Destination finale: Bloodlines
- 2025
- 12 avec avertissement
- 1h 50min
Dans les années 1960, une grand-mère prédit l'effondrement d'un immeuble et sauve un groupe de personnes de la mort. Des décennies plus tard, sa petite-fille commence également à avoir des v... Tout lireDans les années 1960, une grand-mère prédit l'effondrement d'un immeuble et sauve un groupe de personnes de la mort. Des décennies plus tard, sa petite-fille commence également à avoir des visions du décès des membres de sa famille.Dans les années 1960, une grand-mère prédit l'effondrement d'un immeuble et sauve un groupe de personnes de la mort. Des décennies plus tard, sa petite-fille commence également à avoir des visions du décès des membres de sa famille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
- Aunt Brenda
- (as April Amber Telek)
Avis à la une
What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.
If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.
The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.
Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.
On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).
Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.
I liked it.. Especially how the story carries on.. as a family curse plot. Some people find Final Destination movies repetitive.. true. I guess hardcore fans might expect/anticipate every single shot because it follows the same path as the old movies. But this one is very enjoyable.
Really keeps you at the edge of your seat. Most accidents were amusing to be honest. Especially the one in the MRI machine. Very creative.
Outside of the cameo with the legendary TT everything else,was basically been there seen that production.. Nothing felt overly original,not clichéd or perhaps with plotholes.
Not disregarding some of the opening scene positives but was like they used the whole budget on that,as the remaining movie felt lackluster.
Did anyone think the home Iris created felt more like,she was trying to keep out walkers versus death? All those spikes,etc. Logic failure!
Notice movies that claim to be horror try to fit in the all type of categories,to get most viewership regardless these days.. Where it can be on Shudder for example,but also under Disney.
I'm rather shocked with the high ratings,but also feel people(certain generations)don't appreciate quality movies anymore.
Acting to actors chosen was tolerable,cinematography & music was fine.. However you just didn't care about anyone,rooting for them or upset if they died.
Not part of the trilogy will probably rewatch,but was worth viewing once.
The deaths are far more creative, and while the accidents themselves aren't typical for a horror movie, they're events you could imagine happening in everyday life. Still, these occurrences are something we haven't seen in the series before, making the film all the more unpredictable.
It's been 14 years since the last installment, and I'm glad the creators decided to bring Final Destination back. I think they nailed the essence of the story, and the film is just as good as the previous ones, if not better than some. The effects are incredible, the CGI is top-notch, and we've been lacking a high-quality horror film like this, especially in the last few years.
I have to mention that the film disgusted and shocked me more than the previous ones, which means they nailed the effects. This film not only satisfies fans of the franchise but also brings something new and revitalizes the series.
When you make an instalment 14 years after the last, there's probably a sense that you have to do something a little different in order to justify it. And this film does mix the formula up - slightly. Just enough that it feels a little different, but not enough that it really alters the formula we have come to know and love.
The opening scene in this movie was really good. It was lengthy, fairly creative and had some great individual kills in the mix. From there thing go into a lull for a while, allowing the story to set itself up. Then the film goes bananas the rest of the way and we are treated to brilliant kill scene after brilliant kill scene. There are some really good ones in this film.
One thing that was a problem here - and something that has plagued the series in almost every film - is that it is riddled with unlikable characters. I can only think that's being done intentionally at this point to make people feel disposable and like no one is safe, but I can't help but feel the films would be slightly more impactful if the characters were a bit more likable overall.
All in all though I would say 'Final Destination: Bloodlines' was a lot better than it had any right to be 25 years after the original. 8/10.
Le saviez-vous
- AnecdotesTony Todd was allowed total creative control over his final scene, since he clearly didn't have much time left and the crew wanted him to have the final word of his career. His final monologue was one that the crew encouraged him to use to impart some last advice to fans.
- GaffesDuring the "MRI" scene the magnetic force is so strong that it begins to affect objects outside of the room such as TV's, monitors and lanyards. However, inside of the actual MRI room, none of the monitors or other metal objects are affected outside of what has to "interact" with the characters.
- Citations
[his last words]
William Bludworth: I intend to enjoy the time I have left, and I suggest you do the same. Life is precious. Enjoy every single second. You never know when... Good luck.
[walks off]
- Crédits fousTony Todd's credit in the closing titles is accompanied by a part of the "Final Destination" theme music.
- ConnexionsFeatured in Geeks + Gamers: Final Destination Bloodlines Trailer: Reaction (2025)
- Bandes originalesBad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Craft Recordings, a Division of Concord
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Destino Final: Lazos De Sangre
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 138 130 814 $US
- Week-end de sortie aux États-Unis et au Canada
- 51 600 106 $US
- 18 mai 2025
- Montant brut mondial
- 285 330 814 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1