La reine du crime présente: l'affaire Florence Nightingale

I saw this movie with my mom, and we both enjoyed it. As a fan of Agatha Christie's work, it was certainly interesting to see this visial take on her strange disappearance. Much more interesting than the book entitled: Agatha, which was about the same thing. I don't think I shall ever feel the need to watch it again, but it accomplished what was expected.

The plot moved slowly, so it probably wouldn't appeal to viewers who appreciate more action. It actually reminded both my mother and I of the 2015 mini-series, And Then There Were None, based on Christie's novel with the same name. Of course, it does not move towards the same ending, but the basic idea was there.

A note on the profanity: one of the characters dropped the f-bomb a few times, and while I am not well-read about the time period, I'm fairly sure it wouldn't have been used the way it is used, today. It wasn't offensive enough to warrant a true rant, but it's there.

Yours truly is a genuine Agatha-Christiephile. I know that's not an official term, but what else would you call someone who's literally obsessed with everything regarding the legendary female mystery-author. I worship her novels & short stories, love the flamboyant film-adaptations of her most famous books and am fascinated with the enigmatic facts of her personal life. In 1926, Christie disappeared for a period of eleven days. An impressive search party followed, and she was eventually located in a hospital supposedly with amnesia. Multiple speculations arose, but the true circumstances and reason of her disappearance were never fully clarified. This modest made-for-TV production is a fictional tale about where she could have been, much like the 1979-film "Agatha", directed by Michael Apted and starring Vanessa Redgrave and Dustin Hoffman. At first, I was reluctant to see this, but I'm glad I did because it's a compelling and well-acted, albeit largely inconspicuous little film.

The 36-year-old Agatha Christie balances on the verge of a massive depression in 1926. Her husband Archie insists for a divorce, so that he can marry his much younger mistress, and she suffers from a writer's block because her fans always guess the identity of the culprit of her stories via the wrong method. When she's literally begged to help solving the real-life murder of nurse Florence Nightingale, who got brutally bludgeoned to death on a train six years earlier, she sees an opportunity to both escape her personal problems and to perform research and seek inspiration for her work.

The plot isn't exactly plausible, but it's nice to see how the writers attempt to hint at the possible origin of famous Agatha Christie stories that followed after 1926, like the luring of guests to a remote location (And Then There Were None - 1939) and the train settings for "4.50 from Paddington" and "Murder on the Orient Express". The anti-climax actually fits the plot rather well. None of the performances are highly memorable, but the entire cast does their best. You're still better off reading an authentic Christie novel, but "The Truth of Murder" certainly isn't a waste of time.

In 1926 the authoress Agatha Christie famously disappeared for eleven days then reappeared claiming no knowledge of what happened; this story imagines what might have happened. Agatha is suffering writer's block and her husband is seeking a divorce; then she is approached to solve a real murder. Initially unenthusiastic she later agrees and starts investigating. Pretending to be a lawyer named Mary Westmacott she assembles the suspects, with the lure of a large inheritance and starts questioning them. She quickly realises that real mysteries and works of fiction are quite different.

I confess I was a little unsure about the premise of putting a real person in an obviously fictional situation... but surprisingly it really works if you can suspend your disbelief somewhat. The story nicely combines known facts about her life at the time with an interesting fiction. The mystery she investigates has the feel of one of her stories, perhaps somewhat helped by the way the time period is captured. There are a good number of suspects, each with their own motives, as well as one or two red herrings. The cast are really good; most notably Ruth Bradley as Agatha Christie, Pippa Haywood, as the woman who brought the mystery to her and Tim McInnerny as one of the suspects. As stated before it is necessary to suspends one's disbelief at times; noticeably towards the end when a local policeman recognises our protagonist but does tell the authorities despite it being made clear that there is a nationwide manhunt for her. Overall though this was a fine murder mystery that could easily have come from the pen of the great women herself.

I thoroughly enjoyed this fictional (but implausable) take on the reason Agatha Christie went missing in 1926. She dissappeared to go and solve a murder! And we are too happy she did that :) Very good acting throughout and good script and sometimes sharp dialogue and witty observations bring this fictional tale alive and make for an enjoyable 90 minute of viewing. References to Agatha's novels abound in this film

Kind of funny how the Agatha Christie character says she has a problem of making the most unlikely character(s) the murderer(s) in her novels but her readers manage to figure out who it is a few pages in; I picked off who the culprit/culprits was/were in pretty early on (and it's not because I'm particularly clever).

Simply put, the actors are great, sets and costumes are great, story is a little too... er... simple. Entertaining and worth watching, just don't expect a head-scratcher.