Winona

Well if you want to call it that. Maybe I should have gone with "the sisters with the traveling beach" - but then again I don't think the movie needs a pun or a (misguided) reference to the travelling pants sage - which I am probably the least qualified person to make anyway.

Long introduction and not actually saying much - well that is sort of a great description of what you can expect from this movie. A movie that was apparently shot on 16mm (something that is either very important to you or you are just going to find the "video quality" to be of a lesser quality) ... and a movie that some might want to compare to earlier works of Lanthimos. If you are one of those, I hope you don't have fallen over yourself in praise of the other director and categorizing this as a bad movie.

Whatever you may think of the slow plot and really snail pace this has, the dialogs that seem to lead nowhere and without aim ... it is a day at the beach. Not any day and we can feel there is something dark and sinister those girls try to repress ... not sure if will be entirely clear in the end for most ... and no it has nothing to do with tourism, although I acknowledge and applaud that small commentary the movie makes.

Other than what I already have mentioned, the four women are really good. Something I for once did not feel with the earlier work of Lanthimos - it seemed he was happy with non actors. This on the other hand has some strong contenders. So even if you are not into the movie itself, you can't deny how good the acting is. Even more so, considering it feels like there was no actual dialog script - or they made most of it up. Which may be true or not - have not checked, but it feels improvised for sure. Not trying to diss the director - he may have given them a safe space to create on their own. Of course some may feel that this can be a reason why this feels aimless sometimes.

Still looking forward to what the director and the cast is coming up in the future. They deserve to make more stuff and we deserve to get to see more of their stuff.

I really wanted to watch this one. The Boy (the director, acotr and the man behind the soundtrack is Alexandros Voulgaris, who is also a Greek singer called "The Boy". I learned about his songs the summer that past and I started taking a good look at his recent work and although it is totally weird and alienating, it was so fascinating and captivating, underneath the quircky lyrics and complex melody, there lied an honest person with a vision and a heart. That was what I got from his recent film, Winona, a story about 4 girls that spend their day in the beach doing what 4 girls usually do-tlak, play, sing , enjoy, swim, laugh and do dump things. I love this film. It just...it's such a lovely and easy-going film to seat through and it is a unique emotional journey.

Firslty, the visual storytelling. The movie was shot with a kodak 16mm film using film and it looks gorgeous. This movie manages to master the art of portraying a certain time at a certain season with certain people. This film IS summer anc I have not seen any other film portraying the colours and the melancholy of summer so vividly before ( ok , maybe Call me by your name). The sun, the sand, the sea, the clouds , the flowers, its texture is so soft and beatiful.

The dialogue is pretty lose from start to finish, but that's not bad at all. It's point is to portray a summer day and the relationships of the characters. It feels really playful and fun evne if there is no actual order of events or a clear view of the story, but that offers for a more relaxing movie experience. The dialogue blends fantasy with reality and it's vastly humorous and funny. It is an astonisihngly new way of blending hypothetical fantasieswhile telling a story. But, under the fantasy-based dialogue lies a sadness and this applies to the film in general. It is fun and has the summer shine, but it is also a melancholic pitcure and a haunting memoir of conversations, laughs, sadness,wonder and loss.

I wathced this film at Thessaloniki International Film Festival and the director and the cast were there to share their experience and answer to our questions. He said that the film has plenty of music because he really loves musical adn he lasways wanted to make one and although this movie is not a musical, musc is always present and adds a certain feeling to every scene. The songs are great and the score is magical. Also, the director is actually a really humble and cool guy. I asked for an autograph and he was so humble that he did not want to sign and I had plenty of conversaitons with him and he is really authentic and true and interesting. I look forward to experiencing more of his films- I actually watched Pink and it was really good and personal- and to his music and I believe htat Greek films should become more known to the public because there a lot of inspiring voices out there that need to be heard and The Boy is no exception. What a perfect day!

Winona is shiny, gorgeous, crispy, melancholic, salty and sad See it with sun-glasses and while making castles on the sand

Fought to stay awake through it.

Seemed like mediocre writers generated large volumes of inane, vapid dialogue hoping that some it would be good enough for the final script and all of it got used, even though almost none of it was any good.

Pretentious lines, soulless recital of dialogue (which may perhaps work in Giorgos Lanthimos' films but in this case it just feels cheap), pop-culture references and name-dropping just for the sake of it. Just because the colours look pretty it doesn't necessarily mean that this films conveys the atmosphere and spirit of a lazy summer day. Just because something is shot on 16mm film, it doesn't equal great filmmaking. Definitely not worth sitting through this so you can get a semblance of plot for the last 15 or so minutes.

The story is known. From sunrise to sunset of a late summer day, four young women kill their time in a deserted beach. They are saying corny (let God make them) jokes, sing discordant songs, recite reams of non-sense together, talk a lot about Woody Allen, managing to say absolutely nothing (which is a feat by itself). They tear up and laugh by themselves, they put up sunscreen, dive into the sea from time to time and create pointless fictions about the only house overlooking the beach. I believe i am getting understood.

But wait a minute! There is suspense also. A car is there and they are probably being watched, but may be not. Probably there is something else going on also, and if this can't be deciphered from the movie, then there are those courteous cinema "critics" who point it out in their "critiques", so that the viewers will expect it and not leave in the middle of the movie. Of course, at the end of the film, even this "something else" is unclear whether it is happening or not. The emotions that the director probably aimed to are lost and sunk in the general boredom that he has successfully generated thus far. The viewer can't take seriously this new discovery, when the director is not taking it seriously himself. There are some Latin American movies that use the technique of the last minute revelation very skillfully and the director should probably want to go and look them over.

However, this movie has a real achievement at its disposal: 14 hours of cinema time are condensed into 2 hours of real time, but the viewer is sure that it is rather 24 hours that have passed by. Since it seems that the director/script writer likes cinema jokes, he should have called his movie "The Big Sleep" instead of "Winona".

This is a typical example of bad Greek cinema that is promoted by certain critics. It reminded me of "Blackout" (1998), that had also been promoted at its time by certain critics. However, "Blackout" had been, even unintentionally, amusing in its pompousness. "Winona" is unable to even offer this shallow compensation for the the two hours waste.