Marianne & Leonard: Words of Love

In some ways this film can be seen as an extended victim impact report. It is about Marianne who clearly contributed much to Cohens life on more than one level.

It also leaves a great deal unsaid and hazy. The assumption is that the cultural moments of the day ( and the copious drugs) have blurred the stories in many many ways. Despite all of that it somehow brings the back story of Marianne and Leonard into focus in a very sweet way towards the end of the film.

A number of the interviewees are just plain great. Watch out forAviva Layton who seems to be uncredited but she deserves better.

In many ways this film could have been much better if we had got past the headlines. Archival footage is used but the viewpoint most of the time is very much the male point of view.

This much thoughtless behaviour seems highly paradoxical. The myth of the unreachable poet seems to have attracted considerable numbers of women to the Cohen fan club. They felt like they were being understood. But seems to me; if that were really true - the story would have turned out quite differently.

What lifts this film is the redemption towards the end when we see the famous letter from Leonard to Marianne. In his dying moments Leonard recognised the value of his connection with Marianne. Coverage of the 5 or 6 years in a Buddhist monastery definitely hints at a rebalancing of Cohens' personal life and perspectives.

All in all this is a rather gentle sideways look at a significant relationship but understandably it is overbalanced by the the celebrity aspects of the story.

Marianne herself is present in the story but mostly in a back handed compliment kind of way.

Marianne Ihlen was a Norwegian woman living in the Greek Island of Hydra in the 1960s. There, she met Canadian poet Leonard Cohen and became his lover and muse. This documentary covers their early years together, Cohen's rise to fame, and how their lives and relationship evolved over the years that followed.

This film is rich in material and covers many fascinating topics including Cohen's career. It's fascinating to learn of his life and work before becoming a legendary singer/songwriter. And events surrounding his first stage appearance are very surprising considering the great career that followed. In addition, the film is often blunt about Cohen's struggles with depression.

"Marianne & Leonard" is beautifully expressed in the first half with a very poetic flow. It is blessed with amazing footage especially of Hydra in the early 60s. The film also joins many recent films in its depiction of the hedonism of the 60s and 70s ("Echo in the Canyon", "Gordon Lightfoot: If You Could Read My Mind", "Rocketman", "Bohemian Rhapsody"). At first, the drug scene and open marriage are exposed for their fun indulgence but the serious and devastating consequences are made very clear in the second half.

Some editing might have improved in the film's second half which occasionally meanders. Also, while it genuinely expresses the consequences of the earlier indulgences (especially for how children were affected), there are insertions of inappropriate drunkalogues ("Man, we were SO stoned that night, ya just wouldn't BELIEVE it").

While much of the second half negates the beauty of the earlier half, it is saved by an emotional conclusion that is so deeply moving, it could make a stone weep - a perfect conclusion for film that is sometimes mixed but overall quite good. - dbamateurcritic

This is about a very special relationship over many years, and will certainly appeal to aficionados of Leonard Cohen. The story is well told and you will probably shed a tear at the end. If you enjoy the music and verse of Leonard Cohen then this is a film for you.

An incredibly moving documentary finishing with a film of Marianne's reaction on her death bed to Cohen's final message to her. It dragged a little in the mid section but that is far outweighed by the power of this emotional film.

If you are familiar with Canadian Leonard Cohen's work, you'll recognize the deep voice singing lyrics of poetic joy and lamentations mostly about women in his life. Such is also the spirit of the informative and moving documentary Marianne and Leonard: Words of Love, both joyful like his megahit Halleluiah and woeful like his song of goodbye to his muse Marianne, a Norwegian beauty capable of inspiring transcendent music.

A woman in my theater row disclosed that the two concerts of Leonard she saw were a religious experience. Indeed, here was a poet and songster who exuded a prayerful love of life and inspirational muses like Marianne and Suzanne. That he spent six of his last years in a monastery is no surprise, nor that during that Buddhist time he lost his fortune to a "friend" who embezzled it all.

Love and loss fueled his '60's persona that with his poetic writing and dark good looks magnetized women to the extent that the endless supply of supplicants seemed to energize and inspire him rather than laying low ordinary men with the excess. This doc is about the beginning of his career with Judy Collins introducing him as a singer rather than just a composer who lived with Marianne on the idyllic Greek isle Hydra.

Although director and close Marianne friend Nick Broomfield stays out of the lovers' way, he loses some power in the multiple vignettes that sometimes feel isolated rather than fluid. Nor does the director allow more than just snippets from memorable songs such as Suzanne, Goodbye Marianne, Halleluiah, and Bird on a Wire, which are my favorites. In truth, this estimable doc is about Leonard's love life rather than his songs anyway.

I miss this unique troubadour, and you will too after hearing him again and living for a short while with his inspirations.