Un regard sur une journée dans la vie de l'assistante d'un cadre puissant.Un regard sur une journée dans la vie de l'assistante d'un cadre puissant.Un regard sur une journée dans la vie de l'assistante d'un cadre puissant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 25 nominations au total
James C.B. Gray
- Postal Worker
- (as James Gray)
Avis à la une
It's impressive how this movie is so low key and just shows what is likely a very ordinary day for the protagonist, yet still remains interesting and unnerving to watch. Entertaining might not be the best word to describe it, but neither is boring. It maintains a sense of quiet discomfort throughout, and the apathy of a toxic workplace and predatory behaviour of the higher-ups is explored extremely well with this stripped down, non-heightened approach.
I was glad I knew it was subdued and grounded before going in, as if I'd expected more, I may have spent all 80-something minutes of its runtime waiting for the "plot" to start happening.
Despite it being quiet and low key, it's also definitely not subtle. It's pretty clear what (or arguably even who) the movie is about, and I guess the very dry, quiet presentation with the strong and far from subdued intentions of the film did make for an odd but usually interesting contrast.
Also worth mentioning is that Julia Garner was great in the lead role, but the rest of the cast are mostly just decent.
I was glad I knew it was subdued and grounded before going in, as if I'd expected more, I may have spent all 80-something minutes of its runtime waiting for the "plot" to start happening.
Despite it being quiet and low key, it's also definitely not subtle. It's pretty clear what (or arguably even who) the movie is about, and I guess the very dry, quiet presentation with the strong and far from subdued intentions of the film did make for an odd but usually interesting contrast.
Also worth mentioning is that Julia Garner was great in the lead role, but the rest of the cast are mostly just decent.
Let's just say, that whoever did this, has experience when it comes to the life of an assistant. There is nothing fancy here and the ticks and tocks are subtle and not in your face. The life of an Assistant is not glamouros (in realityt that is and in the way it is depicted here) - this could easily be a documentary then.
So your patience is being tested in a way, one would say. The movie is interesting to some then and annoying to boring to others. Be aware to which group you belong and act accordingly (watch or don't that is)
So your patience is being tested in a way, one would say. The movie is interesting to some then and annoying to boring to others. Be aware to which group you belong and act accordingly (watch or don't that is)
Following on from the Harvey Weinstien scandal and other instances of sexual abuse and harrassment by the rich and powerful I'm sure movies like "The Assistant" are going to become more common place but I doubt if many of them will be this strange, this unsettling or indeed this good. Although fiction, "The Assistant" looks and feels like it could be a documentary and Kitty Green, whose first feature this is, does indeed come from a documentary background.
The assistant of the title, (a beautifully subdued Julia Garner), is a young woman employed in the New York office of a media mogul, not just as a kind of secretary, but as someone to clean up, (literally), the mess (literally), that her boss leaves behind and to take whatever verbal abuse he dishes out. She is safe, it would seem, from sexual harrasment because, as she's told, 'she's not his type'. The boss himself is never seen on screen.
This is a genuinely frightening film that goes beyond what has come to be known as the #MeToo Movement. It paints a horrifying picture of what powerful people can do to subordinates given the chance, (I know because I too worked with such people but I, at least, had the balls to stand up to them...and not get fired). What distinguishes Green's film is that she never over-dramatizes, (if anything, she holds back almost to the point of boredom), uses actors who are not well-known to us, (a magnificently obsequious Matthew Macfadyen is the best known person on screen), and films it, not as a clammy thriller, but as a fly-on-the-wall slice of life. There is none of the triumphalism of "Bombshell" on display here, just the chilly feeling that an unseen monster is lurking out of camera shot and destroying the lives of everyone around him.
The assistant of the title, (a beautifully subdued Julia Garner), is a young woman employed in the New York office of a media mogul, not just as a kind of secretary, but as someone to clean up, (literally), the mess (literally), that her boss leaves behind and to take whatever verbal abuse he dishes out. She is safe, it would seem, from sexual harrasment because, as she's told, 'she's not his type'. The boss himself is never seen on screen.
This is a genuinely frightening film that goes beyond what has come to be known as the #MeToo Movement. It paints a horrifying picture of what powerful people can do to subordinates given the chance, (I know because I too worked with such people but I, at least, had the balls to stand up to them...and not get fired). What distinguishes Green's film is that she never over-dramatizes, (if anything, she holds back almost to the point of boredom), uses actors who are not well-known to us, (a magnificently obsequious Matthew Macfadyen is the best known person on screen), and films it, not as a clammy thriller, but as a fly-on-the-wall slice of life. There is none of the triumphalism of "Bombshell" on display here, just the chilly feeling that an unseen monster is lurking out of camera shot and destroying the lives of everyone around him.
Very accurate and realistic representation of a work day in a life of the newly assigned assistant to the boss, who's a creep and uses his status to fulfill his desires.
Do not expect anything graphic - everything is done very subtle and all the bad stuff happens behind the scenes.
Do not expect any action either - it is all just as low key and as mundane as it sounds like.
I recommend it, if knowing all that you're still up for it.
Do not expect anything graphic - everything is done very subtle and all the bad stuff happens behind the scenes.
Do not expect any action either - it is all just as low key and as mundane as it sounds like.
I recommend it, if knowing all that you're still up for it.
I really enjoyed this film, it feels real and doesn't give in to sensationalism. If you're looking for thrills and spills then this isn't it.
Le saviez-vous
- AnecdotesThe drugs Jane puts in the storage box are Alprostadil injections for erectile dysfunction.
- GaffesIt has been noted as a "revealing mistake" that Jane has a driver in the morning but not in the evening. There are two plausible plot lines for this: 1. It is critical for Jane to be at work earlier than anyone to prepare the office for the day, so having her driven to the office is worth the expense, but not so important at the end of the work day; and 2. her boss was headed to L.A. that night and was using the driver for airport transport. Both plot lines continue the theme of Jane having value only when it is convenient or worthwhile to the overall office.
- Citations
Boss: [Over the phone] I'm not gonna yell at you. Am I yelling? No... Because you're not someone even worthy of that. Because you didn't even have the fucking courtesy to talk to me about whatever the fuck fantasy you decided to spew all over me... So, let me ask, do you want to keep this job?
Jane: Yeah.
Boss: Okay... Then send me a fucking apology.
- ConnexionsFeatured in IMDb Originals: A Salute to Women Directors (2020)
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- How long is The Assistant?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 100 313 $US
- Week-end de sortie aux États-Unis et au Canada
- 79 141 $US
- 2 févr. 2020
- Montant brut mondial
- 1 338 881 $US
- Durée1 heure 27 minutes
- Couleur
- Rapport de forme
- 2.00 : 1
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