NOTE IMDb
5,3/10
3,4 k
MA NOTE
Un chauffeur asocial et un passager épuisé tentent de se rendre à destination tout en étant hantés par une menace surnaturelle.Un chauffeur asocial et un passager épuisé tentent de se rendre à destination tout en étant hantés par une menace surnaturelle.Un chauffeur asocial et un passager épuisé tentent de se rendre à destination tout en étant hantés par une menace surnaturelle.
Tom Colford
- Weston
- (as Thomas L. Colford)
Nicole Power
- Clara
- (non crédité)
Avis à la une
There seems to be a broad spectrum of reviews for this movie, from 2 to 9 stars. I'm going to settle in the middle. It had a great premise, and potential to be a franchise, "The Toll Man" , but from a strong opening, to a very muddled middle section, and a disappointing ending it kind of just petered out. The acting was okay, the storyline was all over the place, and never seemed to fully commit itself to being a horror movie. I would suggest psychological thriller with supernatural undertones that are never fully realised. There was a lot of supernatural stuff going on, but the ending suggested otherwise, and so many story threads that went nowhere. In retrospect, 4 was quite generous.
This is primary a jumpscare film with a psychological horror element to it. The most obvious meaning of the Toll Man is the killer stalking the two main characters on the road. The more subtle meaning is the "toll" of the past baggage these two characters carry with them from their past. That's where the visions of the hurtful family characters come into play.
Unfortunately, they didn't take this idea all the way through to the end and messed up the ending. Instead they went for the mediocre ending which I won't mention. The acting wasn't that great but I was willing to overlook it if the screenplay had been a bit smarter. So this is worth a watch, but not a second one. Missed opportunity to make a low budget film into a smart horror film.
Unfortunately, they didn't take this idea all the way through to the end and messed up the ending. Instead they went for the mediocre ending which I won't mention. The acting wasn't that great but I was willing to overlook it if the screenplay had been a bit smarter. So this is worth a watch, but not a second one. Missed opportunity to make a low budget film into a smart horror film.
An Uber driver picks up a young female passenger. Throughout the movie it is unclear if he is sincere or sinister, and this psychological tension lasts very well throughout. He is obviously attracted to her, but when they get stuck on an alternative dimensional road, where there are no outs and time does not move forward. Is he her savior or he is "in on it" and the one she should be the most afraid of?
The creepiness of "The Toll" out-scales the several jumpscares in the movie. For a low-budget film I would say it is smartly done, using very few scenarios that are easy to create (the car, public roads, old house) and very simple special effects. In this respect the movie manages to pull a lot from a small budget and the jumpscares are placed correctly and not overly-done.
As for acting, I think Jordan Hayes does a good job of portraying a distressed woman ("Cami") without being hysteric and irrational. So, whats missing from this movie? Since the scenery is limited, no big effects or extraordinary acting, I feel this kind of production need to bring something extra to the table, and definitely not end on an anti-climax as it is. Maybe dive deeper into the alternate dimensional idea, maybe there is a different way out? Something that will make the audience think.
Overall watchable but will not win any Oscars. Exact score: 48 / 100.
The creepiness of "The Toll" out-scales the several jumpscares in the movie. For a low-budget film I would say it is smartly done, using very few scenarios that are easy to create (the car, public roads, old house) and very simple special effects. In this respect the movie manages to pull a lot from a small budget and the jumpscares are placed correctly and not overly-done.
As for acting, I think Jordan Hayes does a good job of portraying a distressed woman ("Cami") without being hysteric and irrational. So, whats missing from this movie? Since the scenery is limited, no big effects or extraordinary acting, I feel this kind of production need to bring something extra to the table, and definitely not end on an anti-climax as it is. Maybe dive deeper into the alternate dimensional idea, maybe there is a different way out? Something that will make the audience think.
Overall watchable but will not win any Oscars. Exact score: 48 / 100.
I quite enjoyed this film. Low key believable start then gets more and more weird. What did it for me was a reasonably clear cut ending. Too many films seem to want to have some puzzling incomplete ending leaving you hanging. Not this. Jordan Hayes looks yummy.
Le saviez-vous
- AnecdotesJordan Hayes and Max Topplin play a Californian spouse in Almost Anything
- Bandes originalesSo Long, My Dear
Written by Malte Hagemeister and Kristian Nord
Performed by Addie Hamilton
Under license from California Music
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- How long is The Toll?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 205 943 $US
- Durée
- 1h 20min(80 min)
- Couleur
- Rapport de forme
- 2.39:1
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