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Un regard intime sur l'ascension, la chute et la rédemption extraordinaires de la télévangéliste Tammy Faye Bakker.Un regard intime sur l'ascension, la chute et la rédemption extraordinaires de la télévangéliste Tammy Faye Bakker.Un regard intime sur l'ascension, la chute et la rédemption extraordinaires de la télévangéliste Tammy Faye Bakker.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 22 victoires et 45 nominations au total
Jay Huguley
- Jimmy Swaggart
- (as James Huguley)
Avis à la une
Make your punters feel the urge to part with cash, chuck some lippy on, to each eye, apply a large and long eyelash, tell them what they want to hear, push the boundaries as far as you dare, then wait for almighty retribution, while you're counting up your stash.
Great performances but ever so slightly shallow.
Great performances but ever so slightly shallow.
Although I didn't remember many details I clearly recall Jim and Tammy Faye from things going on in the mid- to late-1980s. This movie focuses on Tammy Faye but her story can't be told without focusing on how she and Jim got together in the first place and their rocky years as televangelists.
Count me among the skeptics over televangelists in general. My favorite biblical passage (slightly modified) concerns this, "It is easier for a camel to pass through the eye of a needle than it is to find a totally honest televangelist." Jim Bakker, Jimmy Swaggert, just two of the charlatans who preached the word while enriching themselves and behaving badly. Look around today and you'll find many more still in business.
But why blame them? If it weren't for the gullible flock who believe their gas-lighting and lies, who send in donations so that they can be "saved", the televangelists wouldn't exist. Jim was crooked, Tammy Faye was gullible, they both were weak and couldn't resist living the lifestyle of luxury that their ministry allowed.
Although a bit too long, a really good movie, especially for those of us who remember Jim and Tammy Faye when they were in their prime. Chastain, who also was a producer, simply nails the role as Tammy Faye, and she also does all her own singing. I already knew she was talented, I just didn't know how talented. And, she did win the Oscar for Best Actress for her performance.
At home, on DVD from our public library.
Count me among the skeptics over televangelists in general. My favorite biblical passage (slightly modified) concerns this, "It is easier for a camel to pass through the eye of a needle than it is to find a totally honest televangelist." Jim Bakker, Jimmy Swaggert, just two of the charlatans who preached the word while enriching themselves and behaving badly. Look around today and you'll find many more still in business.
But why blame them? If it weren't for the gullible flock who believe their gas-lighting and lies, who send in donations so that they can be "saved", the televangelists wouldn't exist. Jim was crooked, Tammy Faye was gullible, they both were weak and couldn't resist living the lifestyle of luxury that their ministry allowed.
Although a bit too long, a really good movie, especially for those of us who remember Jim and Tammy Faye when they were in their prime. Chastain, who also was a producer, simply nails the role as Tammy Faye, and she also does all her own singing. I already knew she was talented, I just didn't know how talented. And, she did win the Oscar for Best Actress for her performance.
At home, on DVD from our public library.
Jessica Chastain's bravura, committed performance lifts Michael Showalter's 'The Eyes of Tammy Faye' above its middling, problematic writing. While the makeup and costumes are stunning, and the performances are flawless, the plot isn't compelling enough to warrant a two-plus-hour run duration. It's still entertaining, but it blows the opportunity to provide incisive views on religion, politics, and money.
Jessica Chastain is absolutely "fearless" in her performance as Tammy Faye in a very complex leading role. I went to see this film to watch her. Jessica Chastain blew my mind . There is no question in my mind that Chastain will be nominated for a best actress Oscar. She was tremendous and worth the price of admission.
The film is very entertaining and surprisingly funny given the subject matter. The production presented detailed dedication to period accuracy in every visual detail from set design , wardrobe , hair and make-up, direction & screenplay. A first class period piece in its own right.
In the 1970s and '80s Tammy Faye and her husband Jim Bakker rose from humble beginnings to create the world's largest religious broadcasting network and theme park, and were revered for their message of love, acceptance and prosperity. Tammy Faye was legendary for her indelible eyelashes, her idiosyncratic singing and her eagerness to embrace people of all walks of life.
I knew very little about the subject matter beyond what was in the news when I was a teen. This was covered in the film , but also expanded on the story telling with superb character development . Jessica Chastain raises up in this formula biopic about televangelist Tammy Faye Bakker by giving viewers an absorbing, amusing and provocative performance . It's a 'big' role with a physical transformation, (the race for best makeup begins here) ;To recreate her famous look, from the wigs, to the shoulder pads, and, of course, the spidery lashes, Chastain underwent a full transformation to portray Bakker over four decades, requiring four to seven hours in the makeup chair as makeup, wigs, and extensive prosthetic's were applied. It is a radiant , soulful performance and one that was very entertaining . Worth seeking out . 8/10.
The film is very entertaining and surprisingly funny given the subject matter. The production presented detailed dedication to period accuracy in every visual detail from set design , wardrobe , hair and make-up, direction & screenplay. A first class period piece in its own right.
In the 1970s and '80s Tammy Faye and her husband Jim Bakker rose from humble beginnings to create the world's largest religious broadcasting network and theme park, and were revered for their message of love, acceptance and prosperity. Tammy Faye was legendary for her indelible eyelashes, her idiosyncratic singing and her eagerness to embrace people of all walks of life.
I knew very little about the subject matter beyond what was in the news when I was a teen. This was covered in the film , but also expanded on the story telling with superb character development . Jessica Chastain raises up in this formula biopic about televangelist Tammy Faye Bakker by giving viewers an absorbing, amusing and provocative performance . It's a 'big' role with a physical transformation, (the race for best makeup begins here) ;To recreate her famous look, from the wigs, to the shoulder pads, and, of course, the spidery lashes, Chastain underwent a full transformation to portray Bakker over four decades, requiring four to seven hours in the makeup chair as makeup, wigs, and extensive prosthetic's were applied. It is a radiant , soulful performance and one that was very entertaining . Worth seeking out . 8/10.
"Faith isn't political." Tammy Faye (Jessica Chastain)
But Faith is in The Eyes of Tammy Faye-not just a biopic full of secular missteps but also smart, sympathetic, light-hearted, poignant, and the best female performance of the year. This is from someone who thought Jennifer Hudson in Respect could not be bested.
As Tammy Faye Bakker, Chastain (also a producer) stakes out the dramatic territory of resembling the star-crossed televangelist and giving a nuanced performance, including commendable singing, that could make you want to see both Tammy and Jessica again in another completely different drama. You could also want to see a less innocent Tammy if you remember her blind eye for her husband's manifold indiscretions and corruptions.
Forget the makeup, which is remarkable by the way, and just enjoy the masterful depiction of an American classic woman-a star rising to the top at a time when television itself was rising in prominence (beaming shows with a satellite was practically a new weapon). She became a star asserting her talent when men tried to refuse her talent, a woman who rebelled against being left alone while her husband, Jim Bakker (Andrew Garfield-playing a smarmy wimp) took the glory and money. Also, a woman who had blind faith in God and mammon at the same time.
Director Michael Showalter, clearly sympathetic to Tammy, deftly takes the complicated soul from wide-eyed innocent to a wayward but still naive adult whose increasingly-gaudy makeup paralleled her fall from grace. Tammy and Jim's descent, ending in his going to prison for fraud and her losing her beloved television presence and Heritage USA theme park, is an accurate depiction of pride's and wealth's inevitable toll.
Besides Chastain's memorable performance of a talented woman determined to be more than just a trophy, Eyes is a docudrama chock-full of issues like gay love, male impotence, social repression, and most of all, the morphing of religion into entertainment.
Allied to these sinful markers is the couple's acknowledgement that wealth is ok to be pursued, even if you preach Christian charity. That Tammy and Jim built in the '70's and '80's the largest TV ministry, the PTL Network, would have been a remarkable feat except for the sinful ways they flourished.
As Chastain plays her, Tammy barely knew the shenanigans Jim and his buds, like Jerry Falwell, devised to milk their worshipers for wealth and real-estate empires. The Eyes of Tammy Faye is not just an historical docudrama; it is a fitting chronicle of the misalignment of church and state and the corruptions of success.
Eyes is a messy Greek tragedy of sin and redemption that won't let you take your eyes off it. Especially if you see it on the big screen.
But Faith is in The Eyes of Tammy Faye-not just a biopic full of secular missteps but also smart, sympathetic, light-hearted, poignant, and the best female performance of the year. This is from someone who thought Jennifer Hudson in Respect could not be bested.
As Tammy Faye Bakker, Chastain (also a producer) stakes out the dramatic territory of resembling the star-crossed televangelist and giving a nuanced performance, including commendable singing, that could make you want to see both Tammy and Jessica again in another completely different drama. You could also want to see a less innocent Tammy if you remember her blind eye for her husband's manifold indiscretions and corruptions.
Forget the makeup, which is remarkable by the way, and just enjoy the masterful depiction of an American classic woman-a star rising to the top at a time when television itself was rising in prominence (beaming shows with a satellite was practically a new weapon). She became a star asserting her talent when men tried to refuse her talent, a woman who rebelled against being left alone while her husband, Jim Bakker (Andrew Garfield-playing a smarmy wimp) took the glory and money. Also, a woman who had blind faith in God and mammon at the same time.
Director Michael Showalter, clearly sympathetic to Tammy, deftly takes the complicated soul from wide-eyed innocent to a wayward but still naive adult whose increasingly-gaudy makeup paralleled her fall from grace. Tammy and Jim's descent, ending in his going to prison for fraud and her losing her beloved television presence and Heritage USA theme park, is an accurate depiction of pride's and wealth's inevitable toll.
Besides Chastain's memorable performance of a talented woman determined to be more than just a trophy, Eyes is a docudrama chock-full of issues like gay love, male impotence, social repression, and most of all, the morphing of religion into entertainment.
Allied to these sinful markers is the couple's acknowledgement that wealth is ok to be pursued, even if you preach Christian charity. That Tammy and Jim built in the '70's and '80's the largest TV ministry, the PTL Network, would have been a remarkable feat except for the sinful ways they flourished.
As Chastain plays her, Tammy barely knew the shenanigans Jim and his buds, like Jerry Falwell, devised to milk their worshipers for wealth and real-estate empires. The Eyes of Tammy Faye is not just an historical docudrama; it is a fitting chronicle of the misalignment of church and state and the corruptions of success.
Eyes is a messy Greek tragedy of sin and redemption that won't let you take your eyes off it. Especially if you see it on the big screen.
Le saviez-vous
- AnecdotesJessica Chastain said she initially had the impression that Tammy Faye Bakker often had running mascara, as parodies and impressions of Tammy Faye on late night TV and Saturday Night Live (1975) often featured her crying with heavily running mascara. Chastain noted that when researching Tammy Faye, she couldn't find a single image or video of her with mascara running; Tammy Faye only wore waterproof mascara.
- GaffesWhen their son was born and Tammy admitted to her affair the President was Ford not Reagan. So Jim did not receive a letter from President Reagan at that time.
- Citations
Rachel Grover: Oh, Tammy Faye. You follow blindly. In the end, all you are is blind.
- Crédits fousTammy Faye (Jessica Chastain) gives a thumbs up at the end of the closing credits.
- Bandes originalesHow Great Thou Art
Written by Carl Gustav Boberg (as Carl Boberg)
Arranged and Performed by Michael Parnell
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- How long is The Eyes of Tammy Faye?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Los Ojos De Tammy Faye
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 404 127 $US
- Week-end de sortie aux États-Unis et au Canada
- 652 358 $US
- 19 sept. 2021
- Montant brut mondial
- 2 676 180 $US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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