humane. It emphasizes the clash of two cultures with a crudeness that permeates any attempt of smoothing the tension the arrival of Cortés' group created among the nations then populating the area.
For people not familiar with Mexico's hirtory, it will show how far from "savages" were the people. Human sacrifices was a horrific custom that was accepted by all the nations of Mezzoamerica and in a way not much more shocking than Roman practices of crucifictions, circus and roman candles (tarred Christians set on fire to lit Roman streets). Yet, Romans are considered a great civilization while Aztecs are deemed savages.
The only reason that kept me from giving it a ten star rating is the casting of the main character, Hernán Cortés. From Bernal Díaz we know he was fair skinned and probably brown haired, as natives thought of him as Quetzalcoatl. Not as nordic as Pedro de Alvarado who was called Tonathiu (the sun) by the Mexica but certainly not as dark as Oscar Jaenada is. We must remember Moors had just been expelled from Southern Spain and Cortés was a Castillian, thus of Celt ancestry. The rest of the cast is perfect and comprised of great actors.
Script, direction, special effects, sound, acting --even Spanish accent- are all exquisitely delivered.
I cannot wait for the second season to be delivered.
I really wanted to like this series, but with all of the flashbacks and jumps forward in time, I'm getting seasick. Just tell a story and don't try to be so clever. They make this same mistake in the series El Marginal.
This playing around with the timeline isn't clever; it's highly annoying and takes away from what could have been a great narrative. They have squandered a big budget and some fine actors by resorting to film school tricks.
This playing around with the timeline isn't clever; it's highly annoying and takes away from what could have been a great narrative. They have squandered a big budget and some fine actors by resorting to film school tricks.
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