Dinner in America
- 2020
- 1h 46min
Un rocker punk et une jeune femme obsédée par son groupe de musique favori tombent amoureux de façon inattendue. Ils partent ensemble pour un voyage épique à travers les banlieues du Midwest... Tout lireUn rocker punk et une jeune femme obsédée par son groupe de musique favori tombent amoureux de façon inattendue. Ils partent ensemble pour un voyage épique à travers les banlieues du Midwest américain, laissées à l'abandon.Un rocker punk et une jeune femme obsédée par son groupe de musique favori tombent amoureux de façon inattendue. Ils partent ensemble pour un voyage épique à travers les banlieues du Midwest américain, laissées à l'abandon.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 14 victoires et 6 nominations au total
Shelby Alayne Antel
- Nikki
- (as Shelby Antel)
Avis à la une
7FKDZ
Dinner in America, a interesting mix of a absurd comedy romance, filled with over the top characters and poking fun at everyone whilst it can. It's a fun and easy movie to watch, and flew by.
Directing was perfectly fine, it looks the part, colors are great and some scenes really stick out. Besides that it's fairly standard.
Story/writing/acting, this is the meat and potatoes of the movie and is where it is strongest, the writing with the oddball characters instantly made it interesting to me, the whole contrast of Simon versus Patty, and the family dinners scenes were great. It's writing borders on parody and it makes the movie a lot of fun, with some standout funny moments. It's not a typical comedy with a joke every few minutes, but it's a nice balance between the action, romance, and comedy aspects. The story in general was good, the ending decent though I thought the whole finale was wrapped up somewhat quick. I wish we spend a bit more time with them after the basement scene. Music is good too.
Acting is strong, Gallner shows again he can handle pretty much any role and is making me want to find more of his work, and Skeggs surprised me with her quirky, fun and endearing performance. Perfectly cast.
Fun and quirky movie that went under the radar.
Directing was perfectly fine, it looks the part, colors are great and some scenes really stick out. Besides that it's fairly standard.
Story/writing/acting, this is the meat and potatoes of the movie and is where it is strongest, the writing with the oddball characters instantly made it interesting to me, the whole contrast of Simon versus Patty, and the family dinners scenes were great. It's writing borders on parody and it makes the movie a lot of fun, with some standout funny moments. It's not a typical comedy with a joke every few minutes, but it's a nice balance between the action, romance, and comedy aspects. The story in general was good, the ending decent though I thought the whole finale was wrapped up somewhat quick. I wish we spend a bit more time with them after the basement scene. Music is good too.
Acting is strong, Gallner shows again he can handle pretty much any role and is making me want to find more of his work, and Skeggs surprised me with her quirky, fun and endearing performance. Perfectly cast.
Fun and quirky movie that went under the radar.
Adam Rehmeier's "Dinner in America" is without doubt the best serio-comic punk-outlaw indie movie to have come along since I don't know when. Although it doesn't go too far off the beaten track of dozens of other 'youth' movies, (even blatantly stealing a gag from "Heathers"), I can't think of many as fresh or as likeable as this one. It's your old-fashioned boy-meets-girl plot though neither the boy nor the girl fit the stereotypical roles that might suggest.
He's a punk rocker but since he keeps his face hidden under a mask when performing nobody knows his real identity and she's a nerdy fan generally regarded by everyone she meets, (including her family), as 'retarded'. They certainly don't meet cute, (he's on the run from the police and she hides him), and they don't hit it off straight away until her 'secret' becomes the key that unlocks his bad-boy heart, (he likes to smash things and set fire to people's property).
Despite its propensity to violence and a screenplay as foul-mouthed as any in recent movies this is definitely a sweet-natured movie and as their unlikely romance blossoms you will undoubtedly find yourself cheering for it to succeed. As the central pair of lovers both Kyle Gallner and especially Emily Skeggs are absolutely terrific and I am sure both they and writer/director Rehmeier have the brightest of futures ahead of them.
He's a punk rocker but since he keeps his face hidden under a mask when performing nobody knows his real identity and she's a nerdy fan generally regarded by everyone she meets, (including her family), as 'retarded'. They certainly don't meet cute, (he's on the run from the police and she hides him), and they don't hit it off straight away until her 'secret' becomes the key that unlocks his bad-boy heart, (he likes to smash things and set fire to people's property).
Despite its propensity to violence and a screenplay as foul-mouthed as any in recent movies this is definitely a sweet-natured movie and as their unlikely romance blossoms you will undoubtedly find yourself cheering for it to succeed. As the central pair of lovers both Kyle Gallner and especially Emily Skeggs are absolutely terrific and I am sure both they and writer/director Rehmeier have the brightest of futures ahead of them.
The first 15 to 20 minutes struggled, with the cuts too sharp and the dialogue a little clunky. However, stick with it - once it got going it found a good pace with a light tone, comedic moments and some highlights that were genuinely touching. I didn't think it offered anything new in regards to the story (ultimately it's a bad boy and a 'weirdo girl') but it was so well done with thorough, fleshed out characters, that it was very hard to find anything to dislike about it. It felt genuine and, importantly, it offered something different to what gets churned out nowadays. Plus points for a catchy headline song as well.
Always a joy when low expectations yield joyous results. This is simply wonderful. Something to offend everyone. A junkie arsonist punk singer trashes a bunch of people's lives, encounters a socially stunted chick being bullied, wants to use her for his own ends, slowly discovers she is more like him than he realises and they fall in love. Zero sentimental crap and a bizarre happy ending.
This is close to zero budget and with a cast of no names. No requirement for explosions or car crashes. Well written script with real characters. Dripping with vicious sarcasm. Wonderful. More please. I loved this so much.
This is close to zero budget and with a cast of no names. No requirement for explosions or car crashes. Well written script with real characters. Dripping with vicious sarcasm. Wonderful. More please. I loved this so much.
I was fortunate enough to catch this film at Sundance. It is absolutely wonderful. The style of directing is very clean and stylized, and the humor used is biting but not trite. It's the perfect mixture.
Simon and Patty are misfits, forgotten or ignored by society. They are pushed aside. Simon is the kind of person who fiercely lives his life out loud by the code of punk rock, uncaring about what others think about him, but he has a good heart. He is often in the wrong situation at the wrong time and forced to make the best out of the options laid before him. Patty is often made fun of by her peers or complete strangers for no reason. She lives her life almost in secret, letting go and losing herself in her room to her music as she dances without abandon. From the outside, she's the last person you'd expect to be a punk rocker.
These two meet and what ensues is a beautiful, touching, and humorous journey about seeing someone else for who they truly are--learning to look past whatever first impressions that may have been formed and seeing the person inside of them who is often lost to others or afraid to come forth. By finding each other, Simon and Patty find themselves. Go see this movie!
Simon and Patty are misfits, forgotten or ignored by society. They are pushed aside. Simon is the kind of person who fiercely lives his life out loud by the code of punk rock, uncaring about what others think about him, but he has a good heart. He is often in the wrong situation at the wrong time and forced to make the best out of the options laid before him. Patty is often made fun of by her peers or complete strangers for no reason. She lives her life almost in secret, letting go and losing herself in her room to her music as she dances without abandon. From the outside, she's the last person you'd expect to be a punk rocker.
These two meet and what ensues is a beautiful, touching, and humorous journey about seeing someone else for who they truly are--learning to look past whatever first impressions that may have been formed and seeing the person inside of them who is often lost to others or afraid to come forth. By finding each other, Simon and Patty find themselves. Go see this movie!
Le saviez-vous
- AnecdotesThe song "Watermelon" was written for the film as a collaboration between Emily Skeggs (Patty) and writer/director Adam Rehmeier. On their second day in Detroit, Rehmeier had Skeggs write stream-of-consciousness poetry as her character, and they created and recorded the song in a day.
- Bandes originalesIt's Sad to Belong
Performed by Dan Seals (as England Dan) & John Ford Coley
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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- How long is Dinner in America?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 22 394 $US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 2.39:1
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