Tommaso

1) W. Dafoe was astonishing as expected. 2) Way too many random shots of naked zero figured women (girls) 3) Disjointed but that's obviously intended. I wasn't bored & 98% of the credit goes to Dafoe. I didn't find anything else spectacular. The cinematography seemed extremely patchy & distracting. 4) I'm unsure what the final shot meant. I don't do well with religious undertones. 5) This is artsy fartsy, yes.. but has enough saving grace.

For me its on of these Films which spend so much time on "meaningful" pictures. It becomes just boring. Also the character doesnt seem to make any progress in this movie. And to just show the Problem over and over explained from different characters and "meaningful" pictures its not enough for me to make a good movie. Instead of trying to work on any development into any direction the film just freezes in the midst of the Probmlem and doesnt move anywhere from or with it. The "solutions" are presented by Narrators or Cut-scenes from some documentary and come in some meta philosophical ways and are not in itself relevant to any of the story. And also dont get integrated into the story. they just stay above everything and thus have no meaning whatsoever. Also they offer little solution but are itself explaining the root cause of the "problem" from another perspective.

I really cant see why people enjoy these Films which only spin themself around the problem and fake to be meaningful when there is no debate or discussion of the problem, solutions or development.

6 stars for the cinematagrophic quality and dafoes acting

"Tommaso" is far from being one of Abel Ferrara's best films, but thankfully the seasoned filmmaker casted one of the industry's best character actors to keep this film alive; Willem Dafoe.

In this drama, an American living in Italy with his young wife and toddler struggles to find purpose while overcoming addiction and self doubt.

Beautifully shot but a little too slow paced and artsy, "Tommaso" tries hard to be this seminal film for filmmaker Abel Ferrara but never quite gets there. Willem Dafoe is the saviour of this film, making it a worthwhile watch. Dafoe is no stranger to Ferrara as they've worked together countless times, especially in the last five years. "Tommaso" is a troubled film but you could still understand the message the filmmaker is trying to make even if it takes some pondering afterwards.

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Like another reviewer said, there is no character development,. It seems rather pretentious. What do the disjointed "metaphysical" scenes have to do with anything. Are they suppose to imply that the protaganist,is experiencing some kind of divine madness? I was not convinced.

Performances were good and it has interesting ideas. But it feels like a jumble of ideas stitched together. It could have been an extremely engaging and interesting movie if it had a tighter script that was more concerned with delivering on its theme.