Slash/Back
- 2022
- 1h 26min
NOTE IMDb
5,7/10
2,2 k
MA NOTE
Une invasion extraterrestre a lieu dans le petit village arctique de Maika et ses amis, et c'est à eux de sauver la situation. En utilisant leurs armes et leurs connaissances, les filles de ... Tout lireUne invasion extraterrestre a lieu dans le petit village arctique de Maika et ses amis, et c'est à eux de sauver la situation. En utilisant leurs armes et leurs connaissances, les filles de Pang défendent leur village des extraterrestres.Une invasion extraterrestre a lieu dans le petit village arctique de Maika et ses amis, et c'est à eux de sauver la situation. En utilisant leurs armes et leurs connaissances, les filles de Pang défendent leur village des extraterrestres.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Avis à la une
There are two matters which may serve to especially limit viewer engagement with this one. First is that the movie wears its influences on its sleeve; I don't even need to namedrop a title, because the characters discuss its plot in an early scene. Mind you, I don't think there's anything inherently wrong with such a tack, provided its not outright mimicry (pardon the phrase), and more to the point, there's certainly enough about this iteration to set it apart that any similarity shouldn't be minded. Second, the cast is filled entirely with non-professionals. Here, too, there's nothing inherently wrong with the casting; plenty of non-professional actors have performed admirably when given the opportunity. One can in no way fault the folks who have been brought on to appear herein, though I think it's safe to say that the results vary - whether the kids or the adults, some demonstrate more dexterous skills than others. Still, even at that, I deeply admire the effort to specifically craft a feature starring Inuit people and modern culture, and enlisting talent from among locals is part and parcel of that endeavor.
Putting these aside, it's worth noting that by and large 'Slash/back' is more "fun-scary" than "scary-scary." There are instances that are acutely creepy, and Michael Brooks' dynamic, varied original music also goes a long way toward crafting a sense of atmosphere. On the other hand, some stylized flourishes pointedly emphasize a playful slant that counterbalances the more earnest genre thrills. I suppose this is a good launch point to also note that in some measure the movie suffers from a flattened tone, in turn robbing it of the best invigoration and investment one would assume or hope for. This can partly be attributed to the mix between alternating vibes of major horror and cheeky romp, and partly to the acting that struggles to achieve especial heights even in the most violent moments, with perhaps other factors also involved. I think this is solidly enjoyable, but not inescapably riveting; save for that it's an exemplar of pushing for diversity in cinema, maybe it's not wholly essential.
All this may sound like a lot of criticism, but I mean only to accentuate that for as good as this is, it's not perfect. On the other hand, there is a great deal to love about 'Slash/back,' and by far I think it's much more worth watching than not. I quite like the screenplay whipped up between filmmaker Nyla Innuksuk and co-writer Ryan Cavan. Characters and dialogue are written to be as realistic as possible, as though the actors are effectively playing fictionalized versions of themselves; we get "hip" dialogue and slang that may sit better with "Generation Z" than "millenials," let alone "Generation X" or older, and sometimes uncomfortable but true to life dynamics between family and friends. I think the scene writing and narrative are rather tight as a tale is told of people in a very small coastal town fighting back against something dangerous and extraordinary; if anything, the resolution to the scenario is maybe a little too easy to achieve the best storytelling effect. The horror violence is a blast, and in my opinion all the effects both practical and digital look fantastic; one might argue that the representation of the creature(s) looks low-budget to the point of inauthenticity and kitsch, but I rather think that the appearance is perfectly in keeping with the nature of the entity on hand.
I love that 'Slash/back' was filmed on location in Pangnirtung in the far north of Canada, and while their acting abilities vary, I appreciate that the assembled cast give it their all and are clearly having a good time. It should be said, too, that this boasts strong, professional production values; one can easily imagine how quality might be sacrificed in service of the "homegrown" facet of the title, but Innuksuk demonstrates that she takes her craft seriously. And maybe that more than anything is the key with this movie: no matter how you measure it, it's probably not the best example of any constituent element, nor of its composite genres. It's engaging and entertaining, but not a total must-see. However, it's also characterized by undeniable sincerity, passion, and care from top to bottom, reinforcing the drive to make indigenous people a visible part of cinema as more than just stock characters but also never losing sight of the importance of telling a compelling story in the meanwhile. When all is said and done absolute purists may not find as much appeal here, but I otherwise think that just about anyone would likely come away from the picture having fun. You maybe don't need to go out of your way for it, but 'Slash/back' is an excellent horror flick and in some ways a noteworthy step forward for the industry, and it's well worth checking out if you have the chance.
Putting these aside, it's worth noting that by and large 'Slash/back' is more "fun-scary" than "scary-scary." There are instances that are acutely creepy, and Michael Brooks' dynamic, varied original music also goes a long way toward crafting a sense of atmosphere. On the other hand, some stylized flourishes pointedly emphasize a playful slant that counterbalances the more earnest genre thrills. I suppose this is a good launch point to also note that in some measure the movie suffers from a flattened tone, in turn robbing it of the best invigoration and investment one would assume or hope for. This can partly be attributed to the mix between alternating vibes of major horror and cheeky romp, and partly to the acting that struggles to achieve especial heights even in the most violent moments, with perhaps other factors also involved. I think this is solidly enjoyable, but not inescapably riveting; save for that it's an exemplar of pushing for diversity in cinema, maybe it's not wholly essential.
All this may sound like a lot of criticism, but I mean only to accentuate that for as good as this is, it's not perfect. On the other hand, there is a great deal to love about 'Slash/back,' and by far I think it's much more worth watching than not. I quite like the screenplay whipped up between filmmaker Nyla Innuksuk and co-writer Ryan Cavan. Characters and dialogue are written to be as realistic as possible, as though the actors are effectively playing fictionalized versions of themselves; we get "hip" dialogue and slang that may sit better with "Generation Z" than "millenials," let alone "Generation X" or older, and sometimes uncomfortable but true to life dynamics between family and friends. I think the scene writing and narrative are rather tight as a tale is told of people in a very small coastal town fighting back against something dangerous and extraordinary; if anything, the resolution to the scenario is maybe a little too easy to achieve the best storytelling effect. The horror violence is a blast, and in my opinion all the effects both practical and digital look fantastic; one might argue that the representation of the creature(s) looks low-budget to the point of inauthenticity and kitsch, but I rather think that the appearance is perfectly in keeping with the nature of the entity on hand.
I love that 'Slash/back' was filmed on location in Pangnirtung in the far north of Canada, and while their acting abilities vary, I appreciate that the assembled cast give it their all and are clearly having a good time. It should be said, too, that this boasts strong, professional production values; one can easily imagine how quality might be sacrificed in service of the "homegrown" facet of the title, but Innuksuk demonstrates that she takes her craft seriously. And maybe that more than anything is the key with this movie: no matter how you measure it, it's probably not the best example of any constituent element, nor of its composite genres. It's engaging and entertaining, but not a total must-see. However, it's also characterized by undeniable sincerity, passion, and care from top to bottom, reinforcing the drive to make indigenous people a visible part of cinema as more than just stock characters but also never losing sight of the importance of telling a compelling story in the meanwhile. When all is said and done absolute purists may not find as much appeal here, but I otherwise think that just about anyone would likely come away from the picture having fun. You maybe don't need to go out of your way for it, but 'Slash/back' is an excellent horror flick and in some ways a noteworthy step forward for the industry, and it's well worth checking out if you have the chance.
Kinder gentler version of Stranger Things with the locale (the Canadian north) stealing the show as the uncredited lead. Canada has a history of introducing talented first-time creators (think Croenberg, Reitman) and Nyla Innuksuk maintains the tradition.
It's a small Inuit community. Five girls hanging out are attacked by a polar bear. They shoot it twice and escape. Something is wrong with the bear. It's an alien parasite.
This is a combination of Reservation Dogs and Stranger Things. It's pretty good for a small indie. I love the out-of-the-ordinary location and community. I would like more with the characters. The girls need some space to have their own individuality. It's a simple premise and it's done simply. The ending is a bit simplistic. The acting is fine for the most part especially for relative amateurs. All of that is excusable. The simple fact is that I like these characters and I like them in this simple sci-fi horror. It's fun and it's enjoyable.
This is a combination of Reservation Dogs and Stranger Things. It's pretty good for a small indie. I love the out-of-the-ordinary location and community. I would like more with the characters. The girls need some space to have their own individuality. It's a simple premise and it's done simply. The ending is a bit simplistic. The acting is fine for the most part especially for relative amateurs. All of that is excusable. The simple fact is that I like these characters and I like them in this simple sci-fi horror. It's fun and it's enjoyable.
I felt that the movie was rather well done. I'm surprised at some of the negative comments here about the story and acting. The acting, especially since we are basically talking about an all teen cast, were quite good. Very believable and genuine, not at all like many of the young people (or not so young) in many US Horror films today where they come across as very self-aware with an artificial 'Hipness'. Not here at all. We can really place ourselves squarely in the place of these young girls and what they have to deal with.
The settings and photography are beautiful of course. And, I thought it was also well done how they integrated how the young people feel growing up in an area like that. It was amusing too that right in the middle of dealing with these dangerous aliens, arguments would erupt about who likes who and other such things, just exactly how you would imagine it would occur among girls of that age. It adds a nice, enjoyable genuineness to the performances.
I thought the monsters were great. They did an excellent job creating some pretty damn creepy aliens that I felt were pretty effective. So, you basically had a nice, Retro young people's Horror film with the acting, dialog, and interactions giving it an enjoyable realistic feel. FAR from the contrivances of many of the young people as portrayed in a lot of today's 'Modern Horror'
I think the movie was quite good and entertaining. It was well made and acted and accomplished exactly what it was supposed to do. One needs to keep in mind the context of this film, it's fairly basic story, and it's genuine native setting, in order to appreciate it. If you are looking for all out in your face action and extreme violence like many Horror movies today, then you likely would be disappointed like some of the reviewers here.
Again, I know I've mentioned this numerous times in my reviews here, but I REALLY wish people would limit their reviews to the quality of the filmmaking and how well it is done. Rather than, 'Oh I thought it was boring and stupid' and give it a low rating. If it isn't your particular type of Horror movie, then fine, but I strongly feel a person honestly shouldn't come here and give a film a low rating just because THEY didn't like it. There are a lot of films that I really don't like, but I would admit that they are done well and the people who like those particular types of Horror movies will appreciate them. So, I don't come here and give those kinds of films low ratings just because they didn't happen to be the type of movie that I liked. That doesn't truly help those who may like this type of film and want to know if it is a good one.
Anyway, sorry to go on... 😊 I just honestly don't see any valid reason to trash this movie when it is clearly well made and well presented. Like I mentioned, if you like the premise and the setting and the type of film that this is, and you appreciate movies that are made well and are entertaining, then there is a good chance that you may enjoy this one.
The settings and photography are beautiful of course. And, I thought it was also well done how they integrated how the young people feel growing up in an area like that. It was amusing too that right in the middle of dealing with these dangerous aliens, arguments would erupt about who likes who and other such things, just exactly how you would imagine it would occur among girls of that age. It adds a nice, enjoyable genuineness to the performances.
I thought the monsters were great. They did an excellent job creating some pretty damn creepy aliens that I felt were pretty effective. So, you basically had a nice, Retro young people's Horror film with the acting, dialog, and interactions giving it an enjoyable realistic feel. FAR from the contrivances of many of the young people as portrayed in a lot of today's 'Modern Horror'
I think the movie was quite good and entertaining. It was well made and acted and accomplished exactly what it was supposed to do. One needs to keep in mind the context of this film, it's fairly basic story, and it's genuine native setting, in order to appreciate it. If you are looking for all out in your face action and extreme violence like many Horror movies today, then you likely would be disappointed like some of the reviewers here.
Again, I know I've mentioned this numerous times in my reviews here, but I REALLY wish people would limit their reviews to the quality of the filmmaking and how well it is done. Rather than, 'Oh I thought it was boring and stupid' and give it a low rating. If it isn't your particular type of Horror movie, then fine, but I strongly feel a person honestly shouldn't come here and give a film a low rating just because THEY didn't like it. There are a lot of films that I really don't like, but I would admit that they are done well and the people who like those particular types of Horror movies will appreciate them. So, I don't come here and give those kinds of films low ratings just because they didn't happen to be the type of movie that I liked. That doesn't truly help those who may like this type of film and want to know if it is a good one.
Anyway, sorry to go on... 😊 I just honestly don't see any valid reason to trash this movie when it is clearly well made and well presented. Like I mentioned, if you like the premise and the setting and the type of film that this is, and you appreciate movies that are made well and are entertaining, then there is a good chance that you may enjoy this one.
Congratulations to the people of Pangnirtung, Nunavut. It is nice to see something come out from this area and the residents way of life. This was an interesting little creature feature movie. In a way, it reminded me of THE THING. Too bad, there wasn't a bit more of a budget which would have given it a bit more potential, but I enjoyed it. Some flaws to the storyline but kept me entertained. Kudos to all involved in this Canadian production.
Le saviez-vous
- AnecdotesDue to the location being in close proximity to the North Pole during the summer, Slash/Back differs from the vast majority of horror films by being set almost entirely during daylight - even during the evening.
- ConnexionsFeatures Savage (2009)
- Bandes originalesSila
Written and Performed by Tanya Tagaq (as Tanya Tagaq Gillis) (SOCAN), Ian Campeau (as Ian Fern Campeau), 2oolman (as Timothy Craig Hill), Bear Witness (as Ehren Thomas)
Published by Songs of Six Shooter B (SOCAN), Ian Fern Campeau, Timothy Craig Hill, Ehren Thomas
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- How long is Slash/Back?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Aussi connu sous le nom de
- Horreur boréale
- Lieux de tournage
- Baffin Island, Canada(Both the exteriors and interiors.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 26 minutes
- Couleur
- Rapport de forme
- 2.00 : 1
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