Ajouter une intrigue dans votre langueAt the behest of her boss Ronnie, journalist Ingrid Hoffman returns to her ancestral home when several children are found slaughtered in nearby woodland. With the village suspecting the infa... Tout lireAt the behest of her boss Ronnie, journalist Ingrid Hoffman returns to her ancestral home when several children are found slaughtered in nearby woodland. With the village suspecting the infamous Winter Witch is behind the killings, together with her daughter Eleanor and estranged... Tout lireAt the behest of her boss Ronnie, journalist Ingrid Hoffman returns to her ancestral home when several children are found slaughtered in nearby woodland. With the village suspecting the infamous Winter Witch is behind the killings, together with her daughter Eleanor and estranged grandmother Omi, Ingrid must uncover the truth and stop the curse of Frau Perchta once an... Tout lire
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The story had potential, but I think we needed a lot more creepy witch shots. And actors who didn't feel like they were reading the lines as they went. They didn't remotely sell it.
It was beautifully shot though, and the camera work was really pretty. Some of the scenes were beautiful, and the overall quality of this part felt like it belonged to a much better film that it was in. Most of the stars I gave were because of this.
There is a lot of dialogue issued from curiously underwritten characters. For example, the estranged Frank (Jimmy 'The Bee' Bennett - also the film's location manager) is treated with contempt by former partner Ingrid (Rose Hakki) and admits he deserves such treatment, but it's never explained why. From the evidence onscreen, he seems a fairly decent character. Cult actress Rula Lenska is Omi, and it is to her we return during the course of the film where she is given reams of static exposition to unload.
This is a real shame as much of the production is really good. The pace is leaden, any frights are few and far between. It's not really a spoiler to say that we do see the witch from the title ... for a total of about ten seconds, mainly in the anti-climactic finale.
Director and writer Richard John Taylor has helmed a number of productions, many of them gangster yarns (starring the late Leslie Grantham, to whom the production company - Hello Princess - is dedicated). A strong co-writer or script editor would do wonders for future endeavours. A real mixed bag; my score is 4 out of 10.
And talk about a swing and a miss from writer and director Richard John Taylor. I managed to endure 41 minutes of the 82 minute, so I made it halfway through, and then I tossed the towel in the ring. In those excrutiatingly long 41 minutes nothing happened in the narrative. I kid you not when I say nothing, I mean that literally. It was just some girls sitting around talking without much of any gusto and without anything interesting to talk about. So I just gave up.
The acting in the movie, at least in the 41 minutes that I suffered through, was nothing noteworthy. I wasn't the least bit impressed by what I witnessed.
As for "The Winter Witch" being a horror movie? Well, in the 41 minutes I sat through there wasn't a shred of anything even close to resembling horror, unless you count utter pointlessness and boredom as being horror.
This movie is not something I would recommend for horror fans to waste their time, money or effort on. Some of us suffered through this ordeal, in some or full extend, so you don't have to. And believe you me when I say that I am not returning to attempt watching the last half of "The Winter Witch".
The movie's cover was actually the best thing about this movie.
My rating of "The Winter Witch" from writer and director Richard John Taylor lands on a one out of ten stars.
Because i wanted to see if the movie just was talking i endured it the full time. It is terrible. I am a b-moviefan but this one should be on the D-list. The story is just about a witch they talk about. You do not see her until the stupid last scene for a two seconds. Don't waste your time and/or money. Take ever movie next to this one or just watch a movie you like another time. There is no action-scenes.
The winter witch is worthless. I almost never write a review but for this one people should be warned. Borefest.
This was a rather disappointing and underwhelming genre effort. One of the film's positive points comes from the solid enough setup that allows for the titular witch to get loose and run rampant. The central idea of the series of attacks carried out by the witch against the family in he past and her quest to stop it from continuing makes for a traditionally worthwhile if convoluted tale here as the idea of her being released at the center of everything happening in the town creates some intriguing enough setup that allows for a bit of atmospheric touches to occur in the final confrontation in the woods. It's all decent enough and has enough going on to be an enjoyable touch to end this on the best note it can. There are some big issues with this one that hold it down. The most glaring factor here is the absolutely banal and just plain dreadful pace that saps anything gathered here in terms of potentially exciting action right out of the film from the very beginning. Realizing that the entire film consists of endless banter between the sisters and the residents of town about the history of the area and the witch's purpose for returning, it's got nothing resembling action or thrills at all in the first hour as the witch isn't even on-screen until the final few minutes is just plain dreadful to sit through. That's not helped at all by the lack of emotion or urgency that takes place, so it all comes off even more devoid of energy than it already was. The other big factor to get over with this one is the confusing narrative that takes place throughout here. Early on we get an idea of the witch running wild through the area as there's a massive speech about the origins of the best and what's going on, yet none of it makes any sense or adds to the coherence of the storyline by trying to tie the purpose of her return to the village, what the confines of the curse mean, or why it's even returning now. Nothing in here comes together into any kind of linear throughline for what's going on, and with the attempts to explain anything cluttered up by plot points that don't need to be included, it's a potentially intriguing setup that doesn't mean much. Combined with the cheap feel and tone here, it has a lot of factors to get over.
Rated Unrated/R: Graphic Language and Violence.
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Détails
- Durée
- 1h 22min(82 min)
- Couleur
- Rapport de forme
- 2.35 : 1