Ajouter une intrigue dans votre langueAfter escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family. To rescue her helpless friends, she must confront her own fears and help lead... Tout lireAfter escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family. To rescue her helpless friends, she must confront her own fears and help lead the police to her traffickers - at all costs.After escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family. To rescue her helpless friends, she must confront her own fears and help lead the police to her traffickers - at all costs.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires au total
Betzaida Landín
- Warren
- (as Betsy Landin)
Avis à la une
This movie is undervalued. The acting of the actors who passionately performed each character stands out and the flow of the play is not boring. In particular, the actor's acting as a villain was great.
It was a movie that gave a breathtaking sense of immersion.
It was an angry movie, but I believe it was made in the hope that things like movies would no longer appear in reality.
I want to hit all the people who only have that in their heads.
It was an angry movie, but I believe it was made in the hope that things like movies would no longer appear in reality.
I want to hit all the people who only have that in their heads.
The topic of trafficking and prostitution has been brought to cinema in many forms. A difficult topic to tell a story around while avoiding the pitfalls of titillation, explicit content or exploitation in the process of illustrating what happens in the seedy world of trafficking. Many films struggle to find the line, either delving into making their own exploitation porn in the process or dubiously hiding behind the justification of art while the actors are exploited themselves. Angie: Lost Girls is a breath of emotional fresh air, dwelling on the psychological effects of trafficking on the victims and their families and the manipulation and struggles that make it such a serious and elusive crime.
Angie is a happy suburban girl, with providing parents and a good relationship with her sister. She is targeted by a trafficking ring and moments of weakness are exploited while entering into a secret relationship. She is misled into a meeting that turns into a nightmare as she is abused and trafficked against her will. Films of this vein are often heavy handed on the subversive guy and the harrowing tale of their escape. In this case, the film focuses on the tracking and capture of traffickers, and Angie's experience is one of many perspectives shared.
The camera work is excellent and most of the actors deliver solid performances, especially Jane Widdop as Angie. Lighting is also well handled, working with the director's vision of handling hard circumstances without crossing the line into explicit content and creating distinct feeling to the sets. This film is proof that content can be and is often more emotionally impactful when not explicitly shown.
There are many films in this genre, but few accurately portray the methodology, the effects and the struggles of trafficking. Some would argue that the circumstances of the film are hokey at times, and the criticism may be correct that there are some scenes that feel rushed, but the circumstances are real, they happen and are worth a watch.
Angie is a happy suburban girl, with providing parents and a good relationship with her sister. She is targeted by a trafficking ring and moments of weakness are exploited while entering into a secret relationship. She is misled into a meeting that turns into a nightmare as she is abused and trafficked against her will. Films of this vein are often heavy handed on the subversive guy and the harrowing tale of their escape. In this case, the film focuses on the tracking and capture of traffickers, and Angie's experience is one of many perspectives shared.
The camera work is excellent and most of the actors deliver solid performances, especially Jane Widdop as Angie. Lighting is also well handled, working with the director's vision of handling hard circumstances without crossing the line into explicit content and creating distinct feeling to the sets. This film is proof that content can be and is often more emotionally impactful when not explicitly shown.
There are many films in this genre, but few accurately portray the methodology, the effects and the struggles of trafficking. Some would argue that the circumstances of the film are hokey at times, and the criticism may be correct that there are some scenes that feel rushed, but the circumstances are real, they happen and are worth a watch.
It was a movie that made me cry.
It was also difficult to understand that there are definitely many women in the world who are suffering from such a thing, regardless of minors.
It was also difficult to understand that there are definitely many women in the world who are suffering from such a thing, regardless of minors.
I came out of this film thinking this is such a well-told story of an oft too difficult subject to address.
Without giving the story away, I can say I enjoyed the excellent writing and direction by Julia Verdin and the fine cinematography by Peter Holland.
And the powerful acting, particularly from the traumatised Angie, played by Jane Widdop.
Yes there is much trauma in the story but not without emotional moments such as between Angie and her family, unaccustomed as most of us are, to having a sex trafficking survivor/victor in our midst.
A thriller with a message that sustained my interest throughout.
Without giving the story away, I can say I enjoyed the excellent writing and direction by Julia Verdin and the fine cinematography by Peter Holland.
And the powerful acting, particularly from the traumatised Angie, played by Jane Widdop.
Yes there is much trauma in the story but not without emotional moments such as between Angie and her family, unaccustomed as most of us are, to having a sex trafficking survivor/victor in our midst.
A thriller with a message that sustained my interest throughout.
Le saviez-vous
- AnecdotesThe first song Angie Morgan (Jane Widdop) sings is an old folk blues called "House of the Rising Sun," a lament sung by a woman who is forced into a life of prostitution - just as Angie is herself later in the film.
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- How long is Angie: Lost Girls?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Lost Girls: Angie's Story
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 48min(108 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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