NOTE IMDb
6,6/10
48 k
MA NOTE
L'histoire de deux étrangers qui transforment la vie de l'autre, un thriller psychologique et une histoire d'amour opposée au mal.L'histoire de deux étrangers qui transforment la vie de l'autre, un thriller psychologique et une histoire d'amour opposée au mal.L'histoire de deux étrangers qui transforment la vie de l'autre, un thriller psychologique et une histoire d'amour opposée au mal.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 6 victoires et 33 nominations au total
Juliette Hurley O'Dwyer
- Ryan's Daughter
- (as Julliette Hurley O'Dwyer)
Caolan Byrne
- Malachy O'Donnell
- (as Caolán Byrne)
Avis à la une
A quiet, wonderful film that sucks you in. Great script based on Emma Donaghue's work.
The viewer gets involved in what's transpiring on screen. He/she waits for the ending with great anticipation not knowing exactly how it will unfold which makes this an engaging psychological thriller as well. It's directed excellently by Sebastian Lelio.
The story takes place about a decade after the Great Famine in Ireland where its population was decimated. This context informs the story and it gives the film its milieu: a people emerging from untold suffering. And it explains the religious fervor of the survivors.
One can understand the motivation of the O'Donnell family for their actions. All the actors brilliantly give flesh to the urgency of their situation. In particular, Florence Pugh gives a tour de force performance. Such a nuanced performance. If you admired her in "Don't Worry Darling," she's far better here. And Kila Lord Cassidy is unequivocally talented for such a young girl. Perhaps, the fact that the actor who plays Rosaleen is her mother in real life inspired her to turn in a riveting performance as Ann.
One draws many lessons here. Can faith misguide a person in an extreme way?
The viewer gets involved in what's transpiring on screen. He/she waits for the ending with great anticipation not knowing exactly how it will unfold which makes this an engaging psychological thriller as well. It's directed excellently by Sebastian Lelio.
The story takes place about a decade after the Great Famine in Ireland where its population was decimated. This context informs the story and it gives the film its milieu: a people emerging from untold suffering. And it explains the religious fervor of the survivors.
One can understand the motivation of the O'Donnell family for their actions. All the actors brilliantly give flesh to the urgency of their situation. In particular, Florence Pugh gives a tour de force performance. Such a nuanced performance. If you admired her in "Don't Worry Darling," she's far better here. And Kila Lord Cassidy is unequivocally talented for such a young girl. Perhaps, the fact that the actor who plays Rosaleen is her mother in real life inspired her to turn in a riveting performance as Ann.
One draws many lessons here. Can faith misguide a person in an extreme way?
Wow, people really can make themselves believe anything, can't they?
Florence Pugh gives a characteristically prickly performance as an English nurse who's sent to a small Irish village to observe the phenomena of a girl who has survived for four months without food and report her findings back to the town council. The girl's family and many townsfolk believe it's divine intervention. Others, Pugh's character among them, are skeptical and think they're being hosed. It's a classic confrontation between science and faith, and the movie asks whether it's possible for both to exist at the same time.
I really dug this movie's tone and mood. It plays almost like a horror film at times, and when the secret behind the girl's condition emerges, it certainly is horrible enough.
Grade: A-
Florence Pugh gives a characteristically prickly performance as an English nurse who's sent to a small Irish village to observe the phenomena of a girl who has survived for four months without food and report her findings back to the town council. The girl's family and many townsfolk believe it's divine intervention. Others, Pugh's character among them, are skeptical and think they're being hosed. It's a classic confrontation between science and faith, and the movie asks whether it's possible for both to exist at the same time.
I really dug this movie's tone and mood. It plays almost like a horror film at times, and when the secret behind the girl's condition emerges, it certainly is horrible enough.
Grade: A-
As "The Wonder" (2022 release from Ireland; 109 min) opens, we are introduced to. Lib Wright, an English nurse who is sent to a remote part of Ireland to observe an 11 yo girl whose family claims has not eaten in 4 months. Or has she? Lib is to watch the girl in 8 hour shifts, along with a local nun... At this point we are 10 min into the movie.
Couple of comments: this is the latest from acclaimed Chilean director Sebastian Lelio ("Gloria", "A Fantastic Woman"). Here he brings to the big screen the novel of the same name by Emma Donoghue. I have not read that novel and hence cannot comment how closely (or not) the movie sticks to the original book. The movie is deliberately paced slowly, reflecting the times of Ireland in the 1860s. Initially it is difficult to understand what exactly is going on (how can the girl sruvive for months without eating?), but then as the movie plays out, we finally see the bigger picture: a morality play on religion with different perspectives from the girl's parents, the doctor, the parish priest, and of course the nurse. Florence Pugh delivers yet another commanding performance as the English nurese (on the heels of her captivating lead in "Don't Worry Darling" a few months ago). The movie features an outstanding score by British composer Matthew Herbert. The photography, shot on location in Ireland, is equally top notch. Bottom line: this movie grabbed my attention from start to finish, and is one of those that seemingly comes out of nowhere in the best possible way.
"The Wonder" had a very brief and limited US theatrical run in early November, and started streaming on Netflix just last night. It is currently rated 86% Certified Fresh on Rotten Tomatoes, and for good reason. I couldn't wait to see this. If you are in the mood for a psychological drama/morality play set in the 1860s in rural Ireland, featuring an outstanding lead performance by Florence Pugh, I'd readily suggest you check it out, and draw your own conclusion.
Couple of comments: this is the latest from acclaimed Chilean director Sebastian Lelio ("Gloria", "A Fantastic Woman"). Here he brings to the big screen the novel of the same name by Emma Donoghue. I have not read that novel and hence cannot comment how closely (or not) the movie sticks to the original book. The movie is deliberately paced slowly, reflecting the times of Ireland in the 1860s. Initially it is difficult to understand what exactly is going on (how can the girl sruvive for months without eating?), but then as the movie plays out, we finally see the bigger picture: a morality play on religion with different perspectives from the girl's parents, the doctor, the parish priest, and of course the nurse. Florence Pugh delivers yet another commanding performance as the English nurese (on the heels of her captivating lead in "Don't Worry Darling" a few months ago). The movie features an outstanding score by British composer Matthew Herbert. The photography, shot on location in Ireland, is equally top notch. Bottom line: this movie grabbed my attention from start to finish, and is one of those that seemingly comes out of nowhere in the best possible way.
"The Wonder" had a very brief and limited US theatrical run in early November, and started streaming on Netflix just last night. It is currently rated 86% Certified Fresh on Rotten Tomatoes, and for good reason. I couldn't wait to see this. If you are in the mood for a psychological drama/morality play set in the 1860s in rural Ireland, featuring an outstanding lead performance by Florence Pugh, I'd readily suggest you check it out, and draw your own conclusion.
Florence Pugh stars as an English nurse who travels to Ireland in 1860 to watch over an eleven-year-old girl who has not eaten in the four months since her First Holy Communion. She has been hired to either prove or disprove the possibility of a miracle in the Irish village.
Kila Lord Cassidy is the young girl and she more than holds her own while on screen with Ms. Pugh. Most of the film is almost a two person play with a pair of magnificent performances.
The entire cast is superb but the two main players are so good that I was riveted by the unpredictable story.
As a life long but often doubting Catholic, I highly recommend this great movie.
Kila Lord Cassidy is the young girl and she more than holds her own while on screen with Ms. Pugh. Most of the film is almost a two person play with a pair of magnificent performances.
The entire cast is superb but the two main players are so good that I was riveted by the unpredictable story.
As a life long but often doubting Catholic, I highly recommend this great movie.
Religion versus science, superstitiousness versus good sense, this brilliantly photographed and atmospheric movie opens a field even into our own times: rational thinking versus conspiracy nonsense, intelligent sensitivity versus ignorant hypocrisy, truth versus lies. Which of these values is going to conquer?
The plot develops intentionally slow, due to rural 19th century irish country-side, and it asks for some patience to dive into the psychological subtle-ness of the screenplay. Your patience will be rewarded by great camera-work, unconventional soundtrack, and last but not least by Florence Pugh in another convincing and strong performance.
I wouldn't have needed the breaking of the fourth wall in the beginning and the end, but that's just a matter of personal taste.
Strongly recommended for an adult open-minded viewer.
The plot develops intentionally slow, due to rural 19th century irish country-side, and it asks for some patience to dive into the psychological subtle-ness of the screenplay. Your patience will be rewarded by great camera-work, unconventional soundtrack, and last but not least by Florence Pugh in another convincing and strong performance.
I wouldn't have needed the breaking of the fourth wall in the beginning and the end, but that's just a matter of personal taste.
Strongly recommended for an adult open-minded viewer.
Le saviez-vous
- AnecdotesElaine Cassidy (Rosaleen O'Donnell) and Kíla Lord Cassidy (Anna O'Donnell) are mother and daughter in real life.
- GaffesWhen Anna spits her tooth out in Lib's hand, the camera shows it is a back molar, but in the next shot it appears Anna is missing a front tooth.
- Citations
Lib Wright: That's a story, Kitty. I'm looking for facts.
- ConnexionsFeatured in 2023 EE BAFTA Film Awards (2023)
- Bandes originalesCéad míle fáilte romhat
Performed by Niamh Algar , Caolan Byrne , Elaine Cassidy , Kíla Lord Cassidy
Traditional Irish Arrangement
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Wonder?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El prodigio
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 48min(108 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant