Harcelée une fois de trop

The main virtue is its predictability. You now, from the first scenes, the story and the film has the gift to not propose surprises, twits or other inovations. Decent acting, naive story, the expected end. You know everything from many other Lifetime filmes but , I repeat , this is , maybe, the only obvious virtue of the film. So, far to be a bad movie, it is just the film of its public. So, nice. And, off curse, so, so, so predictable.

The futile attempt at a suspenseful and non-stop music score degraded the otherwise decent acting of the lead character the unemployed lawyer Alison (Cindy Busby) who rents out her furnished basement apartment to the hunky and handsome recently divorced James (Marcus Rosner).

As people who Alison Peters has had previous conflicts with start disappearing, her basement tenant always seems to be around to lift Alison's spirits. I wouldn't even call this a half decent timewaster, rather just an attractive landlord with a macho basement tenant who we discover rather quickly has a hidden agenda and the blah suspenseful music score is simply just irritating.

There is a cute GEICO insurance TV commercial where there is a bunch of scared loser ladies and men who say to the camera in the middle of the night "Let's Hide Behind the Chainsaws" that appear in the garage while the serial killer is shaking his head how stupid this group must be. If you don't want to feel like these TV commercial losers, I would suggest you pass on this non suspenseful waste of time.

I give it a less than stellar 4 out of 10 IMDB rating.

I really liked this LIFETIME film, but the ending was a little weak and I would've written it differently. In this film, Marcus Rosner ('Christmas In Evergreen') plays James, who seems to be one of those nice guys, the one with the muscular build, handsome face and kind demeanour who would turn any beautiful woman on.....until Alison, actress Cindy Busby, becomes his landlord and as he moves in to the basement apartment downstairs, his true colours begins to show and people begin to disappear. A nice movie, but so so!

Alison Peters (Cindy Busby) is struggling after her messy divorce. The former lawyer is stuck working at a big box store and trying to make ends meet. She decides to rent out her furnished basement to a family. James (Marcus Rosner) shows up without his family. They have split up and he's renting alone. Her harassing boss gets murdered.

This needs to setup a bit more with her husband and her lawyer job. Why not show her ex getting her fired and reputation destroyed? He could also be the first victim. As a lawyer, she should be better at handling such clumsy workplace harassment. For example, she could put her phone down to record the restaurant get-together and claim it as part of building his case. As a lawyer, she should know to be careful when dealing with the cops and she is jumping to conclusion quick. The movie is simply not written at the smartest level especially with Alison. It's frustrating to have her always a step behind.

No, seriously, that's not the actual message that's communicated. Although, guys who are handsome do often have a split personality. I try not to generalize, but 9 times out of 10, what glitters is not necessarily gold. The Killer Downstairs is a good movie that exemplifies why you shouldn't be so quick to trust a person you don't know. It was nice to see characters in their 30s who were believable for a change. Their conversations sounded natural, and their situations were unique. Everyone in that age group isn't always married with children, and has their life figured out. As is common in Lifetime movies, the audience is introduced to the main character right away. Alison Peters (Cindy Busby) is a lawyer who is struggling financially after having resigned from the law firm where she was employed, and now works at a big box store. Like most young women, she is routinely leered at and made uncomfortable by various men. Even when she was in the middle of working, a random male customer stops to stare at her. He's standing next to patio furniture that's on display, and he sits down, continuing to stare. Her back was to him the whole time, so when she turns around, she sees him, and he starts flirting with her. I think the filmmakers put that in the opening to show the audience how vulnerable she is. Not to say women are unsafe no matter where they go, but they are stared at, followed, and harassed by men, even in the most unexpected of places, to the point that it is a societal issue. Especially women in their 20s and 30s. But it's not just the customers' advances she has to put up with - her pervy boss won't leave her alone. So she just has problems with men all around.

As a solution to her money problems, she decides to rent out her basement by posting an ad on a website, and meets James (Marcus Rosner), who she is surprised to see alone, due to his picture online showing him posing with a woman and child. He tells her he's now divorced, and it's not talked about any further. They hit it off in a short amount of time. The only downside is, he's making himself a little too comfortable. The morning after he gets settled in, she finds him in the kitchen making breakfast, and that's an issue, because one of the house rules stated he was supposed to use the kitchen that's in the basement, seeing as it has all of the amenities of an apartment, so there's really no need for him to come upstairs for anything. Her work friend tells her to set boundaries. But she continues to fall for his charm, leading her to divulge too much information about the issues with her ex-boyfriend... And they end up kissing. That was quite predictable. He's a tall, physically fit guy. She had left a toxic relationship. When you get two people like that together, and they're occupying the same space, sparks are going to fly. I know you shouldn't fall in love with someone exclusively because of their looks, but you can't help it sometimes. Despite agreeing with each other that the kiss was meaningless, and they were still "cool," their romantic feelings are ignited, and they start living as more of a couple than a tenant/renter. Alison's life becomes increasingly scary when he turns out to be homicidal, as well as possessive, just like her ex was. James doesn't want her talking to anyone, men or women.

Towards the end of the film, he's sleeping in Alison's bed. When she's asleep, he reaches over her to pick up her phone, and sees a text from her friend saying she discovered the picture he posted on the renter's website was a stock photo. He cropped his picture in place of the original guy, to make it look like he had a family. At the end of the message, she tells Alison she needs to get him out of her house now. The next day he breaks into her house and kidnaps her. He was willing to go to great lengths, no matter how extreme, to keep other people from getting in the way of their "relationship." His acting was so convincing. I don't even see performances like that from well-known stars. Case in point of why Lifetime movies are underrated. I also love how in the newer ones, women are portrayed as less fearful and more courageous. When they're being attacked by a man, they at least try to fight back, unlike in the 90s Lifetime films.

Considering the world we're living in, where people going places and living with strangers has gotten so normalized (Uber, Lyft, those websites where you can rent a room from anyone), I feel like this is an important film for young adults to see, particularly millennial women. Many of us do feel awkward when it comes to setting boundaries, especially when it's a man who we like. We don't take our time getting to know someone, and I've been guilty of that too. This movie can be an example of the red flags to look for. It's not the unrealistic crap that you see in mainstream Hollywood. No young woman is exempt from being victimized. The story might seem far-fetched, but the truth is, there are lots of men out there who are like James - friendly on the outside, but unstable once you get to know them. Or if they're not unstable, they're a creep. I met this man in grad school (he was married, so we were just friends). We don't talk anymore. I recently went on his Facebook - a majority of the stuff he posted was toilet jokes, sexual garbage... He didn't present himself as a crude person in public. I felt unsettled that I had talked to someone who was perverted for 2 or 3 years, unknowingly. I shared personal things about myself, and I hardly knew anything about him. He barely even mentioned his wife. My point in saying that is, it's common for men to put on a facade. And many of them are so good at doing it, the women who they encounter don't find out they're crazy until it's too late. This film, even with the occasional lame acting performances, really does send across an important message. Don't judge it negatively just because it's from Lifetime.