Trese: Entre deux mondes

Art and animation: Similar feel to DC cartoons than Japanese anime so it's sharp, crisp but a little stiff on the side. I like some of the action scenes especially the shaky effect. Also love the background art, really good!

Dub: I watched it in Filipino and English. I actually prefer the English not because they were acted better, since I feel like both were done quite nicely but because when the Filipino chants come up it feels more special and magical and also the English dub did different variations of Filipino accents which I find fun.

Plot and delivery: I read the comics first so can't help but compare. I wasn't expecting like a 1-1 adaptation but anyway...I'm 50 50 on the changes. I like how the stories and characters are interconnected now compared to it being episodic in the comics but I kind of miss the emotional impact it left me, learning the different motivations of people, why they did what they did etc..so watching this just feels... a bit shallow and fast but the things they added do give it some good flavor so this or that, can't have both in this case.

I'm also really into "Show don't tell", there was a lot of showing in the very first episode which might be a bit too much backstory flash but I much prefer it to that cliche villain doing 15 minutes of monologue just to explain their motivations and background while the protag just listens obediently which this show is also guilty of. :(

Overall: Giving it a 7. Good start but the end episode... that I am not really into it went cliche as cliche, the comics was done way better. For me overall, it lost a bit of that soul since a lot of the scenes they cut to connect the stories also carried a lot of the emotion, badassery, and smarts so I was a bit disappointed with that. I'd still wait to watch season 2 if ever as the story they're going to cover there really made me feel the tension while I was reading it so a bit excited to see what they'll do with it if we ever get to season 2, lol. Anyway, it's just okay I'd still recommend it.

Alexandra Trese was a young woman who was called on to investigate crimes attributed to supernatural causes. Armed with her trusty kris dagger Sinag, she was called in by the police to track mysterious events which involved such creatures of Filipino mythology like man-eating aswangs, half-horse tikbalang, and baby-like tiyanak. Other beings also seen include the white lady of Balete Drive, the Nuno, the duwende, lightning beings, wind sprites, zombies, werewolves and the main antagonist Datu Talagbusao, the god of war.

Alexandra was the daughter of Anton Trese, the lakan who forged an alliance between the human and supernatural world, and his wife Miranda, a babaylan or folk shaman. Her current team include twin brothers named Crispin and Basilio (after Sisa's sons in Jose Rizal's "Noli Me Tangere"), her two dapper demigod sidekicks; and Hank (who looks exactly like Filipino boxing legend Manny Pacquiao), bartender of the Trese family nightclub called the Diabolical. She also had a personal fire spirit Santelmo, who lived in her Nokia 3210 cellphone.

The opening scene of Episode 1 already showcased the spectacular artwork with a glittering nighttime scene of the city with its skyscrapers lit up by bright incandescent light bulbs and neon billboards. The next scene of an MRT train stalling on its tracks and the passengers alighting to walk to the nearest station was only the first of many places in Metro Manila that Filipinos will recognize and smile about through out the series, like Camp Crame, Quiapo, the New Bilibid Prison, the ABS-CBN building and the Meralco building.

There was also several scenes with social commentary. In Episode 1, there was a statement against corrupt megalomaniac politicians like Mayor Sancho Santamaria. In Episode 4, there was a statement against abusive policemen who use "fighting back" ("nanlaban" of EJK notoriety) as an excuse for their brutish behavior, like Officer Reyes. Other episodes highlight other activities going on around the city, like rich kids drag racing along Ortigas, fans fawning over movie stars or gamers grumbling slow internet speed.

Aside from effectively using Filipino folklore as the foundation of a solid story, "Trese" will surely delight Filipinos over its references to Choc-Nut or the Novanians. The Filipino dialogue was more authentic with the slang and profanity, but the English voice cast did try to give a Filipino flavor to their accents. At only six episodes and more or less 30 minutes per episode, this is a very quick and easy binge. Hopefully, international viewers will appreciate Filipino culture and talent more after this significant exposure on the Netflix platform. 9/10.

Dubbing is not the main issue for me anymore, Liza Soberano may have sounded quite flat but my concern is more about the content... the details and subtleties. I have not yet read the comic book, ergo my comments are solely based on the anime. I understand how Trese as a comic book and an anime represents our pop culture. But for me, it lacked a lot of the folkloric elements as it geared towards appeasing what's pop or trendy as of the moment. Like how the creators could have explored that more, the juxtaposition of the folkloric and modern-day elements. Trese is a Lakan. She's the guardian in between two worlds. She could have an arsenal of tools and weapons that transcends from north to south of the Philippines at her disposal. Trese could have garlic ampoules or bullets drenched in garlic juice , a buntot-pagi or stingray tail lasso also known to ward off aswangs and other mythical creatures, sacred oil potions like the lana. The possibility of showcasing a part of our pre-hispanic culture and beliefs is endless. Though it reminds me of the following...Constantine, the K-drama Haunted House for Sale, and the manga and anime Mushishi. Overall, it is an ambitious take on the renaissance of Pinoy comics and a leap towards the reinvention of our animation, a far cry from the then Disney sandbox we've been trying hard to emulate.

As other reviewers have said, the artsyle is highly reminiscent of DC animated projects. For a story that "Trese" has, the artsyle fits like a glove. Character designs are unique and captures the eeriness of the supernatural beings. Casting a female lead instead of the stereotypical male "bridge-between-two-worlds" lead was an excellent move.

Excellent vocal performance, including the Japanese dub. The Filipino dub however, particulary that of Alexandra's, leaves much to be desired.

"Trese" suffers greatly from flaws that bring the animation's quality down. To name a few, these are the abundant presence of plot holes, filler scenes, unexplained events and devices that the show expects the viewers would have prior knowledge about, unnecessary scenic shots, and "info-dumps"

A cookie-cutter style of storytelling with a rushed plot development hampers the potential "Trese" could have reached.

Comprehensively, "Trese" is a show that would keep you entertained throughout; provided that you would be viewing it at a superficial level to ignore its faults. It has a generic concept that was made interesting by its setting and characters. Nonetheless, I am optimistic that if a second season was to be made, it would fix its preceding deficiencies and deliver an excellent show than its predecessor.

The writing and delivery of dialogue in this show is incredibly wooden. None of the characters feel realistic and I don't care about any of them. It's a shame because the animation is good and the stories are interesting.