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IMDbPro

Boules de feu: depuis la nuit des temps

Titre original : Fireball: Visitors from Darker Worlds
  • 2020
  • Tout public
  • 1h 37min
NOTE IMDb
6,9/10
4 k
MA NOTE
Boules de feu: depuis la nuit des temps (2020)
'Fireball: Visitors From Darker Worlds' explores how meteorites have impacted our planet's landscapes and cultures.
Lire trailer2:10
1 Video
7 photos
Documentary

Un nouveau documentaire de Werner Herzog sur les météores et les comètes ainsi que leur influence sur les religions anciennes et autres impacts culturels et physiques qu'ils ont eu sur Terre... Tout lireUn nouveau documentaire de Werner Herzog sur les météores et les comètes ainsi que leur influence sur les religions anciennes et autres impacts culturels et physiques qu'ils ont eu sur Terre.Un nouveau documentaire de Werner Herzog sur les météores et les comètes ainsi que leur influence sur les religions anciennes et autres impacts culturels et physiques qu'ils ont eu sur Terre.

  • Réalisation
    • Werner Herzog
    • Clive Oppenheimer
  • Scénario
    • Werner Herzog
  • Casting principal
    • Werner Herzog
    • Clive Oppenheimer
    • Simon Schaffer
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    4 k
    MA NOTE
    • Réalisation
      • Werner Herzog
      • Clive Oppenheimer
    • Scénario
      • Werner Herzog
    • Casting principal
      • Werner Herzog
      • Clive Oppenheimer
      • Simon Schaffer
    • 33avis d'utilisateurs
    • 32avis des critiques
    • 72Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:10
    Official Trailer

    Photos6

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux19

    Modifier
    Werner Herzog
    Werner Herzog
    • Self - Narrator
    Clive Oppenheimer
    • Self - Interviewer
    Simon Schaffer
    • Self
    Jon Larsen
    • Self
    Jan Braly Kihle
    • Self
    Paul Steinhardt
    • Self
    Laurence Garvie
    • Self
    Meenakshi Wadhwa
    • Self
    Nita Sahai
    • Self
    Fátima Tec Pool
    • Self
    Guy Consolmagno
    Guy Consolmagno
    • Self
    Donna Rohrer
    • Self
    Joanna Bulger
    • Self
    Mark Willman
    • Self
    Rob Weryk
    • Self
    Kelly Fast
    • Self
    Jong Ik Lee
    • Self
    Doug Passi
    • Self
    • Réalisation
      • Werner Herzog
      • Clive Oppenheimer
    • Scénario
      • Werner Herzog
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs33

    6,93.9K
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    Avis à la une

    9vaguira

    Herzog magic of ol'

    As a long-time admirer of Herzog, I wouldn't describe myself as free from bias. I approached this documentary with caution, given my recent experiences with some of his latest work (Family Romance Inc, et al). Without ruining your experience, there is one thing I could say about this documentary: it transmits the passion and drive of Herzog's golden days. Many of the clichés are still there (the soundtrack, for instance), but in a good way. Herzog meets an old friend and together they explore a fascinating topic: meteorites. In the long, silent shots of human faces, the Herzog magic of old re-emerges. As in the old days, Fireball is ultimately a human look no other director could provide. It doesn't have the slow pace of ol'; Herzog's interaction with Hollywood probably has a lot to do with that. But in the end, Fireball deserves to be seen. It is an intimate and colourful exploration of us and the rocks and dust that makes us.
    9shrinavaratnam

    A profound exploration of extraordinary possibilities

    This film just puts science and fiction into the realms of extraordinary possibilities beyond our own human existence. It is at once real and incredible, probing into the messages from light years away that showcases a magical, if sometimes frightening, expanse that's beyond our wildest imagination. And the real treat, and stunning truth, is that science is showing us how space and the cosmos is so much so connected to us at the core.
    6themadcamel

    More about culture

    I was curious to watch this documentary as I've always been fascinated about the impact of celestial bodys hitting the earth and it's effect on human evolution, religion, and beliefs. Although beautiful in parts this film has not much new to offer in ways of science, it lacks intrigue becoming somewhat boring all-round. It was more a vignette into peoples lives than it was about meteorites.
    8TheVictoriousV

    A whimsical exploration of existence beyond ourselves

    It's purely a coincidence that I am reviewing two documentary features in a row - partly brought on by the fact that I don't yet know where to see The Climb or Wolfwalkers. But following up I Am Greta, a movie that wants us to be really sad about the state of the planet, with one that sometimes basks in the Earth's inconsequentiality next to the rest of the Universe (not that this means we shouldn't treasure it; quite the opposite) was an amusing line-up.

    There are very few filmmakers who resonate with me in the same way as Werner Herzog, the German legend who all but dominates the very documentary genre. This isn't because I always admire his films, but rather because of the way the indifference of the unfeeling cosmos seems to fascinate him - along with things that are strange and non-human, including grizzly bears and Baby Yoda.

    Herzog finds glee where others are brought despair. The non-discriminating, inevitable reality of death, and the chaotic forces that may one day annihilate all of us in a single swoop (no matter how important we deem ourselves, or how desperately we believe in divine reward and greater purpose), are depressing reminders to some, while others look at them with fascinated awe. The only thing I like more about Herzog is the accent.

    In Fireball: Visitors From Darker Worlds (viewable on Apple TV), Herzog looks at meteors, as well as the sort of people who have made it their life to look at meteors. We also learn what meteor strikes have come to mean for various hopeful cultures and individuals around our spheroid (a museum in France even carries a message for potential alien visitors, meant to be found if we don't survive the next asteroid hit, and Herzog expectedly jokes about the optimism in the faith that aliens will understand Modern French).

    Some peoples have taken meteorites as a sign of our importance (a message from Someone Greater), whereas scientists might take it as a sign that there is insurmountably more to existence than humanity - which is fine.

    At Herzog's side is volcanologist Clive Oppenheimer; not to be confused with Joshua Oppenheimer, another giant in the world of documentary film (Herzog was an executive producer on his masterfully disturbing Look of Silence in 2015). But as documentary films go, Fireball is indeed made with expertise, focusing on well-selected subjects and being very well-shot (I found the use of drone cameras to be unusually effective, adding some "size" to our aforementioned spec of a home by transitioning from space rock close-ups to long-shots of an Alsatian vista).

    Many of the characters we meet are as fascinating as the very exploration of meteorides and forces immeasurably older than ourselves - particularly delightful, in my opinion, is the Norwegian man who revolutionized the research of so-called micrometeorites; items that fell from space, scarcely the size of a dust grain. A character we don't see enough of, according to some reviewers, is Herzog himself.

    But following Oppenheimer (who conducts most of the interviews) is fun too, and Herzog's narrations are more than enough this time. The essentials are still there. We are still very much reminded that, sometimes, the things that make us seem so unfathomably small can also make us feel so unfathomably lucky that we're alive to explore them; that we exist in an age with the right tools; that our place in the solar system even allowed for evolution to reach this point; that the latest Apollo asteroid strike, a moment of immense destruction, made it so we could eventually live.

    Who knows? There may even be a reason these stones made their way to humankind after all; something that made them seek us out. Then again, I might just have watched too much Goop Lab to be entirely rational. I hereby issue my apologies for that last bit.

    A quick note, just so I can flex my knowledge since kidhood: I have not misspelled the word "meteorite" when speaking of "meteorides" earlier in this post. A meteoride is a piece of space debris (usually from a comet or asteroid, both of which distinguish themselves from meteorides in that they actually orbit a star) that becomes a METEOR when entering a planet's atmosphere, and METEORITE if it lands on the surface.
    7benprichardsdotcom

    It's alright

    Definitely not as juicy as some of Werner Herzog's other documentaries. Maybe it was the effect Oppenheimer had on the interviewees; maybe he couldn't get as much out of them as Herzog might have. The subject matter is infinitely intriguing but Fireball just didn't get out of 3rd gear.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Will mark the third collaboration between Werner Herzog and Clive Oppenheimer after Au fin fond de la fournaise (2016) and Rencontres au bout du monde (2007).
    • Connexions
      Features Deep Impact (1998)

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    FAQ16

    • How long is Fireball: Visitors from Darker Worlds?Alimenté par Alexa
    • Where can I see this?

    Détails

    Modifier
    • Date de sortie
      • 13 novembre 2020 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Fireball: Visitors from Darker Worlds
    • Lieux de tournage
      • Mecca, Arabie Saoudite(Kaaba Black Stone)
    • Sociétés de production
      • FILM srl
      • Sandbox Films (II)
      • Spring Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 37 minutes
    • Couleur
      • Color

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