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6,6/10
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MA NOTE
L'histoire d'Helen Reddy, musicienne et militante des années 1970.L'histoire d'Helen Reddy, musicienne et militante des années 1970.L'histoire d'Helen Reddy, musicienne et militante des années 1970.
- Récompenses
- 3 victoires et 13 nominations au total
David Beelen
- GoGo Dancer Party Guest
- (as Nilson David)
Avis à la une
I didn't know about Helen, and after watching this film it feels as if I do know her. I feel her passion and dedication to her empowering music. I enjoyed this film.
I had no idea this movie even existed. I was looking on Netflix for something to watch and I was delightfully surprised to find this film. Helen Reddy quite frankly is one of those icons that immediately transports me back to my '70s AM radio listening. This movie doesn't claim to be anything more than it is. It is a director's version of Helen Reddy's life. The lead, Tilda Cobham-Hervey, is actually quite good as Helen. The supporting players, Evan Peters as Jeff Wald and Danielle McDonald as Lilian Roxon, support her well and are the standouts in the piece. Some may argue that this is nothing but a lifetime movie, but all Helen's songs are there, the backstory is one that I really didn't know anything about and I thoroughly enjoyed revisiting that era. Look it's not Shakespeare, but it doesn't pretend to be. As biopics go, it held my interest and it was very entertaining. People forget about how big Helen was. This movie will remind them and hopefully introduce her to a new generation.
The first thing I saw was Tilda's eyes, they are a match for Sandra Bullock, in every way. Now to the nitty gritty.
I enjoyed the watch, especially as I only became aware of it very recently. One can be critical, I won't. To view a current movie in the current pandemic times, is wonderful.
It is actually a good movie. I have no idea of Helen's history therefore, I cannot speak of it, all I know of is her songs, and that's enough. I presume that is the hook for the movie, and I was hooked.
I'm 97 years old so, I presume what I think anymore, no matters. What I think matters to me, and Helen Reddy mattered to me, and many others.
To coin a modern idiom, Nuff said.
I enjoyed the watch, especially as I only became aware of it very recently. One can be critical, I won't. To view a current movie in the current pandemic times, is wonderful.
It is actually a good movie. I have no idea of Helen's history therefore, I cannot speak of it, all I know of is her songs, and that's enough. I presume that is the hook for the movie, and I was hooked.
I'm 97 years old so, I presume what I think anymore, no matters. What I think matters to me, and Helen Reddy mattered to me, and many others.
To coin a modern idiom, Nuff said.
My Review- Netflix. "I Am Woman." My Rating 7/10
I remember seeing Helen Reddy perform at The Hodern Pavillion in Sydney and the billing was Helen Reddy October 4, 1975 Hordern Pavilion, Sydney, AUS (supported by Peter Allen) Helen was a huge star in America after a very bumpy start in Los Angeles thinking the she had prize won on Brian Henderson's Bandstand included an American recording contract. Helen had just won The Starflight International Contest but arrived in America and the Recording Executives didn't want to know her at first. At that Sydney Concert Helen Reddy had a triumphant return to her native country and Peter Allen was just gaining popular success ,what a great show that night in Sydney with two great performances on stage. In those days Australia unlike today was more isolated from the entertainment media frenzy we have today and Helen Reddy's great success wasn't really appreciated apart from her Anthem for Women's Equality the title of this Biopic "I Am Woman." In 1974, at the inaugural American Music Awards, Helen won the award for Favorite Pop/Rock Female Artist. In television, she was the first Australian to host a one-hour weekly primetime variety show on an American network, along with specials that were seen in more than 40 countries. This movie's screenplay by Emma Jensen drew from Helen Reddy's auto-biography 'The Woman I Am: A Memoir' (2005). The film was made and first released just under fifteen year's after its first publication. It was intended for Cinema release but due to COVID 19 had its Netflix premiere today and it's a very entertaining and well directed debut movie for Unjoo Moon . Director Unjoo Moon was awarded the Athena Breakthrough Award for this picture at the 2020 Athena Film Festival in New York City. The best thing for me in this familiar "Star Is Born" type scenario of girl singer eclipsing her husbands talent and success is Tilda Cobram-Hervey . She was very impressive in Hotel Mumbai 2018) and she is much more impressive in "I Am Woman." especially capturing so well the unique tone of Helen Reddy's voice and also the look and character of this strong woman ,who changed the history of Women's Liberation by writing such a historic song with collaborator Ray Burton. "I Am Woman" was the first number one single for Capitol Records since "Ode to Billie Joe" by Bobbie Gentry five years earlier, in 1967. It was the first number one hit on the Billboard chart by an Australian-born artist and the first Australian-penned song to win a Grammy Award (in her acceptance speech for Best Female Performance, Reddy thanked "God, because Shemakes everything possible"). It also became the second Helen Reddy hit - after "I Don't Know How to Love Him" - to peak at number 2 in Australia. Tilda Cobram-Hervey certainly deserves all the critical praise she has received for her performance as Helen Reddy. Tilda was named by Entertainment Weekly magazine as one of the breakout stars of the 2019 Toronto International Film Festival (TIFF) for her role in this movie. Helen Reddy's husband Jeff Wald played well by Evan Peters is not a sympathetic character and his addictions included gambling and substance abuse so I was pleased to see in the credits that he did find recovery from his vices. It's an entertaining and well done film and worth a look to appreciate another example of the talent our nation has produced .
I remember seeing Helen Reddy perform at The Hodern Pavillion in Sydney and the billing was Helen Reddy October 4, 1975 Hordern Pavilion, Sydney, AUS (supported by Peter Allen) Helen was a huge star in America after a very bumpy start in Los Angeles thinking the she had prize won on Brian Henderson's Bandstand included an American recording contract. Helen had just won The Starflight International Contest but arrived in America and the Recording Executives didn't want to know her at first. At that Sydney Concert Helen Reddy had a triumphant return to her native country and Peter Allen was just gaining popular success ,what a great show that night in Sydney with two great performances on stage. In those days Australia unlike today was more isolated from the entertainment media frenzy we have today and Helen Reddy's great success wasn't really appreciated apart from her Anthem for Women's Equality the title of this Biopic "I Am Woman." In 1974, at the inaugural American Music Awards, Helen won the award for Favorite Pop/Rock Female Artist. In television, she was the first Australian to host a one-hour weekly primetime variety show on an American network, along with specials that were seen in more than 40 countries. This movie's screenplay by Emma Jensen drew from Helen Reddy's auto-biography 'The Woman I Am: A Memoir' (2005). The film was made and first released just under fifteen year's after its first publication. It was intended for Cinema release but due to COVID 19 had its Netflix premiere today and it's a very entertaining and well directed debut movie for Unjoo Moon . Director Unjoo Moon was awarded the Athena Breakthrough Award for this picture at the 2020 Athena Film Festival in New York City. The best thing for me in this familiar "Star Is Born" type scenario of girl singer eclipsing her husbands talent and success is Tilda Cobram-Hervey . She was very impressive in Hotel Mumbai 2018) and she is much more impressive in "I Am Woman." especially capturing so well the unique tone of Helen Reddy's voice and also the look and character of this strong woman ,who changed the history of Women's Liberation by writing such a historic song with collaborator Ray Burton. "I Am Woman" was the first number one single for Capitol Records since "Ode to Billie Joe" by Bobbie Gentry five years earlier, in 1967. It was the first number one hit on the Billboard chart by an Australian-born artist and the first Australian-penned song to win a Grammy Award (in her acceptance speech for Best Female Performance, Reddy thanked "God, because Shemakes everything possible"). It also became the second Helen Reddy hit - after "I Don't Know How to Love Him" - to peak at number 2 in Australia. Tilda Cobram-Hervey certainly deserves all the critical praise she has received for her performance as Helen Reddy. Tilda was named by Entertainment Weekly magazine as one of the breakout stars of the 2019 Toronto International Film Festival (TIFF) for her role in this movie. Helen Reddy's husband Jeff Wald played well by Evan Peters is not a sympathetic character and his addictions included gambling and substance abuse so I was pleased to see in the credits that he did find recovery from his vices. It's an entertaining and well done film and worth a look to appreciate another example of the talent our nation has produced .
I was a youngster living in Australia when Helen Reddy hit the scene and although she was kicking it in America she was proudly Australian and Australia was certainly proud to own her.
I know her politics caused a huge stir and she was either loved or hated because of her politics. Either way she had presence and was a power house singer. Watch any you tube video and she commanded respect.
None of this came across. I don't know Tilda's work but this felt far too big for her. Her build was tiny and lithe where as Helen Reddy was a strong looking solid woman. Check out her abs and broad shoulders on her performance 'I am Woman' on the Midnight special 1971. I wish I'd had abs like that and I'm a male! Also, Helen Reddy was a confident in your face singer and stared directly into the camera, often closing her eyes as she hit the soul part of the song. Tilda looked like she was timid and about to run off the stage, particularly when she sang in front of the crowd at the monument. So, nope. Her voice fell short too, reedy and lacking the force Helen Reddy was famous for. An unconvincing performance in my view.
Helen Reddy did so much more than this movie showed and it's a shame her parts in movies and TV specials was left out. It only touched lightly on her politics so we never got to see her fierce avocation for women's rights. It was as if all she did was the songs and it wasn't.
This should have been a 2 or 3 part mini series or at least touched on other work on stage and screen. I felt a little cheated and to be honest, the story felt sanitised. No disrespect to to Tilda Cobham-Hervey who did her best. Unjoo Moon said she didn't know her before doing the movie, it showed.
This should have been a 2 or 3 part mini series or at least touched on other work on stage and screen. I felt a little cheated and to be honest, the story felt sanitised. No disrespect to to Tilda Cobham-Hervey who did her best. Unjoo Moon said she didn't know her before doing the movie, it showed.
Le saviez-vous
- AnecdotesHelen Reddy died on September 29th, 2020, a month after the film was released in the US and Australia.
- GaffesOn the film's theatrical poster, actor Vitas Varnas appears twice in the crowd; to the left close to the stage, and to the right cheering in the audience.
- ConnexionsFeatured in I am Woman: Behind the Scenes (2020)
- Bandes originalesRevolution
Performed by Lily Donat
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Détails
Box-office
- Montant brut mondial
- 384 551 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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