Stream

In Stream, Danielle Harris plays the mother of a 16-year-old girl - that makes me feel very old! Harris is just one of the many horror icons that appear in this gory throwback to when horror didn't feel the need to be 'elevated' - just fun. And it almost succeeds. Almost.

The film takes place in a hotel, where the Keenans - father Roy (Charles Edwin Powell), mother Elaine (Harris), daughter Taylor (Sydney Malakeh) and son Kevin (Wesley Holloway) - have decided to take a family break. Unfortunately, the building has been chosen by an underground organisation as the latest location for an online game of murder, the hotel guests stalked and killed by masked maniacs, with the whole thing streamed live for the enjoyment of gambling sickos.

Director Michael Leavy is clearly aiming for the same level of success enjoyed by his pal Damien Leone (director of the Terrifier movies), even to the point of casting Art the Clown himself, David Howard Thornton, as one of the killers. Leone provides the splattery effects, so gorehounds are well catered for, but what lets the film down are the weak script, which is full of plot holes, the performances, an overlong runtime (at just over two hours), and the generic killers, which reminded me of The Purge and The Strangers, amongst others.

If you're in it for the gore and the cameos (which include Dee Wallace, Felissa Rose, Tony Todd, Bill Moseley and Tim Curry), then you won't be disappointed, but considering the talent involved, I had hoped for the film to be much better overall.

This movie was clearly a passion project. It's moreso a love letter to horror fans than one of those movies that takes itself overly serious. It's fun, it's campy, the practical effects are amazing and over the top which is exactly what you'd expect from this team and it has a similar feel to those 80s films we've come to know and love. You can tell the cast had a blast making it and that's one thing that made this so fun to watch. I feel like conceptually speaking there's a lot of real horror here; especially in the age of online media where people do pretty much anything for views and money.

The killers have a great look- modern carbon fiber masks with LED lights that give it a unique video game feel. The style this was shot as also aids itself to that look. The cast is mega from all walks of horror life. Standout performances by Jeffery Combs and Danielle Harris as well as some really well acted supporting roles from Tim Reid, Dee Wallace and Terrifier's David Howard Thornton , Wesley Holloway and Michael Leavy (also the director). I enjoyed the surprise cameos of Tim Curry, Bill Moseley and Tony Todd. The biggest compliment however goes to newcomer Charles Edwin Powell as our hero/protagonist. Not often do you see a final dad. Some characters make questionable decisions for sure but its clear it was an intentional tribute to slashers of the golden era of horror (IE 80s). A tighter beginning- getting us into the game faster and more explanation into how it works would've called for a higher score but didn't take away from the experience when all was said and done. It's evident the filmmakers are saving those details for an eventual sequel and I am here for it.

As a die hard Terrifier and Fuzz on the Lens fan I think I set me expectations way too high. As I look at the numerous 10/10 scores on IMDB it's evident to me that many other fans like myself who have become near family with these filmmakers through social media are doing the kind thing by building this film up to help it. I get it. I am an indie filmmaker myself and understand that building bonds with your niche audience is imperative for any sustained success. But as an audience member I was not very entertained. Aside from Paul Wiley's score, David Howard Thornton's very reminiscent of Art the Clown performance, and Jeffrey Combs who carries much of this film, it felt like a chore to get through. This felt like a first draft of a script that needed more outside eyes on it. The dialogue was flat and characters one dimensional. The "game" I don't think even began til around 45 minutes into the film (or at least it felt that way) The entire runtime before that dragged and dragged. I can count two times that I began to nod off. You also get no real exposition as to why this game is being played, who the players are, or its audience. It would've benefited from some intercutting shots between the game and certain audience members watching and rooting for their favorite players to remind you that this is actually a "stream". What it does do is benefit from the great makeup fx work we've come to love and expect from Damien Leone. There are a few really nice kill scenes that give you big time Terrifier vibes. It just doesn't have enough.

I liked Stream, it has more story than your typical slasher but that's ok, it's a nice change of pace that paid off in the end but can be a little tighter which would've helped more overall at the start. The best parts for sure are the who's who of horror alum, it made for a fun exciting watch of seeing who would come next and pop up. Had a great time on that front, also the practical gore was insane (obv Damien Leone) and it had a nice mix of scary and funny moments which made a rollercoaster or emotions. The killers masks were sick and the concept is really unique and can go anywhere. Some of the dialogue could've been better but the acting was good, especially from all the leads. I think the filmmakers are just touching the surface is what this franchise will be and I'm here for it. They laid a good foundation and I hope to see a sequel or prequel soon. This was made with a target slasher/horror audience in mind and it was accomplished.