Lorsque les talibans mettent un prix sur la tête d'Hassan Fazili, il doit fuir avec sa femme et ses deux filles. Fazili montre les dangers auxquels sont confrontés les réfugiés en quête d'as... Tout lireLorsque les talibans mettent un prix sur la tête d'Hassan Fazili, il doit fuir avec sa femme et ses deux filles. Fazili montre les dangers auxquels sont confrontés les réfugiés en quête d'asile et l'amour dans une famille en cavale.Lorsque les talibans mettent un prix sur la tête d'Hassan Fazili, il doit fuir avec sa femme et ses deux filles. Fazili montre les dangers auxquels sont confrontés les réfugiés en quête d'asile et l'amour dans une famille en cavale.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 26 victoires et 18 nominations au total
Avis à la une
Following the dual point of view from the filmmaker (- as a documentary director as well as a refugee), we, far from the war zone, are taken into a long journey named uncertainty, with the filmmaker's own family on the run towards EU. With its main characters full of love and determination, and regardless of the imbalance on the film's technical side, this docu-drama is simply so engaging not just because of the whole run/adventure being dramatic and suspenseful in nature, but because the filmmakers are deeply honest, reflective, and COURAGEOUS. A decent reminder to all of us --Life is hard, but let's be courageous!
This is a good film.
Some strengths are: It gives a raw view into the difficult life of refugees by using real footage. It draws an interesting parallel between the innocence of the daughters and the knowledge of the parents. It manages to take footage shot completely on mobile phones and turn it into a coherent film. It effectively develops relatable characters who the audience can empathize with.
Some failures are: Sure, this movie is only 90 minutes long, but somehow the editor made it feel like 90 years long. I get that it is based on true events and real footage, but that's no excuse for boring editing. There's nothing wrong with making this a 65 minute film at the expense of empty scenes. The music is nauseating. Every scene ends with an obnoxious crescendo, leading to a jump cut into a new scene. Oddly enough, in a Q and A with the editor of this movie I attended, the editor herself said that the music and sound design were her favorite aspects of the movie. Yeah, the sound design is ok, but the music is trash. Nobody will be looking up the soundtrack and vibing to it. It's trash. The sound design is mediocre. Scenes that feel like they should be the same volume constantly shift volumes. The narration is forced, and it feels like propaganda which is a shame.
In all, it is worth seeing if you have nothing else to watch.
Some strengths are: It gives a raw view into the difficult life of refugees by using real footage. It draws an interesting parallel between the innocence of the daughters and the knowledge of the parents. It manages to take footage shot completely on mobile phones and turn it into a coherent film. It effectively develops relatable characters who the audience can empathize with.
Some failures are: Sure, this movie is only 90 minutes long, but somehow the editor made it feel like 90 years long. I get that it is based on true events and real footage, but that's no excuse for boring editing. There's nothing wrong with making this a 65 minute film at the expense of empty scenes. The music is nauseating. Every scene ends with an obnoxious crescendo, leading to a jump cut into a new scene. Oddly enough, in a Q and A with the editor of this movie I attended, the editor herself said that the music and sound design were her favorite aspects of the movie. Yeah, the sound design is ok, but the music is trash. Nobody will be looking up the soundtrack and vibing to it. It's trash. The sound design is mediocre. Scenes that feel like they should be the same volume constantly shift volumes. The narration is forced, and it feels like propaganda which is a shame.
In all, it is worth seeing if you have nothing else to watch.
The Midnight Traveler is one of the touching documentaries I have seen so far. The family representing the entire refugees all over the world has done everything to show the pain and sorrows and the happiness and joy of the refugees. There is no main character in this film, and rather all those refugees are playing as the main characters and they all have the same role in storytelling in their own way which is one of the strengths of the film throughout. But still what's more bold is the father's feelings towards his family and how he struggles with a painful heart himself and still giving hope for the rest of the family members trying keep them alive in the most difficult situation.
Definitely recommend it.
An interesting inside view to the struggles of a refugee family and what they must do to get acceptance into another country - some pretty fascinating stuff that most of us are unaware of. Recommended viewing.
This opens up an unseen world. The closeness with the family of immigrants escaping and the dangerous journey they take gives an unforgettable insight into their lives. The film can change the perception of what people see when they see immigrants.
Le saviez-vous
- AnecdotesShot using three different Samsung phones by director Hassan Fazili, his wife Fatima and their daughters Nargis and Zahra.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Midnight Traveller
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 41 265 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 549 $US
- 22 sept. 2019
- Montant brut mondial
- 50 336 $US
- Durée1 heure 28 minutes
- Couleur
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By what name was Midnight Traveler (2019) officially released in India in English?
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