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The Assistant

  • 2019
  • R
  • 1h 27min
NOTE IMDb
6,3/10
28 k
MA NOTE
POPULARITÉ
3 220
2 967
Julia Garner in The Assistant (2019)
Trailer 1
Lire trailer2:25
6 Videos
67 photos
DrameDrame sur le lieu de travail

Un regard sur une journée dans la vie de l'assistante d'un cadre puissant.Un regard sur une journée dans la vie de l'assistante d'un cadre puissant.Un regard sur une journée dans la vie de l'assistante d'un cadre puissant.

  • Réalisation
    • Kitty Green
  • Scénario
    • Kitty Green
  • Casting principal
    • Julia Garner
    • Owen Holland
    • Jon Orsini
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    28 k
    MA NOTE
    POPULARITÉ
    3 220
    2 967
    • Réalisation
      • Kitty Green
    • Scénario
      • Kitty Green
    • Casting principal
      • Julia Garner
      • Owen Holland
      • Jon Orsini
    • 537avis d'utilisateurs
    • 183avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 25 nominations au total

    Vidéos6

    The Assistant
    Trailer 2:25
    The Assistant
    The Assistant Trailer
    Trailer 2:25
    The Assistant Trailer
    The Assistant Trailer
    Trailer 2:25
    The Assistant Trailer
    Star Julia Garner Talks the 'Terrifying' Challenge of Making 'The Assistant'
    Clip 7:47
    Star Julia Garner Talks the 'Terrifying' Challenge of Making 'The Assistant'
    Kevin Smith's 6 Films to Watch Out For at Sundance 2020
    Clip 3:35
    Kevin Smith's 6 Films to Watch Out For at Sundance 2020
    The Assistant: Send Her In
    Clip 0:54
    The Assistant: Send Her In
    The Assistant: The Meeting
    Clip 0:35
    The Assistant: The Meeting

    Photos67

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 61
    Voir l'affiche

    Rôles principaux44

    Modifier
    Julia Garner
    Julia Garner
    • Jane
    Owen Holland
    • Driver
    Jon Orsini
    • Male Assistant 2
    Rory Kulz
    Rory Kulz
    • Executive 3
    Migs Govea
    Migs Govea
    • Executive 1
    Daoud Heidami
    Daoud Heidami
    • Executive 2
    Ben Maters
    • Executive 4
    Noah Robbins
    Noah Robbins
    • Male Assistant 1
    Tony Torn
    • Boss
    Dagmara Dominczyk
    Dagmara Dominczyk
    • Ellen
    Alexander Chaplin
    Alexander Chaplin
    • Max
    Bregje Heinen
    Bregje Heinen
    • Tatiana
    Devon Caraway
    Devon Caraway
    • Non-Fiction Executive 1
    Genny Lis Padilla
    • Non-Fiction Executive 2
    Clara Wong
    Clara Wong
    • Tess
    James C.B. Gray
    James C.B. Gray
    • Postal Worker
    • (as James Gray)
    Sophie Knapp
    Sophie Knapp
    • Child 1
    Hunter Hojnowski
    • Child 2
    • Réalisation
      • Kitty Green
    • Scénario
      • Kitty Green
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs537

    6,328K
    1
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    10

    Avis à la une

    TxMike

    Character study, a young assistant in the New York entertainment empire.

    I can see why some viewers don't like this movie, there is no action, essentially no background music until the very end, and the focus is squarely on this young assistant who has been in the job for 5 weeks after graduating from a good college. Her ambition is to work her way into being a Producer.

    Julia Garner, a New Yorker herself, is age-appropriate, was probably about 24 during filming, she is simply Jane. She calls home periodically, her parents tell her to get enough sleep, she is very diligent and professional, she gets to the office before daybreak and is often the last to leave. She gets sandwiches, makes copies, arranges flights and hotels, her work keeps the offices running. There is no frivolity.

    Her awakening to the reality of things is when she goes in to make an anonymous concern, that sexual shenanigans might be going on even with the big boss, an unqualified girl from Idaho is hired and put up at a hotel, and basically finds out her job is to mind her own business if she wanted to keep her job.

    It is easy to think this was inspired by Harvey Weinstein and his office, and maybe it was, but enough has come to light over the past few years to realize this is closer to the norm than it is to the exception. The story is less about the big boss taking advantage of pretty young girls, it is more about the culture and the widespread acceptance within the office that this is the norm. But one worker told her "Don't worry, you're not his type."

    The story covers one long day but it gets its point across. Garner is superb in her role as Jane but we get no clue what might eventually happen for her. My wife and I watched this at home on DVD from our public library. When it ended she asked "It's over?"
    7HorrorEnjoyer

    Brilliant

    Very accurate and realistic representation of a work day in a life of the newly assigned assistant to the boss, who's a creep and uses his status to fulfill his desires.

    Do not expect anything graphic - everything is done very subtle and all the bad stuff happens behind the scenes.

    Do not expect any action either - it is all just as low key and as mundane as it sounds like.

    I recommend it, if knowing all that you're still up for it.
    JohnDeSando

    A trenchant drama of harassment in a Weinstein-world.

    "It's not my place to question your decisions. I'm grateful for the continued opportunity." Jane (Julia Gardner) to her boss (Tony Torn)

    Jane is a recent college grad who has taken a new job in the city with a media-related firm that has her as an assistant who fears more will be asked of her than the usual go-fer tasks. The above quote just about summarizes her abasement after Boss discovers Jane has complained to HR about his seemingly-predatory practices with young aspirants.

    Writer-director Kitty Green has perceptively caught in The Assistant what we all suspected from the Harvey-Weinstein debacle-the sexism and sexual harassment that seem almost a part of a low-level young woman's job description. Plain Jane is constantly on camera, frequently in closeups and peering around the office finding stains on the couch she must clean and compromising conversations she must overhear. These shots do nothing to make her appealing other than to mark her as a good girl caught in compromising situations.

    With little affect, Jane is the willing subordinate who might compromise herself should Boss advance on her but who probably is free of the harassment because she is "not his type." So says the HR officer, who listens to her concerns about her boss's predations with new or potential hires.

    This scene should be seen by anyone who wants a feel for the imbalances in Weinstein-like worlds, where HR just might tell what you complained about to the Boss and co-workers, and where the fear that she might be fired if she complains keeps her from formally complaining. Jane must be complicit by not complaining or she will lose her precious job. Green makes a compelling case for the gloomy perspective through scenes that demean the protagonist and the office crew.

    The Assistant has a Seinfeld theme of being about nothing but really everything. The rumbles are underneath the surface and almost undetectable, so the surface seems cool and accommodating. Yet, looking at Jane's bland face and seeing her capitulate to power and advancement makes on want to certify every minute Harvey stays behind bars.
    7odiebeau

    Gentle and unassuming

    I really enjoyed this film, it feels real and doesn't give in to sensationalism. If you're looking for thrills and spills then this isn't it.
    8MOscarbradley

    Deeply unsettling and unlike any other movie you will see on sexual abuse.

    Following on from the Harvey Weinstien scandal and other instances of sexual abuse and harrassment by the rich and powerful I'm sure movies like "The Assistant" are going to become more common place but I doubt if many of them will be this strange, this unsettling or indeed this good. Although fiction, "The Assistant" looks and feels like it could be a documentary and Kitty Green, whose first feature this is, does indeed come from a documentary background.

    The assistant of the title, (a beautifully subdued Julia Garner), is a young woman employed in the New York office of a media mogul, not just as a kind of secretary, but as someone to clean up, (literally), the mess (literally), that her boss leaves behind and to take whatever verbal abuse he dishes out. She is safe, it would seem, from sexual harrasment because, as she's told, 'she's not his type'. The boss himself is never seen on screen.

    This is a genuinely frightening film that goes beyond what has come to be known as the #MeToo Movement. It paints a horrifying picture of what powerful people can do to subordinates given the chance, (I know because I too worked with such people but I, at least, had the balls to stand up to them...and not get fired). What distinguishes Green's film is that she never over-dramatizes, (if anything, she holds back almost to the point of boredom), uses actors who are not well-known to us, (a magnificently obsequious Matthew Macfadyen is the best known person on screen), and films it, not as a clammy thriller, but as a fly-on-the-wall slice of life. There is none of the triumphalism of "Bombshell" on display here, just the chilly feeling that an unseen monster is lurking out of camera shot and destroying the lives of everyone around him.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The drugs Jane puts in the storage box are Alprostadil injections for erectile dysfunction.
    • Gaffes
      It has been noted as a "revealing mistake" that Jane has a driver in the morning but not in the evening. There are two plausible plot lines for this: 1. It is critical for Jane to be at work earlier than anyone to prepare the office for the day, so having her driven to the office is worth the expense, but not so important at the end of the work day; and 2. her boss was headed to L.A. that night and was using the driver for airport transport. Both plot lines continue the theme of Jane having value only when it is convenient or worthwhile to the overall office.
    • Citations

      Boss: [Over the phone] I'm not gonna yell at you. Am I yelling? No... Because you're not someone even worthy of that. Because you didn't even have the fucking courtesy to talk to me about whatever the fuck fantasy you decided to spew all over me... So, let me ask, do you want to keep this job?

      Jane: Yeah.

      Boss: Okay... Then send me a fucking apology.

    • Connexions
      Featured in IMDb Originals: A Salute to Women Directors (2020)

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    FAQ

    • How long is The Assistant?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 31 janvier 2020 (Royaume-Uni)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langues
      • Anglais
      • Mandarin
      • Espagnol
    • Aussi connu sous le nom de
      • La asistente
    • Sociétés de production
      • 3311 Productions
      • Bellmer Pictures
      • Cinereach
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 100 313 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 79 141 $US
      • 2 févr. 2020
    • Montant brut mondial
      • 1 338 881 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 27 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.00 : 1

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