Black Bear

If only this movie had remained with the realistic and interesting vibes from the first segment it would have been great, the second half where it becomes a movie about the movie is still fun to watch but it made the movie kinda pointless. Aubrey Plaza is amazing in this tho, but when isn't she?

First half 9/10 Second half 6/10

Though I have some theories as to the reason behind - or, perhaps, meaning of - its non-traditional structure, they're really not that relevant when it comes to discussing 'Black Bear (2020)'. That's because the thing is far more focused on delivering an in-the-moment emotional experience than a completely cohesive intelligent one, its mid-point shake-up seeming to exist primarily so that the writer/director can tell the story he wants to tell without being constrained by traditional narrative form. It's difficult to describe what I mean without spoiling things so I'll just leave it at that. The film itself is a beguiling and engaging drama that opens with a filmmaker coming to stay at a beautiful cabin, seemingly in the hope of finding inspiration for her newest project, and having to navigate the tense relationship of the pregnant couple who owns it. Like its protagonist, it's decidedly hard to read; almost anything could happen and it wouldn't feel out of place. This makes for a surprisingly compelling experience, though. The characters are crafted with precision, both in terms of writing and in terms of performance, and the social dynamics that the plot explores are varied, interesting and often unexpected. Sometimes, it feels a bit like a play, probably due to its small cast and near real-time unravelling. There's just something a bit claustrophobic about it all, which works in its favour as it helps to create an oddly enigmatic tone. As I've mentioned, it's hard to discuss the picture without spoiling a key aspect of it. I suppose I'll just leave it at this: it's an entertaining and unique experience that features some great performances (including perhaps Aubrey Plaza's best yet). 7/10.

Rather than dig too deep I'll just write that some truly outstanding performances couldn't save this film from stunt-scripting to cover up a really weak idea, just not plot-wise (though a film doesn't need a strong narrative to be good), but nothing worked *but* the acting (this film really was under-edited as well as another really weak point that jumped out. This film had enough juice for a good short, but was even as a feature way too long for whatever pay-off it gives.

The whole thing struck me as really pretentious and derivative. I didn't see anything here original or that I haven't seen done before and much better. Worth a watch if you aren't expecting more than some really great acting and none of the structure required around that to make a decent film.

It's not a memorable movie, but it gets a clear thumbs up for two reasons.

First, it's creative. It's not your run of the mill sequel, there are no superheroes, no explosions, no bullshit. It's an awkward, trippy, but surprisingly alluring story that leaves a lot up to interpretation. That's genuinely nice for a change.

Second, the acting is legitimately good. To see actors digging deep and putting on strong, emotional performances is a puff of fresh air.

Solid film if you're up for something a little out of the left field.

I appreciated that this movie tried to do something different, I just don't think it was that great of a story. The main reason to watch it is for Aubrey's performance. That's all this is about.