Sharp Corner

If you're looking for horror, explosions, death, car chases or other violence this isn't for you. This is a movie that requires your full attention and apsorption. If you're patient enough, and can stand long moments without sounds or flashing lights, you'll be rewarded with Ben Foster at his absolute finest. And choosing to bounce his crazed character off of the sorely-underappreciated Cobie Smulders' in the role of his baffled and frustrated wife was genius casting. She takes a script that could've been cookie-cluttered and, through lots of "face acting" (saying a lot but without words - which I love to watch good actors do) she turns it into my favorite character in the movie.

The rest of the supporting cast are impressive and believable but names I've never heard of. Probably all Canadians, given the filming location. Speaking of the location, IMDb doesn't have it listed quite right. The actual, almost 90° corner is where River Road and Terence Bay Trail intersect north of the IMDb-listed address. The house used in the movie was specifically built for the film on the southeast corner. It's even currently viewable on Google Maps. Regardless, the location and the way it was captured by the cinematographer perfectly captures the haunting spiral of Ben's character. The direction is moody and clever in its use of its angles, lighting, and framing.

Fair warning: the movie is slow. But it's supposed to be. Viewers expecting (needing?) constant attention and action will be disappointed. This is for lovers of psychological thrillers but without the usual bloodfest type of "thrills". This is a step-by-step trip into the declining brain of a delusional man. We're never really told how this psychosis might've manifested itself in the character (and I suppose it's not really necessary that we do know), but Ben Foster completely absorbs the role. It's been a long time since I've watched an actor take a character and flesh it out this much. Some of his scenes should be shown in college acting classes. 7 from me, but without Ben it might've been a 5 or 6.

The mild-mannered "Josh" (Ben Foster), his wife "Rachel" (Cobie Smulders) and their son "Max" (William Kosovic) have a brand new home and are looking forward to settling in when there is a car accident outside and a tyre comes a-bouncing through their window at a seriously inopportune moment! Needless to say they are a bit flustered and she thinks maybe they ought to move. Well when it happens again, you'd think that'd be a bit of a no-brainer but he is somehow captivated. Not by the accidents, but by the time it takes the emergency services to arrive, and so he decides to do some training to be able to help out. Of course, his wife and young son are perplexed by his increasingly odd behaviour, as is his boss, and so there's soon a lot on the line for the man. I enjoyed the start of this, and I thought this might be Foster's best performance, but after about half an hour it became a rather joyless exhibition of obsessiveness and selfishness topped off by a truly far-fetched, though sometimes darkly comedic, desire to do good. Smulders does fine, but only features sparingly - which is just as well for given her character is supposed to be a couples therapist, "Rachel" shows a complete lack of appreciation of her husband's trauma and of their son's needs that is ultimately annoyingly breathtaking. Sadly, the initially good idea just turns into a series of overly contrived bad decisions stitched together with an implausible series of incidents that rushed through some universally unlikeable and undercooked characterisations and left me wanting more - or less. Sorry.

This movie demands your patience and attention span. But the story is most effective in this way.

First off, the acting is excellent, and Ben Foster is captivating. I sensed what may happen, but his character adapted and changed his MO a few times.

This is about an unsung hero, who goes through crisis after crisis, but insists on solving the problem himself. Cobie Smuldrrs is excellent as well, and works well in her hyper-organized, perfectionist character.

The tension builds as Foster's character realizes his true calling. Consumed with a new occupation, battling mortal danger, he seeks to fight it head on.

This film is excellent with a plaintive soundtrack, well-rounded characters; and a narrative which belies exposition and resorts to thoughtful yet misguided strategies.

This is a very worthwhile film, but it requires your attention and curiosity.

This was waaayyyy too long. It would've been better as a short film, not the 110 min runtime that felt like four hours. It just dragged on and on with the same exact premise and predictable outcomes. When you're a salesman but was born a first responder. Ya, we get it.

And as a fan of Ben Foster, not sure why all the critics are praising his performance (or the film for that matter)... it was flaccid and any actor - even inexperienced, could've pulled off his character and stale demeanor.

It's a generous 5/10, mostly all going to the smoking hot Cobie Smulders for her excellent and convincing performance.

I first heard about Sharp Corner in one of those "upcoming trailers" things you see on YouTube and it stood out as something unique, so I kept a note to watch it. The trailer was somewhat misleading, as there's not a whole lot of action to the movie, but it is an extremely tense psychological "thriller", a word people will debate. I was actually impressed! Ben Foster has gotten very good at playing weirdos.

There are a lot of moments of just someone standing around, looking around, sitting and thinking, but it never actually felt boring to me. There was always a building tension, the feeling that something might happen at any moment, because that's what the family was feeling. I was impressed with how well they did with a very minimal movie. I have a few complaints. The major standout was the CGI, which was only for a five second scene but it just didn't hold up to modern film standards. I also felt like the couple just...never felt like a couple. I also get annoyed by kids in movies, they rarely ever feel authentic, but that's a personal gripe.

Maybe I'm being a little generous, but I'm giving the movie an 8. It's much better than I was expecting.