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À côté de Woodstock, une révolution s'est déroulée dans un camp de vacances délabré pour adolescents handicapés, transformant leur vie et déclenchant un mouvement historique.À côté de Woodstock, une révolution s'est déroulée dans un camp de vacances délabré pour adolescents handicapés, transformant leur vie et déclenchant un mouvement historique.À côté de Woodstock, une révolution s'est déroulée dans un camp de vacances délabré pour adolescents handicapés, transformant leur vie et déclenchant un mouvement historique.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 11 victoires et 36 nominations au total
Larry Allison
- Self - Camp Director
- (images d'archives)
Ellie Abrashkin
- Self - Camper
- (images d'archives)
Jean Malafronte
- Self - Camper
- (images d'archives)
Carl
- Self - Camper
- (images d'archives)
Steve Hofmann
- Self - Counselor
- (images d'archives)
Michael Tannenbaum
- Self - Camper
- (images d'archives)
Judith Heumann
- Self
- (as Judy Heumann)
Howard Gutstadt
- Self - People's Video Theater
- (images d'archives)
Nancy Rosenblum
- Self - Camper
- (images d'archives)
Nanci D'Angelo
- Self - Camper
- (images d'archives)
Pat Figueroa
- Self - Jened Counselor Activist
- (images d'archives)
Bobby Muller
- Self - Vietnam Veterans Against the War
- (images d'archives)
Avis à la une
This a documentary that should be seen by everyone.To learn something about emphaty.
...no frills, no overly-clever graphics, just a beautifully edited collection of convicting memories, capturing a completely forgotten piece of cultural history, & illuminating the immense effect this one relatively small group of hippies had on American history. It's packed with full of the kind of humanity we need: kid singing "One Time Blues", climbing Capitol steps, reuniting with other campers at campgrounds...& is it just me, or did anybody else crush hard on Judith?
Watching this documentary is about as humbling as being at the senior olympics, as a teen-aged logistical supporter. Seeing what these kids accomplished with their physical & societal challenges makes me embarrassed to even think about giving up on ANYTHING, or complaining about my problems. But it's not a depressing film - it's remarkably optimistic & uplifting. It's also hilarious - the jokes they tell on themselves had me rolling! They're also surprisingly insightful about their place in the world, and not accepting what they're told that is. One of the campers with CP was even poetic, despite her profound disability. Yes, it was VERY hard to understand her, but the effort paid off. You won't regret taking the time to watch this.
While executive-produced by the Obamas, to think that the tragedy this documentary unravels--which is the everyday struggle of disabled people--is dramatized out of proportion would be a careless prejudice. This is focused strictly on the facts and the decades that these facts spawn across.
That doesn't mean that Netflix straight up ignores the details of these disabilities. The people depicted are all very candid about their various situations, but instead of finding a shoulder to cry on, they are viewed for what they actually are--heroes, paragons of success. A lot of them go into vivid stories about their sexuality--yes, of course they are sexually active!
The documentary starts with the spark which ignited a landmark movement which forever changed the US Constitution--and the entire world's for that matter--when it comes to Civil Rights for disabled people. Jened was homemade--it had people with no background into caring for the disabled, yet it contained something more powerful. It allowed them to be themselves. They were everywhere. Their own world, their own normality encapsulated by the bigger unsuspecting world. This was the key which gave birth to an idea--that this bubble should pop all over the world, that when given the opportunity to express themselves, disabled people have at least as much to offer to the world as the rest of us, that they are more human than the world ever knows.
From the existential theme at Jened, the documentary then fasts-forward over decades ensuing a historical fight. It boldly depicts leader Judith Heumann as a well-deserving comparison to Martin Luther King Jr. Yet the most iconic moments are contained in the Herculean efforts these people pulled when they spent days partaking in a hunger strike for their rights--a determination that few people--not to mention disabled--have.
The amount of time and list of US presidents this documentary burns through showed mercilessly how slow, inapt and opaque politics can get. Yet the fact that these people saw it through goes to show that not all heroes wear capes... some can't even stand up on their own two feet.
That doesn't mean that Netflix straight up ignores the details of these disabilities. The people depicted are all very candid about their various situations, but instead of finding a shoulder to cry on, they are viewed for what they actually are--heroes, paragons of success. A lot of them go into vivid stories about their sexuality--yes, of course they are sexually active!
The documentary starts with the spark which ignited a landmark movement which forever changed the US Constitution--and the entire world's for that matter--when it comes to Civil Rights for disabled people. Jened was homemade--it had people with no background into caring for the disabled, yet it contained something more powerful. It allowed them to be themselves. They were everywhere. Their own world, their own normality encapsulated by the bigger unsuspecting world. This was the key which gave birth to an idea--that this bubble should pop all over the world, that when given the opportunity to express themselves, disabled people have at least as much to offer to the world as the rest of us, that they are more human than the world ever knows.
From the existential theme at Jened, the documentary then fasts-forward over decades ensuing a historical fight. It boldly depicts leader Judith Heumann as a well-deserving comparison to Martin Luther King Jr. Yet the most iconic moments are contained in the Herculean efforts these people pulled when they spent days partaking in a hunger strike for their rights--a determination that few people--not to mention disabled--have.
The amount of time and list of US presidents this documentary burns through showed mercilessly how slow, inapt and opaque politics can get. Yet the fact that these people saw it through goes to show that not all heroes wear capes... some can't even stand up on their own two feet.
The Documentary takes it's title from an insensitive nickname for Camp Jened, a summer camp for the disabled, founded in 1951. The Doc focuses on a group of attendees in the summer of 1971 (which included filmmaker James LeBrecht, who co-Directs with Nicole Newnham). At the time, Jened was being run by self-described hippies. One of the interviewees describes the place as their Woodstock which had been held nearby just a couple of summers prior (there's even a sequence when the camp counselors lead a sing-a-long of the Grateful Dead's 'What A Long Strange Trip It's Been'). That younger generation is known for advocating for civil rights, women's rights and gay rights but a lesser known movement was the early stages of rights for the disabled. A good number of the campers not only became friends, but, also became players in the disability rights movements, in particular, the indefatigable Judith Heumann.
Heumann, LeBrecht and Camp Jened members participated in the protests that led to the 1973 Rehabilitation Act (signed by Nixon, but not enforced), the 1977 San Francisco sit-ins that forced Secretary Joseph Califano into finally putting teeth into the act), suffered through Ronald Reagan's budget axe and eventually, the landmark 1990 Americans With Disabilities Act signed by Bush, Sr..
This second and longer section of the Documentary is very well done and certainly heartfelt, but, the opening section at Camp Jened is the heart and soul of the movie. Fortunately, a group called the People's Video Theater documented the camp in 1971 on 1/2 inch Videotape - and, even more miraculously, the tapes survived. What those tapes reveal are the campers in all their unguarded glory. The laughter, the tears and, for many of them, their first sexual experiences (an outbreak of the crabs is squeamishly detailed). The legislation was long overdue and important, but CRIP CAMP is more about just showing the individuals as people. LeBrecht and Newnham let everybody speak for themselves,no matter how halting their speech. It's never edited for time. They are just being themselves in front of the camera. The footage during the S.F. sit-in also needs special mention of local TV reporter Evan White who literally embedded with the protesters.
CRIP CAMP falls into the 'advocacy documentary' category (few warts are discussed), but what elevates it is the way in which the viewer is invited to participate with the Camp Jened campers. It shows in it's own way why it's very title is both a reminder of the past, but also that there is still work to do to eliminate it's "insensitive" moniker.
Heumann, LeBrecht and Camp Jened members participated in the protests that led to the 1973 Rehabilitation Act (signed by Nixon, but not enforced), the 1977 San Francisco sit-ins that forced Secretary Joseph Califano into finally putting teeth into the act), suffered through Ronald Reagan's budget axe and eventually, the landmark 1990 Americans With Disabilities Act signed by Bush, Sr..
This second and longer section of the Documentary is very well done and certainly heartfelt, but, the opening section at Camp Jened is the heart and soul of the movie. Fortunately, a group called the People's Video Theater documented the camp in 1971 on 1/2 inch Videotape - and, even more miraculously, the tapes survived. What those tapes reveal are the campers in all their unguarded glory. The laughter, the tears and, for many of them, their first sexual experiences (an outbreak of the crabs is squeamishly detailed). The legislation was long overdue and important, but CRIP CAMP is more about just showing the individuals as people. LeBrecht and Newnham let everybody speak for themselves,no matter how halting their speech. It's never edited for time. They are just being themselves in front of the camera. The footage during the S.F. sit-in also needs special mention of local TV reporter Evan White who literally embedded with the protesters.
CRIP CAMP falls into the 'advocacy documentary' category (few warts are discussed), but what elevates it is the way in which the viewer is invited to participate with the Camp Jened campers. It shows in it's own way why it's very title is both a reminder of the past, but also that there is still work to do to eliminate it's "insensitive" moniker.
Le saviez-vous
- AnecdotesThe idea to make the film about Camp Jened started "with an off-hand comment at lunch". James LeBrecht had worked with Nicole Newnham for 15 years as a co-director. LeBrecht was born with spina bifida and uses a wheelchair to get around, and had never seen a documentary related to his "life's work as a disability rights advocate". At the end of the lunch meeting, LeBrecht told Newnham: "You know, I've always wanted to see this film made about my summer camp".
- Citations
Judith Heumann: There was a romance in the air if you wanted to experience it. I never dated outside of camp. But at Jened, you could have make-out sessions behind the bunks and different places like that.
- ConnexionsFeatured in WatchMojo: Top 10 Movies of 2020 (So Far) (2020)
- Bandes originalesFor What It's Worth
Written by Stephen Stills
Performed by Buffalo Springfield
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Music Group Film & TV Licensing
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- How long is Crip Camp?Alimenté par Alexa
Détails
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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By what name was Crip Camp: La révolution des éclopés (2020) officially released in Japan in Japanese?
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