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I Am Woman

  • 2019
  • TV-MA
  • 1h 56min
NOTE IMDb
6,6/10
3,2 k
MA NOTE
Tilda Cobham-Hervey in I Am Woman (2019)
For the first time on screen, I AM WOMAN tells the inspiring story of singer Helen Reddy, who wrote and sang the song “I Am Woman” that became the anthem for the women's movement in the 1970s. The film is a story of fearless ambition and passion, of a woman who smashed through the patriarchal norms of her time to become the international singing superstar she always dreamed of being.
Lire trailer1:46
4 Videos
46 photos
BiographieDrameMusiqueRomance

L'histoire d'Helen Reddy, musicienne et militante des années 1970.L'histoire d'Helen Reddy, musicienne et militante des années 1970.L'histoire d'Helen Reddy, musicienne et militante des années 1970.

  • Réalisation
    • Unjoo Moon
  • Scénario
    • Emma Jensen
  • Casting principal
    • Evan Peters
    • Danielle Macdonald
    • Chris Parnell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    3,2 k
    MA NOTE
    • Réalisation
      • Unjoo Moon
    • Scénario
      • Emma Jensen
    • Casting principal
      • Evan Peters
      • Danielle Macdonald
      • Chris Parnell
    • 59avis d'utilisateurs
    • 43avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 13 nominations au total

    Vidéos4

    Official Trailer
    Trailer 1:46
    Official Trailer
    I Am Woman
    Trailer 1:58
    I Am Woman
    I Am Woman
    Trailer 1:58
    I Am Woman
    'I Am Woman' Brings Helen Reddy's Life Story to the Big Screen
    Clip 7:09
    'I Am Woman' Brings Helen Reddy's Life Story to the Big Screen
    I Am Woman: Liberated
    Clip 2:02
    I Am Woman: Liberated

    Photos46

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    + 40
    Voir l'affiche

    Rôles principaux47

    Modifier
    Evan Peters
    Evan Peters
    • Jeff Wald
    Danielle Macdonald
    Danielle Macdonald
    • Lilian Roxon
    Chris Parnell
    Chris Parnell
    • Artie Mogull
    Matty Cardarople
    Matty Cardarople
    • Roy Meyer
    Tilda Cobham-Hervey
    Tilda Cobham-Hervey
    • Helen Reddy
    Gus Murray
    Gus Murray
    • Paul Rankine
    Damien Strouthos
    Damien Strouthos
    • Nightclub Comedian
    Dusty Sorg
    Dusty Sorg
    • Dany Cornelius
    Mike Duncan
    Mike Duncan
    • Bouncer
    Hiroshi Kasuga
    Hiroshi Kasuga
    • Birthday Party Guest
    Jordan Raskopoulos
    Jordan Raskopoulos
    • George Sylvia
    Rita Rani Ahuja
    Rita Rani Ahuja
    • Maree Alvarez
    Michael-Anthony Taylor
    • David Dinkins
    Emily Teede
    Emily Teede
    • Housewife
    Lily Donat
    • Nightclub singer
    Molly Broadstock
    Molly Broadstock
    • Traci
    David Beelen
    David Beelen
    • GoGo Dancer Party Guest
    • (as Nilson David)
    Noodle Green
    Noodle Green
    • Young Feminist
    • Réalisation
      • Unjoo Moon
    • Scénario
      • Emma Jensen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs59

    6,63.1K
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    Avis à la une

    8keshjig

    Covers A Lot, Good Lead Performances

    With a relatively short run time, they did a good job of doing justice to Helen as a person and her personal life, her drive and ambition, her marriage, and contemporaneous politics. In fact, it was often exciting and emotionally engaging. I think the movie represented things honestly. Her husband's weaknesses were on full display and in painful detail, but he was also more of an asset for her than I was expecting. It touches on what was apparently important to her, her kids, her career, her best friend, and the women's movement. So, I think it gave an accurate overview of major life events, and also plausibly portrayed her as a decent person, with a lot of self-respect and integrity. The movie also gives insight into what a badass she was. It's a pleasant surprise that she demanded respect from the record execs and guided her career in her own way. This was all capably expressed by both leads, and Tilda in particular. She was great with the steely glint or strong speech that shows Helen's determination and will, and also her vulnerability during some heartbreaking moments. I'm grateful to this movie for giving me a renewed appreciation for a remarkable woman.
    10dcarroll74

    The eyes have it

    The first thing I saw was Tilda's eyes, they are a match for Sandra Bullock, in every way. Now to the nitty gritty.

    I enjoyed the watch, especially as I only became aware of it very recently. One can be critical, I won't. To view a current movie in the current pandemic times, is wonderful.

    It is actually a good movie. I have no idea of Helen's history therefore, I cannot speak of it, all I know of is her songs, and that's enough. I presume that is the hook for the movie, and I was hooked.

    I'm 97 years old so, I presume what I think anymore, no matters. What I think matters to me, and Helen Reddy mattered to me, and many others.

    To coin a modern idiom, Nuff said.
    6ferguson-6

    Wisdom born of pain

    Greetings again from the darkness. Does penning and recording a feminist anthem warrant a film biopic? Well, when the singer is Helen Reddy and the song is "I Am Woman", the answer is a resounding yes. This is director Unjoo Moon's first narrative feature film, and she is working with a script from Emma Jensen (MARY SHELLEY, 2017). As with any biopic, its effectiveness comes down to the lead performance. Here, Tilda Cobham-Hervey is both strong and invincible as Ms. Reddy.

    We first see a wide-eyed Helen Reddy walking through New York City clutching the hand of her very young daughter Traci after arriving from Australia in 1966. She's in pursuit of a recording contract, but instead ends up singing at a mostly empty nightclub and living in a roach-infested rundown hotel. It takes almost no time for her to experience multiple instances of sexism and chauvinism. With no prospects for a better life, Helen meets up with fellow ex-pat Lilian Roxon (Danielle Macdonald, PATTI CAKE$, 2017), a journalist who shows her the town and offers her friendship.

    Lilian throws a party for Helen, and after locking eyes across the room, Helen meets Jeff Wald (Evan Peters, "American Horror Story"), an up and coming agent at William Morris. By 1968, Wald has convinced Helen that Los Angeles is the place to kick off her singing career, and along with Traci, they move into a beautiful home and fill it with typical California dreaming. Jeff's managing career starts to build, and Helen gets frustrated at his lack of attention to her career. There are some funny comparisons of Deep Purple, Tiny Tim, and Helen's singing styles, but finally Capitol Records gives her a shot at recording a single.

    Helen's career takes off, as does her friend Lilian's, who becomes the 'Mother of Rock' with her Rock 'n Roll Encyclopedia, and subsequent reviews and articles. In fact, Ms. Roxon deserves a biopic or documentary highlighting her influence on rock journalism. As Helen puts out hit records, her husband Jeff is managing many successful acts. Money is pouring in (and out) and in contrast to Helen's common sense manner, Jeff partakes of drugs and alcohol to extremes. Of course, the key component of Helen's career and the movie is in regards to her writing the title song ... a song that the skeptical executives of Capitol Records said made her sound "too angry".

    It was Lilian who introduced the women's movement to Helen, but Helen was inherently ambitious and strong-willed ... it ended up being the perfect match. Reddy supported the Equal Rights Amendment (ERA), even as Phyllis Schlafly fought hard against it. Helen's 1972 song "I Am Woman" became a huge hit, and later the anthem for a movement. But Helen Reddy's story isn't all rainbows and unicorns, and despite a dose of clichés, and some overacting on the part of Peters, the movie does an admirable job showing how she reacted to the challenges.

    Director Moon's husband Dion Beebe (Oscar winner for MEMOIRS OF A GEISHA, 2005) is the cinematographer, and he does nice work with the stage performances, as well as the more intimate moments. However, it's Ms. Cobham-Hervey who stands out. I've only previously seen her in HOTEL MUMBAI (2018), and she captures the determination and charisma of Helen Reddy. We see her strength as she instills life lessons in her kids, and goes toe-to-toe with her husband. It's an impressive performance.

    The movie shows us Helen's 1982 Las Vegas act, and we hear most, if not all, of her hits, "Delta Dawn", "Leave Me Alone" (actually a pretty annoying song), "You and Me Against the World", "Angie Baby", and obviously, "I Am Woman". Later, in 1989, we see a grown up Traci talk her retired mother into performing her most famous song at the Washington DC rally of the National Organization of Women. It's quite a moment that encapsulates the empowerment that Helen Reddy devoted her life to. The movie doesn't go there, but it's unfortunate that Ms. Reddy has been afflicted with dementia since 2015. Like all great artists, her work will survive her.
    8rjb-51149

    A Nice Surprise to Revisit the '70s

    I had no idea this movie even existed. I was looking on Netflix for something to watch and I was delightfully surprised to find this film. Helen Reddy quite frankly is one of those icons that immediately transports me back to my '70s AM radio listening. This movie doesn't claim to be anything more than it is. It is a director's version of Helen Reddy's life. The lead, Tilda Cobham-Hervey, is actually quite good as Helen. The supporting players, Evan Peters as Jeff Wald and Danielle McDonald as Lilian Roxon, support her well and are the standouts in the piece. Some may argue that this is nothing but a lifetime movie, but all Helen's songs are there, the backstory is one that I really didn't know anything about and I thoroughly enjoyed revisiting that era. Look it's not Shakespeare, but it doesn't pretend to be. As biopics go, it held my interest and it was very entertaining. People forget about how big Helen was. This movie will remind them and hopefully introduce her to a new generation.
    Gordon-11

    Feeling her passion and dedication

    I didn't know about Helen, and after watching this film it feels as if I do know her. I feel her passion and dedication to her empowering music. I enjoyed this film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Helen Reddy died on September 29th, 2020, a month after the film was released in the US and Australia.
    • Gaffes
      On the film's theatrical poster, actor Vitas Varnas appears twice in the crowd; to the left close to the stage, and to the right cheering in the audience.
    • Connexions
      Featured in I am Woman: Behind the Scenes (2020)
    • Bandes originales
      Revolution
      Performed by Lily Donat

    Meilleurs choix

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    FAQ

    • How long is I Am Woman?
      Alimenté par Alexa
    • Chelsea Cullen does a superb job as Helen's singing voice so why is she absent from the cast list?

    Détails

    Modifier
    • Date de sortie
      • 10 mars 2022 (France)
    • Pays d’origine
      • Australie
    • Sites officiels
      • Goalpost Pictures
      • Official Production Notes
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Ben Kadınım
    • Lieux de tournage
      • Enmore Theatre, Enmore, Sydney, Nouvelle-Galles du Sud, Australie
    • Sociétés de production
      • Goalpost Pictures
      • Deep Blue Pacific
      • Create NSW
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 384 551 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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