63 Up

63 UP (Michael Apted, 2019). In limited release.

The world's greatest ever cinema experiment enters with it's latest installment - 56+ years in the making. At this point, the films are far removed from being stand-alone projects.One must have seen a few of the previous episodes (spaced 7 years apart since 1964) in order to fully appreciate the marvelous work Michael Apted and his team have achieved. And, now, as the group (originally 14 children) have broached the 60 year threshold, the mortality factor has certainly become the overwhelming obstacle to the series continuing. The first of the 14 has already passed on, another is very ill, and two more participants declined being interviewed (one for the very first time; the second (Charles) left in the late-70s/early 80s). Still, as melancholy a Doc as 63 UP is, it's still a fine piece of work. I began watching the series with 1984's 28 UP, and haven't missed one since (I've also caught up with 2 of the 3 other entries recently). So, to see the remaining eleven men and women is like catching up with old friends. American viewers are used to 'reality show' celebrities now, but, keep in mind, this group have been major celebrities in England for much of the past five decades. Tony, the ex-cabbie even relates a story of a passenger asking for his autograph when they were all in the company of Buzz Aldrin - the 2nd man to walk on the moon! Filmmaker Michael Apted (COAL MINER'S DAUGHTER, WORLD IS NOT ENOUGH) is now 78. Apted was a researcher on the original film (now dubbed 7 UP), and has directed all the subsequent films (he told me he had a contingency plan in place in case he wasn't able to finish future episodes). See you in seven years. On to 70 UP

As I watched 63 Up on Britbox, I recalled hearing about it many years ago. I am pleased that I watched it and even more so because I did some reasearch on the series. As a matter of fact, for several days afterwards, I couldn't get away from reading more about it and the people who participated in it...how they started out as part of this lifelong series and how their lives have changed. I give them full credit for sharing their lives and wonder if the creators of the series ever realized how historic and ground breaking the project would be.

The show is absolutely mesmerizing. I feel a certain chill, knowing these people are younger that I am and I am reading about how their lives are slowly drawing to a close. Also there is a real possibility that this great series may have reached the end, particularly now that the director Michael Apted has recently died. I certainly hope that it does continue but it is up to the participants to decide. If it doesn't, it is still a tremendous achievement. I was particularly struck by one of them who, after a very successful life, revealed that he is now facing a potentially terminal illness. Another of the participants talked about his regret at not having a father figure to look up to and now is a very happy and fulfilled human being with something like eight children. Very exceptional for a baby boomer who lived in the same time frame as the others in the series.

It is very moving in the sense that it provides documented evidence of the changes a group of human beings go through as they age, not only physically but in their personal experience. It is understandable that there would be criticisms of the director and some of the questions he asked. We all have personal limitations and certain biases and my sense is that Michael Apted deserves full credit for staying with the project for so long. The film deserves a place in the history of film making and I sincerely hope the time will come when it is so recognized.

Each time a new instalment arrives, my admiration and respect for the participants grows. They show a real and courageous dedication to the series and its importance, and I'm always mindful that the effects from this level of exposure have not always been positive for them.

Michael Apted has, at times, been guilty of some insensitive and perhaps inappropriate questioning, and has been taken to task quite robustly by his interviewees. And rightly so. It's academic now as to whether or not Mr Apted, a very successful international film director, has actually possessed the empathy to make him the right person to steer this project. But then, without some of his deliberate provocations, would there have been the great, intense moments we've seen? The result, for better or worse, is a sum of all its parts.

It's been a real privilege to visit these old friends every seven years, and share their lives' success, failures, loves and tragedies. In a world full of celebrity for its own sake and superficiality, there is an authenticity here that is rarely found. They deserve our thanks for sharing part of themselves with us. They certainly have mine.

For half a decade, people have been astonished at Richard Linklater's BOYHOOD, a movie shot over the course of more than a decade, using the same cast.... as if Michael Apted had not been doing the same thing as a documentary for more than half a century since, as a researcher at ITV, he had been a part of the landmark SEVEN UP (1964) and ever since writer, interviewer, director and occasionally the object of his subjects' scorn for his old-fashioned attitudes.

The first one took the quote "Give me a child for seven years, and I will show you the man" and offered to check in every seven years to review the result. Now, as the subjects face retirement, one has died, and others are looking forward to the endings of their lives, they are called on for review. Is that seven-year-old still with them? What have they learned from the 'program' and is it of any value? Is the class system so evident a lifetime ago still in place? How do they feel about Brexit?

I think the series has been a remarkable achievement, and as a survey of the Baby Boomers, fascinating. It's a pleasure and an education to watch these people show up, grow up, and become, slowly and eventually, themselves, typical and unique.

Apted has called the situation for 70 UP (2026?) "fluid". He himself will be 85 if it comes out, along with many death notices for such of the original subjects that yet survive. It's possible, I suppose, but I'm a couple of years older than these people, and there is, therefore, some doubt I will be around to hear from my old friends from Britain. I wish them all well. They have not been easy friends, but they have been far more honest about who they are than most people I know.... or me.

Time remains undefeated. Death is stalking the series now. It's the uncredited cast member haunting everyone from this point on. Michael Apted remains the director but I don't know for how long. He stays off camera to my disappointment. Some members are battling illnesses. Work is winding down or even gone. Most are happy to talk about their kids and grandkids. A few speak about Brexit. Neil is not fully open about his trouble marriage and I can understand why. Tony's cab business has been heavily damaged by Uber and he has retreated from his Spanish dreams. I wonder if Lynn's family gets their own section in the next one. Does this continue beyond death? More and more, I wonder about mortality in general and the mortality of this series.