Yes, God, Yes

This film really feels like one of those festival hits that plays best in the festival setting. It addresses some interesting things around religion and sex, and the main character is likeable. It's a bit slow at times though. Worth a watch, but it's going to appeal most to fans of indie and arthouse films or perhaps someone who has left the Catholic faith and deeply relates to the topic.

Disappointing that it's sort of just another coming of age movie, taking the tropes and side characters that you usually see in those movies and using them pretty ordinarily here. With the premise it had, I really wish it had been funnier, crazier, edgier, or just a little less predictable.

It falls into that annoying category of dramadies where it's neither particularly funny or particularly dramatic (I call it Entourage Syndrome, named after how lazy that show could be when it frequently didn't commit to either comedy or drama).

Most of the performances are okay, and the brief length keeps it from being too dull, but it was a slight disappointment, even if not bad.

Oh: and it doesn't capture the time period nearly as well as something like Ladybird. Sorry to compare it to that, but overall that was a much faster, funnier, more emotional, and far better paced movie in general.

Everyone is hiding something. No matter what it is, is that a good or bad thing to hide. Its just between you and God. Mind your own business. But as a humanity, we should share, engage with people. It's okay to hide it, but trying to be honest is better. Alice's speech at the camp was representing this movie in short. Loved the message! Such a simple and beautiful coming-of-age story.

Unfortunately, I didn't quite catch with the plot. I just feel like there is a lot of unnecessary scene here. Some of the scene make me wonder, what's the purpose of that thing. And there's no further explanation after some event. Why everyone did not asking her where did she go after she came back from the bar, how can she easily escape from the father's office without getting caught after she put Wade's waistband and caught father watching some sex scene. Sometimes it's fine to haven't to be full explained. But it's really bother me. This movie trying to be realistic and natural but for me its doesn't executed quite well.

The performance was decent, Natalia Dyer did a good job as an innocent girl. I am a fan of her btw haha (main reason why I watched this, lol). Also, no complaints about visual and sound design. Everything was good.

A great coming of age story. Natalia is a perfect fit for the role.

An honest, funny & thoroughly relatable account of a young girl's sexual awakening, Yes, God, Yes is short, simple & straightforward in its approach, and is brilliantly led by Natalia Dyer's sweet & amusing performance. There is a sincerity in this coming-of-age portrayal and a proper understanding of that awkward teenage phase which makes this film both fun & evocative.

Written & directed by Karen Maine in her directorial debut, the story is adapted from her short film of the same name but the larger canvas & longer runtime offer her an incentive to spread out the plot, create new situations & explore some more themes. However, Maine decides to not venture out further which in turn makes this film look like an overly long version of the more compact & effective short.

Much of the hilarity comes from our very own relatability to the protagonist's journey after she discovers masturbation, experiences sexual urges & lustful desires for the first time and the feeling of guilt, confusion & awkwardness that comes with it and is further exacerbated by her Catholic teachings. And the authenticity with which Dyer articulates her character's temptations & inner turmoil is by all means praiseworthy.

Overall, Yes, God, Yes commences Karen Maine's directorial career on a promising note and is a fascinating depiction of a young girl trying to figure herself out through her curiosities & observations while also serving as a delightfully nostalgic trip down memory lane. Those who have already seen the short may not find anything new or refreshing about it but for the rest, this brief, breezy & brill piece of work is definitely worth a shot.