Ajouter une intrigue dans votre langueAn in-depth look at the relationship between the late musician Leonard Cohen and his Norwegian muse Marianne Ihlen.An in-depth look at the relationship between the late musician Leonard Cohen and his Norwegian muse Marianne Ihlen.An in-depth look at the relationship between the late musician Leonard Cohen and his Norwegian muse Marianne Ihlen.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
- Self
- (images d'archives)
- Self
- (images d'archives)
- Self
- (images d'archives)
- Self - Writer and Poet
- (as Richard Vick)
- Self
- (images d'archives)
- Self
- (images d'archives)
- Self
- (images d'archives)
Avis à la une
Couple of comments: this is the latest documentary from director Nick Broomfield, best known for his "Kurt & Courtney" documentary in the late 90s. Here he delves into the long relationship between Leonard Cohen and Marianne Ihlen, who became Leonard's lover and muse. As a life-long fan of Leonard Cohen, I knew of Marianne vaguely (of course through the song "So Long, Marianne") and knew of their relationship but really nothing more than that. So this documentary was quite revealing in many ways. I was amazed at all of the archive footage that was unearthed from the 60s and 70s that paint such a vivid picture of that era (including footage from Broomfield himself and from D.A. Pennebaker, among others). We hear from Marianne (mostly through Norwegian interviews) and Leonard themselves extensively, but others comment as well (check out Judy Collins and, even better, the extensive comments from Ron Cornelius, Cohen's band mate who sounds remarkably like Bill Clinton). Please note: this is NOT a bio-documentary of Leonard Cohen. Hence, while there are some music and performance clips, they are clearly secondary only. The focus of the film is the long and complicated relationship/friendship between Marianne and Leonard. The last 10 min. of the film are a true emotional gut punch (as we know all along that these two passed away just months apart in 2016).
"Marianne & Leonard: Words of Love" opened out of the blue this weekend at my local art-house theater here in Cincinnati, and I immediately just had to go see it. The Friday early evening screening where I saw this at was not attended well (exactly 5 people in total). I have no idea how an "average" viewer might watch this documentary, but as a life-long fan of Cohen, I thought this documentary was just lovely from start to finish. (I saw Cohen in concert only 1 time, at the 2009 Coachella music fest, and what an unforgettable set that was.) If you are a Leonard Cohen fan and always have been curious about that mysterious Marianne from "So Lone, Marianne", I'd readily suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
There were other women - many of them, sometimes more than one a day. Free Love, fueled by drugs - acid, uppers, downers - was just an excuse for promiscuity, but promiscuity was mandatory in the 1960s. And not without casualties: suicides and deaths from overdoses. Marianne had a son by her first husband, Axel, whom we see as a happy child on the island. Like other children of that era, he ended in an institution.
Cohen has given us some great songs, and his dark gravelly voice is one of the iconic sounds of the last sixty years, but Nick Broomfield's unflinching documentary paints a portrait of an egotistical, self-destructive man who took up women and dropped them as casually as a Kleenex.
Three months before he died and knowing death was coming, he sent a love-letter to Marianne who was in her final days. So maybe, the man had a heart. His songs seem to say so, but his life rather less so.
The titular Marianne was a complex personality in her own right, already married with a child when she met Cohen and lived with him on an off for several years in what was an open relationship on both sides.
Some complained about Marianne not having been fleshed out because Cohen was a famous poet and songwriter, hence more important. From my point of view, whatever artistic aspirations Marianne might have had, it never developed into any worthy works. Not because anybody prevented her from "creating", but because of her own free will she went back to Norway at the end of the story and worked in an office for the rest of her life.
It's certainly not up to the audience to judge what sort of relationship Marianne and Leonard should have had. For sure, it was something that lasted until the end of their lives (very moving message sent by Cohen to the dying Marianne) and who's to say that it wasn't perhaps the most perfect relationship ever?
Le saviez-vous
- AnecdotesA lot of the footage of the couple was shot by D.A. Pennebaker who had also stayed on the island of Hydra.
- Citations
Self, also narrator and interviewer: It was the 60s, in the time of free love and open marriage, including Leonard and Marianne's. I was a rather lost 20 year old visiting the island of Hydra when Marianne befriended me. For a short while, I became one of her lovers. She encouraged me to follow my dreams and she played me Leonard's songs under the Greek moon and stars. Her smile and enthusiasm were one of a kind and I fell completely intoxicated by the beauty of their relationship.
- ConnexionsEdited from Ladies and Gentlemen, Mr. Leonard Cohen (1965)
Meilleurs choix
- How long is Marianne & Leonard: Words of Love?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Marianne & Leonard: Aşk Sözleri
- Lieux de tournage
- Hydra, Grèce(island, main location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 012 034 $US
- Week-end de sortie aux États-Unis et au Canada
- 44 942 $US
- 7 juil. 2019
- Montant brut mondial
- 3 311 263 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 1.78 : 1