Narziss und Goldmund

Despite incredibly beautiful cinematography and a great story, the film is not able to transport the emotions of the original book. Some of the main cast is simply not convincing, perhaps there was not the right chemistry with the provenly talented director. Probably more enjoyable for people that don't know the book.

I have not read the novel - although some who have seen the movie and have read the novel couldn't remember it - so I don't think there is a majority of those in the know. Still I can imagine that you have some more insights if you have read where this is going. And especially how the short stories really fit into each other.

That being said, the acting is good, the costumes are good and certain elements or stories work better than others. The friendship and some sexual adventures keep things interesting too - but it is sometimes hard to keep ones focus high or entirely interested in what is going to happen next. That would or could be a good thing I reckon: you never know where this is going to go entirely ... decent movie for someone like me and maybe you, who is not aware of the source matieral.

An incredible film adaptation, with beautiful landscapes and extraordinary music. However, the story fails to captivate at all, so it becomes predictable moments. But overall it's a nice movie to watch, featuring great German performances by the young Jannis Niewöhner, Sabin Tambrea and Henriette Confurius, as well as extraordinary actors like Matthias Habich and André Hennicke.

I read the Hesse novel fifty years ago and can no longer remember it. However, whether this beautifully photographed film adheres closely to the original text is not important. The director and his brilliant cinematographer have created a series of scenes that engage the viewer and move effortlessly to the ultimate denouement. Actors, costumes, sets, and music are perfectly combined, and the film's editor never dwells too long on a take. The religious and personal feelings expressed are relevant to different viewers of our time. This little-known film deserves a much larger international audience.

Spiritual insight can rarely be brought to the screen. Dreyer, Bresson and sometimes Rohmer achieved it, but good though this director is and visually exciting though the film is it is a banal rendering of Hermann Hesse. I do not think any of his books can be brought to the screen because all our visual pictures of his books are different to each person's inner screen: the imagination. The opening music tried to establish a ' religious ' feel and so did the scenery behind it. A brave attempt to attract an audience to Hesse, but sadly in our current era ( certainly in the UK ) this very great author has lost his appeal. Even in the 1970's when he was distorted by ' hippie ' culture and very popular he was distorted. A 4 for the director for trying.