Levon Cade a quitté son métier pour travailler dans la construction. Mais lorsqu'une jeune fille de la région disparaît, on lui demande de reprendre les compétences qui ont fait de lui une f... Tout lireLevon Cade a quitté son métier pour travailler dans la construction. Mais lorsqu'une jeune fille de la région disparaît, on lui demande de reprendre les compétences qui ont fait de lui une figure mythique de la lutte contre le terrorisme.Levon Cade a quitté son métier pour travailler dans la construction. Mais lorsqu'une jeune fille de la région disparaît, on lui demande de reprendre les compétences qui ont fait de lui une figure mythique de la lutte contre le terrorisme.
- Réalisation
- Scénario
- Casting principal
Avis à la une
The only thing missing was for him to catch the flying bullets with his teeth. So, for a possible second part, one could add more. For the faint-hearted, the film exudes a fair amount of cultural pessimism. The theme of "I scare you, and then I'm the hero who saves you" is inherent in American films. As such, the plot is rather one-dimensional and not for people who prefer a more complex way of thinking. Nevertheless, we felt thoroughly entertained at the end of the film and deeply impressed by the many close-ups of Statham's heroic face.
Levon Cade (Jason Statham) is an ex-Royal Marines commando, now working construction for the Garcia family. When their daughter, Jenny (Arianna Rivas) is kidnapped from a bar, Cade decides to rescue her. His quest takes him from low level drug dealers, all the way up to Russian mafia bosses, as he kills his way closer to his goal.
The problem is, whilst there's nothing particularly wrong with "A Working Man" there's also nothing particularly good, or perhaps better said, nothing particularly interesting about the film either. It feels like it's made on autopilot with a staid 'kill your way to the top' storyline and mostly rote characters. I say mostly because, as you might imagine, David Harbour is capable of making something relatively interesting out of a supporting role as a blind solder, who served with Cade, and helps him on his mission.
I wasn't surprised to see that the film was made in the UK. Jason Flemyng is particularly unconvincing and massively underused as a Russian mobster, you have Emmett Scanlan is a fairly major role and there is a key turn for British TV stalwart Kenneth Collard. Perhaps the most depressing aspect of the film is that David Ayer now seems to have settled into a rut of mid-price, mid-ambition, mid-quality action films.
Again, doesn't do anything notably bad - but less than 24 hours later and I can already barely remember it.
Sure the plot is basic: Levon must rescue his employer's daughter from a gang of russian traffickers, the universe of which is deeper than expected. But the action is good, the filming is well executed, the music is nice and complements the story well, and Jason Statham is, well Jason Statham.
I definitely recommend the watch for his fans or for people that just want to enjoy a simple action movie, perfect for a sunday evening. Enjoy!
Surprisingly, there's a pretty eccentric cast of villains here however, it always remains Jason Statham's movie and him doing his usual extremely serious shtick carries this one as usual. Once again, he's playing squarely to his strengths and it's seriously impressive how him playing this type of character for the umpteenth time doesn't feel anywhere near as stale as when his fellow contemporaries stay in their respective lanes.
David Ayer's direction isn't as strong as his efforts in last year's The Beekeeper whilst keeping the film consistently visually slick despite a couple of weird creative flourishes. The action is unexpectedly choppy when also compared to Ayer and Statham's last collaboration, saved by the stuff that's still easy to see and a wild action packed finale. The overdone score by Jared Michael Fry really helps to nail the throwback feel this is going for.
Jason Statham is well within his comfort zone in this action B-movie. The action is fun. The production is pretty good and better than the average B-movie. The story is fine. Jenny should probably be Levon's daughter instead. The villains are comic-book adjacent. They should really stop asking, "Why he's doing this for one girl?" It gets annoying and dumb. I thought he should leave those missing person flyers every time he kills a gangster. This is mostly fine for what it is.
Le saviez-vous
- AnecdotesShooting on this film commenced straight after shooting for The Beekeeper (2024) wrapped, with many of the film crew staying on in England to shoot scenes for this film.
- GaffesAt 33:51 Leven follows Wolo" Kolisnyk, Captain of Russian Mafia who takes off in a Black Mercedes S Class with silver wheels, standard stock. During the drive it's suddenly a S Class with black wheels and tinted out windows, when the captain arrives it's the standard silver wheeled non tinted S Class again.
- Citations
Merry Cade: Where's Grandpa? He's never late.
Levon Cade: He's not answering me.
Merry Cade: I sent him, like, 20 messages.
Levon Cade: I'm sure he's fine.
Merry Cade: You didn't kill him, did you?
Merry Cade: Dad, I'm kidding
Levon Cade: Do you trust me?
Merry Cade: Yeah.
Levon Cade: So, if I tell you something, you know you can believe me, right?
Merry Cade: Okay, the build-up is just making it worse.
Levon Cade: I made a big mistake.
Merry Cade: Oh, my God. You did kill Grandpa.
- Crédits fousThe opening credits montage tells the backstory of Levon Cade and his combat journey with friend Gunny Lefferty.
- ConnexionsFeatured in Jeremy Jahns: A Working Man - Movie Review (2025)
- Bandes originalesRun Game
Performed by Lupe Fiasco
Written by Lupe Fiasco (as Wasalu Jaco), Simon Jamal Johnson and Charles Patton
Courtesy of 1st & 15th Productions
Published by Chillys Music, Man Behind Bars Music, admin by Me Gusta Music
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Mật Vụ Thợ Hồ
- Lieux de tournage
- Chicago, Illinois, États-Unis(Outdoor Scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 37 000 711 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 510 312 $US
- 30 mars 2025
- Montant brut mondial
- 88 100 711 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1